"Satire on Gay's "Beggar's Opera". In the foreground a group of animal-headed singers portraying the principal characters are shown on an outdoor stage beneath which Apollo and a muse are lying, a lyre and guitar beside them. In front of the stage a group of musicians play simple instruments: bagpipes, a salt box, a jew's harp, a dulcimer, a bladder and string.To the left, a group of noblemen raise their arms admiring the performance; a crowd of women stand on the right, and in front of them a fat butcher and another man are seen in shadow. Behind the stage, to left, theatre boxes are crowded with an audience chiefly of ladies, and below is a wall hung with ballads against which two men urinate and defecate. In the centre background, is a street (perhaps intended as a backcloth) with an inn sign and gallows. To the right, is a conventional stage on which the Italian opera is evidently being performed and men appear to be pressing money on a woman singer. An angel carrying a ribbon lettered "Harmony" flies off at top right, and above is a ribbon lettered "et cantare pares et respndere parate". Four lines of verse beneath."--British Museum online catalogue
Description:
Title etched above image., Lettered within image, above with title, below with verses beginning, "Brittons attend - view this harmonious Stage ..."., Tentatively attributed to Hogarth by Paulson (2nd ed.) and later (3rd ed., page 34) dismissed., Sheet trimmed to plate mark., Ms. note in Steevens's hand to right: See Nichols's Biographical anecdotes, 3d edit. p. 164., and On page 49 in volume 1.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Musicians, and Opera singers
"Satire on Gay's "Beggar's Opera". In the foreground a group of animal-headed singers portraying the principal characters are shown on an outdoor stage beneath which Apollo and a muse are lying, a lyre and guitar beside them. In front of the stage a group of musicians play simple instruments: bagpipes, a salt box, a jew's harp, a dulcimer, a bladder and string.To the left, a group of noblemen raise their arms admiring the performance; a crowd of women stand on the right, and in front of them a fat butcher and another man are seen in shadow. Behind the stage, to left, theatre boxes are crowded with an audience chiefly of ladies, and below is a wall hung with ballads against which two men urinate and defecate. In the centre background, is a street (perhaps intended as a backcloth) with an inn sign and gallows. To the right, is a conventional stage on which the Italian opera is evidently being performed and men appear to be pressing money on a woman singer. An angel carrying a ribbon lettered "Harmony" flies off at top right, and above is a ribbon lettered "et cantare pares et respndere parate". Four lines of verse beneath."--British Museum online catalogue
Description:
Title etched above image., Lettered within image, above with title, below with verses beginning, "Brittons attend - view this harmonious Stage ..."; a roughened area at lower right could be a sign of the publication line (from the fifth or sixth state) having been removed., Tentatively attributed to Hogarth by Paulson (2nd ed.) and later (3rd ed., page 34) dismissed., Sheet trimmed to plate mark., and On page 49 in volume 1.
Publisher:
Sold at [the] Print Shop in [the] Strand near Catherine Street
Subject (Topic):
Animals in human situations, Musicians, and Opera singers
A satire of the Congress and Treaty of Aix-la-Chapelle with references to Silesia and Gibraltar and the territorial concessions made by the British, specifically relinguishing Capr Breton to France. Here the European powers are represented as beasts: France is depicted as a crowing cock; England as lion; Holland as boar; Genoa as dog; Prussia as wolf; Spain as leopard; Germany as griffin; Austria as eagle; and the Duchy of Lorraine as dog
Description:
Title engraved above image., Truman's notes about the print are shelved as: LWL Mss Group 1 File 10., Watermark: Pro patria., and Mounted to 30 x 40 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Europe
Subject (Topic):
Foreign relations, Politics and government, Animals in human situations, Roosters, Lions, Boars, Dogs, Wolves, Eagles, Leopards, and Griffins
The third in a series of scenes: A monkey dressed as a fine gentleman kneels before a well-dressed female monkey who looks away demurely behind her fan. The scene takes place in a formal garden
Description:
Title from caption below image. and Publication date from unverified data from local card catalog record.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Courtship, Gardens, and Marriage proposals
Caption title., Publication date from Foxon., Verse begins: 'Tis well we live in such a fickle place, Where Novelty was ever follow'd more than Grace ... One Foll makes many, if't be really so, Monkies and Monsters are the best to show., "Price 2 d."--Following imprint., "Beware of wretched halfpenny wooden cuts."--Below imprint., and With a large woodcut below the title and preceding the letterpress text: Madamoiselle Javellot is shown on stage flanked on either side by chandeliers wtih her performing dogs in costumes in front and a musician in the background, left, behind the curtain.
Publisher:
Printed and sold by J. Morphew, near Stationers Hall
Subject (Name):
Pinkethman, William, -1725 and Bartholomew Fair.
Subject (Topic):
Opera, Theater, Animals in human situations, Dogs, Fairs, Musicians, Theater curtains, and Trained animals
James Morison promoting his alternative medicines; satirised by five vignettes of a fox among geese. The central image is that of a street scene outside the London and British Colleges of Health: James Morison is presented as a fox standing on a box of 'Universal vegetable pills' surrounded by geese, who represent the public; he says "My 'Universal pills' are quite divine! If one don't do, you may take nine." and "Various humorous images of foxes and geese comprising (clock-wise from top left); a fox dressed as an eighteenth century fop offering a glass to a goose wearing a bonnet; a fox butcher, standing outside his shop and offering a dead goose to a vixen dressed in a shawl and bonnet, other poultry hanging outside; a fox in militray uniform and playing on a drum, leading a column of geese; a fox preaching to a congregation of geese; the large central image; a fox in a smart tailcoat advertising his 'Universal Vegetable Pills' to an interested gathering of geese; the 'British College of Health' and the 'London College of Health' beyond, the latter with two well-dressed foxes drinking on a balcony, observed by a crowd of geese (lettered below image "The Fox and Goose"; a short poem or song following)."--British Museum online catalogue
Description:
Title etched beneath large central image., Dimensions from impression in the British Museum, registration no.: 1859,0316.518., "Illustration to the third volume of Cruikshank's 'My Sketchbook' (1834)"--British Museum online catalogue., See further: Transactions of the British Society for the History of Pharmacy, London 1974, v. 1, no. 3., Temporary local Medical Library subject terms: Proprietary remedies -- Morison's Pills., 1 print : etching ; sheet 12.5 x 15.6 cm., and Imperfect; sheet trimmed with loss of all design and text apart from large central image and the title "The fox and the goose" beneath it.
Publisher:
George Cruikshank
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Morison, James, 1770-1840.
Subject (Topic):
Alternative medicine, Quacks and quackery, Human behavior, Animal models, Patent medicines, Foxes, Geese, and Animals in human situations
The first of six scenes, set in a garden, showing the courtship of a couple, two monkeys in human clothing. In this scene, the male bows to the female as a chaperone looks on.
Description:
Title from caption below image. and Publication date from unverified data from local card catalog record.
Two goats in fine dress dance together, accompanied by two musicians playing an oboe(?) and a bass. In the right foreground is a large drum
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 27 x 32 cm.
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Dancers, Goats, Monkeys, Minuets, and Musicians
