Title devised by curator., Signed and dated on pedestal in image: J.H.M. 1773., Companion drawing: Landscape with arch., Formerly housed as part of the SH Contents collection., One of two drawings in a folder., and For further information, consult library staff.
A sketchbook of drawings of antiquities, with brief notations about the objects depicted, in multiple hands. Horace Walpole describes the volume in his 1774 Description of Strawberry Hill as "a book of drawings of vases, bas-reliefs, and other antiquities." These very fine, detailed drawings in a variety of media -- graphite, pen and ink, wash, and watercolor -- are in some cases mounted onto the leaves, in other cases, drawn directly onto the rectos
Alternative Title:
Drawings from coins, medals, bronzes, etc. from Greek and Roman antiquities and Book of drawings of vases, bas-reliefs, and other antiquities
Description:
Pietro Santi Bartoli, Italian painter, etcher and engraver, active in Rome., Title from Hazen., No text; a few notes in Italian and Latin., Title from f. [1r] of item. "The title, distributed over six lines on the frontispiece ... was riddled with gaps -- "SO...TI [or "SC...TI"]/D... / VAR ... /COSE / ANTI / CHE"--which I suggest should be read as "Scritti di varie cose antiche" (Notes on various ancient objects)". From Irène Aghion's unpublished research. Aghion also identifies the artist as Bartoli., Cited in Allen T. Hazen's Catalogue of Horace Walpole's library, no. 2371 (New Haven : Yale University Press, 1969) and titled: Drawings from coins, medals, bronzes, &c., In his Description of Strawberry Hill (1774), Horace Walpole cites the volume as: A book of drawings of vases, bas-reliefs, and other antiquities., Rebound in blue morocco by Hodgson of Liverpool, with gold tooled borders and blind-stamping on boards. 'Antiquities. Original drawings' in gold on spine; gilt edges. Binder's stamp on verso of front flyleaf., With the armorial bookplate of Earl of Derby, 1775-1851 and press mark 26. B ; and with the bookplate of Horace Walpole (BP1)., Numbered pages bound in the following sequence: 1-2, 4-5, 3, 6-7, 9-10, 8, 11-16, 18-20, 17, 22-149., Blank leaves: 2-5, 7-8, 16-17, 65. Page 21 missing., and Rebound in blue morocco by Hodgson of Liverpool. Bookplate 1. Not in Manuscript Catalogue of 1763. Bookplate of Lord Derby.
Subject (Topic):
Art, Greek, Art, Roman, Classical antiquities in art, Antiquities, Roman, Greek, Bas-reliefs, Coins, Medals, and Vases
Album of ca. 40 pen and ink, wash, and one color drawing of scenes in Yorkshire, most dated (30 April 1799-9 June 1801) and "drawn on the spot", with the artist's identification of the locales, buildings, and ruins. The first is dated April 30th 1799 and is a view of Fountain's Abbey and followed by several sketches of ships and trees, a cottage, and two views of a bridge with a village in the distance. These sketches are followed by a series 24 non-sequentially numbered sketches, half of which are half-page oval designs. Six more drawings -- wash, pencil, or ink -- follow executed in 1801. The penultimate leaf contains a pencil drawing of The ruins of Wallop Church, dated Ap: 15th 1805 on the verso and a rough sketch of a scene on the verso. The final leaf is a wash drawing of a vista and is signed E. Johnson, JPearson, JPearson and is undated; another rough pencil drawing of trees and tower on the verso
Description:
Artist John Pearson of Ripon., Title devised by cataloger., Binding: Marble boards, leather spine., First recto leaf: a list of "Unbound sketches" not included in this album., On front flyleaf: Jn. Pearson, Ripon. With other faint pencil notes about subjects of drawings., "N.9" on back pastedown., and For further information, consult library staff.
Collection of Etruscan, Greek, and Roman antiquities.
Image Count:
1
Resource Type:
still image
Description:
Title supplied by cataloger from text on item. and Plates, initials, and head- and tail-pieces by Ant. Cardon, Nolli, Carmine Pignatari, and Dufrenoi; after Giuseppe Bracci, Filip de Grado, Edmondo Beaulieu, Gio. Bat. Tierce, Aniel. Lamberti, and R. Beaulieu. Printmaker of the title page not identified.
