Title from item., Date derived from printmaker's date of death., Place of publication derived from street address., Above image: Fourberies de Femmes; En matière de Sentiment; 2e. Serie; 44., In image lower left: 256 [reversed]., Originally published in Le Charivari., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Se vend chez Bauger & Cie. Editeurs des Dessins du Figaro, de la Caricature et du Charivari R du Croissant 16 and Imp. d'Aubert & Cie
Subject (Topic):
Adultery, Diagnosis, Pregnancy, Physicians, and Spouses
"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Caroline lies on a sofa within a tent, dressed in her nightclothes and wearing a miniature of Bergami around her neck; her feathered hat rests on the ground, and on the small table beside her sit bottles of "Brandy" and "Essense of Bergamo" and a container of "Rouge". She smiles and looks over at Bergami, who sits beside her, his slippers and hat discarded on the floor below. Above, a man reaches into the tent to take a lit candle in the candlestick from Bergami, who hands it off with a pleased expression on his face. Beside him on the sofa is a book entitled "The Pilgrim's Guide".
Alternative Title:
Tentation
Description:
Title etched below image., Attributed to Theodore Lane in the online catalogue of the National Portrait Gallery, London (NPG D17898a)., Sheet trimmed within plate mark., One line of text below title: It is the cause, it is the cause, my soul, put out the light, and then -. Othello., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
Subject (Topic):
Adultery, Sofas, Miniatures (Paintings), Bottles, Candles, and Books
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title etched at top of image., Date based on other work by Van der Gucht., Quotation from book I, line 203 of Virgil's Aeneid etched below image: Forsan et haec olim meminisse juvabit. Virg., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Scots opera / 171., and On page 52 in volume 1.
Satire on the the criminal conversation between the Duke of Cumberland and Lady Grosvenor with Cumberland wearing a fool's cap; a servant spills a glass of wine on the Duke. The scene takes place in a bedchamber with a curtain around the bed, with a table set with a meal including wine bottles, wine glasses, and roasted fowl. On the wall hangs a large mirror
Description:
Title etched below image., Date of publication from that of the periodical for which the plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), p. 75., Text above image: For the Oxford mag., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790 and Grosvenor, Henrietta Grosvenor, Countess, -1828
Verse in three parts begins: "Here is a penny-worth of wit"., Printed in five columns with the title and imprint above the first two; the columns are not separated by rules., Full stop at end of title and no punctutation at end of the first line of verse., Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Mounted on leaf 13. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold by J. Evans and Co. 41 Long-lane West-Smithfield
Subject (Topic):
Prostitution, Husband and wife, Adultery, Merchants, and Wealth
Verse in three parts begins: "Here is a pennyworth of wit,"., In five columns with the title above the first two and imprint below the last two; the columns are not separated by rules., Full stop at end of title., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 12. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold in Bow-Church Yard, London
Subject (Topic):
Prostitution, Husband and wife, Adultery, Merchants, and Wealth
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[5 February 1772]
Call Number:
772.02.05.02+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed woman sitting behind a table is taking a necklace out of a box; she has three large black spots on her face. She looks with disdain at her enraged husband in old-fashioned clothes and a nightcap, sitting next to her, his fists clenched and despair on his face. In his lap lies a pair of breeches he is sewing; above on the wall of their meagre abode hangs an advertisement placard next to which is drawn a small stag's head with antlers
Description:
Title engraved below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 5th Feby. 1772 by W. Humphrey, St. Martin's Lane
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[5 February 1772]
Call Number:
772.02.05.02.1+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed woman sitting behind a table is taking a necklace out of a box; she has three large black spots on her face. She looks with disdain at her enraged husband in old-fashioned clothes and a nightcap, sitting next to her, his fists clenched and despair on his face. In his lap lies a pair of breeches he is sewing; above on the wall of their meagre abode hangs a small stag's head with antlers
Alternative Title:
City tailor's wife dressing for the Pantheon
Description:
Title engraved below image., Later state, with plate reworked to include an altered publication line and changes to the design. For an earlier state published by William Humphrey that has an advertisement placard present on the back wall among other differences, see Lewis Walpole Library call no.: 772.02.05.02+., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 5th Feby. 1772 by Heny. Parker at No. 82 in Cornhill, London
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Reference to Barnet -- Military officers -- Male dress: jockey -- Servants.
