An invitation to accompany the Society of Painters at St Lukes Feast on Thursday 24 November, 1687 in Painter Stayner's Hall; with a cartouche illustrated with an allegory of the arts with painting in the center, with winged Fame holding a laurel crown In the top corners are emblems of painting and architecture and on the bottom, drawing (disegno) and sculpture as a putto
Alternative Title:
Sr., you are desired to accompany the Society of Painters ... and Sir, you are desired to accompany the Society of Painters ...
Description:
Title from item., Artist from manuscript annotation on earlier state in the British Museum., Later state of the plate, with alterations to allow the invitation to be used for a variety of events; portions of the engraved text have been removed to create spaces for manuscript additions. For an earlier state with engraved text specific to a St. Luke's Feast on 24 November 1687, see British Museum online catalogue, registration no.: 1977,U.1223., Date from British Museum online catalogue., and Mounted on board to: 39 x 30 cm. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Worshipful Company of Painters.
Subject (Topic):
Allegories, Artists' materials, Angels, Artists, and Putti
Plate [132] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; an angel with torch grabbing the arm of a veiled figure who creeps towards a pile with crown, staff, sword, scroll and book in the right foreground."--British Museum online catalogue
Description:
Title from catalogue., Sheet trimmed within plate mark on three sides., and Plate [132] in a volume bound to 50 cm.
Baker, B. (Benjamin), active 1766-1824, printmaker
Published / Created:
[18--?]
Call Number:
646 802 M243 v.4 pt.2
Image Count:
1
Resource Type:
still image
Abstract:
"Ticket to the Stationers Company; their coat of arms shown as armorial shield held by two trumpeting angels, and motto "verbum domini manet in eternum"."--British Museum online catalogue
Description:
Title devised by cataloger., Date supplied by cataloger., Sheet trimmed within plate mark., Apparently used as a ticket for events; the impression at the British Museum (registration no.: C,2.611) has the contemporary annotation "Ticket to the Stationers Company, being their Arms.", Mounted to 27.1 x 20.8 cm; mounted above is a smaller (sheet 43 x 48 mm) hand-colored etching of the same arms., and Mounted before page 377 in volume 4 part 2 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
publisher not identified
Subject (Name):
Worshipful Company of Stationers and Newspaper Makers (London, England)
Rembrandt Harmenszoon van Rijn, 1606-1669, printmaker
Published / Created:
[19th century].
Call Number:
Print20106
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Original date is 1639. This is a 19th century restrike., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Mary, Blessed Virgin, Saint.
Subject (Topic):
Pulse, Death, Medicine in the Bible, Deathbeds, Saints, Priests, and Angels
Proof of an engraving which was later used on tickets to multiple concerts including one at St Margaret's Church, Westminster, Thursday 31st. May 1792 (see impression in the British Museaum online catalogue), one at Whitehall Chapel, Thursday 8th June 1797 (see impression in the British Museaum online catalogue) and another at the Concert Room, King's Theatre, Haymarket, May 179[blank] (see impression in the Lewis Walpole Library). The image shows, on the right, St Cecilia seated, playing the organ; on the left, two winged figures standing; in an oval; below, a block of low-relief which depicts Charity and three children; a lion and a unicorn on sides of the relief; after Robert Smirke
Alternative Title:
Concert Room, Kings Theatre, Haymarket, May 179, St. Margaret's Church Wesminster, Thursday 31st. May 1792, and Whitehall Chapel, Thursday 8th June 1797
Description:
Title supplied by cataloger., Date from British Museum online catalogue, Cf. museum registration number C,3.95., and On page numbered 16 in an album of 116 prints: [Bartolozzi and his pupils].
In center, men dine at a table while servants cook and serve. Musicians stand behind. Pillars surrounding the table are marked: Læta, Moderate, and Labor. On the table is written: Modicus Cibus, Tenuis Potus. Surrounding this are figures labelled: Aer, Pilætusus, Equitatio, Iaculatio, Venatio, Temperatos, Animi Affectos. At top is a vignette of the Temptation of Christ
Description:
Title from text in image lower edge: Diæta., Date derived from printmaker's date of death., Place of publication derived from printmaker's principal place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Exercise.
Publisher:
publisher not identified
Subject (Topic):
Physical fitness, Diet, Temperance, Jesus Christ, Temptation, Eating & drinking, Servants, Tennis players, Hunting, Angels, and Cookery
A writing sheet engraved with vignettes and the large interior space left blank. At the top is a scene with a throne on a platform in the center at the top of a pie-shaped set of stairs with angels standing along the edges on both the right and the left. Behind the line of angels are crowds of people, with the group from the left seemingly walking towards the right. Along the base of the design is a banner held at either end by cherubs blowing horns, inscribed are the words "Come unto me; ye blessed!" Many of the figures in the crowds wear crowns, one holds a harp and another a censer on a chain. The back of the throne is decorated with three connected triangles, points down and with a crown above the oval head rest, rays of light emanating from all sides. On the left margin are vignettes entitled "The birth" and "The wedding" and on the right "The christening" and "The burial". At the foot of the plate is an image of a dragon-like beast from whose mouth streams a banner bearing the engraved text: “There shall be weeping, wailing and gnashing of teeth". A large oval shape on the dragon's body is left blank
Alternative Title:
Come unto me, ye blessed!
Description:
Title devised by cataloger., Place and date of publication based on manuscript note at foot of sheet., Lewis Walpole Library impression: Center blank space is filled in with three manuscript poems in black ink entitled 'On resurrection', 'On mortality', and 'On death'. The document is signed in the blank oval on the side of the dragon, "William Lea Yoxall's Christmas piece, December 16th, 1798, Chester"., With three poems entitled “On the Resurrection", "On mortality", and "On death” written in ink at center of sheet., and For further information, consult library staff.
Plate lettered in the top center 'A': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. The preacher with his wig flying off and his jester's shirt exposed under his robe. One sheet of paper behind his head reads " To St. Money-trap"; another sheet at his chest reads " I speak as a fool; 2. A cherub with a riding hat holds in his mouth one end of the paper at the preacher's head; 3. One of the preacher's puppets, a witch with a pointed hat and riding a broomstick; 4. The other puppet, a demon walks toward the right holding a gridiron
Description:
Title devised by cataloger., Date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Angels, Churches, Clegy, Demons, Preachers, Putti, and Witches
Plate lettered in the top center 'D': Reverse copies of details from Hogarth's "Credulity, superstition and fanaticism: a medley". Each item is numbered; 1. The clerk surrounded by angel heads (2,3). The clerk holds an opened book which rests on a pulpit from which hangs a sign lettered "Only love to us be gev'n Lord we ask no other Heav'n. Hymn by G. Whitfield [sic] page 130."; 4. Another two figures below. The one on the left weeps into a cloth; the other looks up as a demon whispers in his ear
Description:
Title devised by cataloger., Printmaker and date from other prints in this series in the British Museum online catalogue., Plate from: Lichtenberg's Göttinger Taschen Kalender., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Hutin, François, approximately 1685-1758, printmaker
Published / Created:
[not after 1758]
Call Number:
Print01241
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's principal place of residence, although he lived in Rome after 1737, and the background resembles Rome and the Pantheon., From: The Seven Works of Mercy., See Baudicour, P. Le peintre-graveur français continué, 5., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Corporal works of mercy, Plague, Sick persons, Nursing, Angels, and Dead persons
