"Burdett in armour stands with legs astride, sword raised, left fist clenched, making an onslaught on a book which is on the ground, its pages slashed and tattered. On these are fragments of inscriptions: 'Red Book for the . . .'; 'Treasury'; 'Pensions' [twice]; 'Pensions 4000, 3000, 2.400'; 'Teller o the Ex[chequer] . . . 6000 4.000'; 'Sinecu[res]'. He declaims: "I will not stop, - till I have cut out the accursed leaves of the Red Book!!!" His sword-blade is 'Took's Improved Steel'. On the right Tooke peers at him, holding aside a curtain; he says: "Come Come my pupil goes on better than I expected - very indeed for a beginning yes - yes - he'll do after a little practice" [see British Museum Satires No. 10731, &c.]. He holds a book: 'Diversions of Purley' [see (e.g.) British Museum Satires No. 9020]. On the left John Bull, dressed as Sancho Panza with a short tunic and ruff, gapes at his master, his hands on his knees. He says: "What the deuce is he at now! he will certainly get himself into some scrape or other." Mambrino's helmet (the barber's basin) lies at Burdett's feet; it has a tricolour cockade and three feathers."--British Museum online catalogue
Alternative Title:
John Bull turned Sancho Panza
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. June 1807 by Walker, No. 7 Cornhill
Subject (Name):
Burdett, Francis, 1770-1844, Tooke, John Horne, 1736-1812, Cervantes Saavedra, Miguel de, 1547-1616., Quixote, Don (Fictitious character), and Panza, Sancho (Fictitious character)
Subject (Topic):
John Bull (Symbolic character), Armor, Daggers & swords, Books, Draperies, Helmets, and Feathers
Cromwell's ghost wearing armor rises from a cloud evoked by a witch sitting by a cauldron. Cromwell's stern look is fixed on a terrified Charles Fox who stands in a defensive position behind the witch
Description:
Title from item. and Publication information erased from this impression.
Publisher:
Published by E. Hedges, No. 92 Cornhill
Subject (Name):
Fox, Charles James, 1749-1806. and Cromwell, Oliver, 1599-1658.
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., Imperfect; sheet mutilated in lower right corner with loss of text. Missing text added in ink to repaired corner, in a modern hand., and Mounted on modern backing.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., 1 print : etching ; sheet 29.4 x 43 cm., Printed on wove paper with watermark "J. Whatman 1821"; hand-colored., Sheet trimmed within plate mark on top and bottom edges., Mounted to 39 x 58 cm., Mounted on leaf 98 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Denman," "Brougham," "Bergami," "Lady Anne Hamilton," "Caroline," and "Lieut. Hownam & Flinn" identified in ink below title; date "19 July 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
"Hastings, in oriental dress, rides (right to left) a camel. He and the camel look down with dignified contempt at Burke (left), who fires a blunderbuss point-blank at the 'Shield of Honour' on Hastings's left arm. On the shield is a crown. Behind Hastings are Fox and North (right): Fox raises a dagger with burlesqued gestures and an expression of frenzied rage; North, very short and fat, clutches one of the bags behind Hastings inscribed 'Lacks Rupees added to the Revenue'; this is tied to another inscribed 'Rupees Do'. The three assailants are much caricatured and all wear armour; Burke, grotesquely thin and like some malignant insect, wears a Jesuit's biretta (cf. British Museum Satires No. 6026). He somewhat resembles the Don Quixote of British Museum Satires No. 7678, &c, cf. also British Museum Satires No. 7158; a wallet of 'Charges' is slung across his shoulder, bare feet project from the greaves which cover his legs. North wears his Garter ribbon over his armour, with a feathered helmet and top-boots. The point of a large sabre with a damaged blade projects through the tattered scabbard which is inscribed 'American Subjugation'. Fox wears the cloak of a conspirator over his armour (cf. British Museum Satires No. 6389, &c). Hastings (not caricatured) wears a jewelled turban, floating draperies, trousers, and slippers; his camel is heavily draped. On its back are bags, inscribed 'Saved to the Company' and 'Eastern Gems for the British Crown', with a rolled map, 'Territories acquired by W. Hastings'. The background is a mountainous landscape."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue of plate originally published with the imprint: Pubd. May 11th, 1786, by Willm. Holland, No. 66 Drury Lane. See British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Literary allusion through costume: Miguel de Cervantes's Don Quixote -- Alleged bribery of Hasting's supporters -- Decorated camels -- Hats -- Jesuit's biretta -- Guns: blunderbuss -- Damaged sabres -- Greaves -- India -- Banditti.
Publisher:
Published 1788 by Willm. Holland, No. 50 Oxford St.
Subject (Name):
Hastings, Warren, 1732-1818, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, and Burke, Edmund, 1729-1797
Subject (Topic):
Camels, Firearms, Turbans, Shields, Daggers & swords, and Armor
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., and Mounted on page 16 of: George Humphrey shop album.
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., 1 print : etching ; sheet 26.4 x 36.4 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark on left side., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 18 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Q. Caroline," and "Ald. Wood" identified in black ink at bottom of sheet; date "11 June 1820" written in lower right corner. Pencil annotation "+ GC" added beneath Robert Cruikshank's signature, noting George Cruikshank's contribution to the production of the print. Typed extract of twenty-four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
Page 457. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the shrine designed by Pietro Cavallini, brought to the chapel at Strawberry Hill from Rome in 1768. A cross sits on the floor beneath the shrine, between the twisted columns; an armored glove and dagger are seen in the foreground, while other arms and armor hang on the walls in the background
Description:
Title and statement of responsibility written in ink below image, on mounting sheet., Artist "E.B." identified as E. Bell in local card catalog record., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Mounted on page 457 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
A view of the stairway at Strawberry Hill, Twickenham, including a view of the armor of Francis I in an alcove
Description:
Title below image., Related to illustrations for: Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole. [London] : Smith and Robins, 1842., and With an embossed ownership stamp of Thomas Mackinaly.
"William IV, as Mars, in Roman armour, stands defiantly in a war-chariot drawn by three galloping horses, ridden by Discord, a virago with serpents for hair, who brandishes a handful of serpents. He holds a shield inscribed 'Signed Protocols', and a levelled spear; on his helmet is a dragon with gaping jaws. The chariot advances upon terrified Dutch soldiers (left), who flee; one drops his musket, but one on the extreme left (William I) stands firm beside the muzzle of a cannon and glares at the King with an obstinate scowl. They have high-crowned hats, with a ribbon inscribed 'Orange'. Facing the chariot-horses (left) are a menacing Russian bear and a Prussian Death's Head hussar with a levelled blunderbuss. Discord, looking sideways at the Prussian though turning away from him, says: 'A word in your Ear! there's nothing meant, its all show just to frighten these Dutchmen a little'. Under the chariot is a document inscribed 'Treatys'; the wheel is about to collide with a large stone inscribed 'Ireland', on which the features of O'Connell are faintly suggested. Behind the chariot are three Furies, with serpents for hair, and holding firebrands and bunches of serpents. Rushing forward, they urge the King on; they are (left to right) Grey, Durham, and Brougham. As a background to the chariot a swarm of countless frogs (French soldiers) is dimly suggested; they rush forward, with a tricolour flag. On the front of the chariot perches a Gallic cock. In the foreground (right) stands John Bull, stout and spectacled; he clutches his 'Reform Bill', and gapes up in horror, saying, 'Hey dey here's a bobbery, just as I was going to look over my Reform Bill quietly, what do they mean not to go to war sure now,!! after suffering Poland to be annihilated & Germany trampled on, Oh nonsense! Nonsense'."--British Museum online catalogue
Description:
Title from text below image., Printmaker from British Museum online catalogue., Publisher from publisher's statement "Published on the first of every month by Thos. McLean, 26 Haymarket, London" on first page of magazine; date of publication from series numbering "Vol. 3rd, Novr. 1st, 1832" on first page of magazine. See British Museum catalogue., Fourth page of a monthly magazine that consisted of four pages., and Imperfect; sheet trimmed resulting in loss of series title and numbering from top edge.
Publisher:
T. McLean
Subject (Name):
William IV, King of Great Britain, 1765-1837, William I, King of the Netherlands, 1772-1843, O'Connell, Daniel, 1775-1847., Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Grey, Charles Grey, Earl, 1764-1845, Durham, John George Lambton, Earl of, 1792-1840, and Mars (Roman deity)
Subject (Topic):
John Bull (Symbolic character), Armor, Chariots, Snakes, Shields, Spears, Firearms, Soldiers, Dutch, Prussian, National emblems, Bears, Frogs, and Roosters
