Title from item., Date from Philadelphia Museum of Art., Printmaker supplied by curator., Above image: Puck., Published in Puck, 19 November 1879., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Skeleton as Death; Hydropathy.
Publisher:
Puck
Subject (Topic):
Quacks and quackery, Patent medicines, Hydrotherapy, Homeopathy, Phlebotomy, Skeletons, Audiences, Tambourines, Banjos, Medicines, Ducks, and Concerts
Title from item., Date supplied by curator., Place of publication derived from street address., Published in Le Charivari, 26 August 1838., Series supplied by curator: Caricaturna., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Magnetism.
Publisher:
Chez Aubert gal Véro-dodat and Imp. d'Aubert & Cie
Subject (Topic):
Robert Macaire (Fictitious character)., Magnetic healing, Hypnotism, Quacks, Older people, and Audiences
"Interior view of the circus in St George's Fields; a circular arena in centre, and stage to the right; a performance taking place on the stage, and standing spectators occupying arena, others watching from surrounding galleries."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 66., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 13., and Watermark: J. Whatman 1809 W. Balston.
Publisher:
Pub. 1st May 1809 at R. Ackrmann's [sic] Repository of Arts, 101 Strand
Subject (Geographic):
St. George's Fields., London (England), England, and London.
Subject (Name):
New Royal Circus (London, England) and Surrey Theatre.
Subject (Topic):
Circuses & shows, Theaters, Audiences, Spectators, and Interiors
"Interior view of the theatre, seen from the back of one of the galleries, looking towards the stage; during a performance."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 69., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 41.
Publisher:
Pub. June 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"Interior view, showing the theatre of the instutiton during a lecture; located on Blackfriars Road; with two galleries, the uppermost supported by Doric columns; light enters room from dome above."--British Museum online catalogue
Alternative Title:
Surry Institution
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 81., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 158.
Publisher:
Pub. Septr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Surry Institution (London, England)
Subject (Topic):
Lecture halls, Interiors, Audiences, Columns, and Domes
Byron, Frederick George, 1764-1792, attributed name
Published / Created:
May 12, 1790.
Call Number:
790.05.12.01+
Image Count:
1
Resource Type:
still image
Abstract:
"The King of Spain sits on a circular dais under a canopy, turning his head away from the English ambassador (left), a stout John Bull wearing top-boots behind whom stand four pugilists. Three Spaniards with pikes stand on the extreme right behind the throne, and three courtiers stand in the background. The King wears a short tunic and ruff with a feathered hat; all the Spaniards have long upturned moustaches, all look dismayed. Three of the pugilists are inscribed: 'Big Ben' [Benjamin Brain], 'Humphries', and 'Mendoza'; the fourth is Ward. Beneath the design is etched: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!'"--British Museum online catalogue
Description:
Title etched above image., Printmaker identified by Andrew Edmunds as Frederick George Byron., Text etched below image: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!', Publisher's advertisement in lower left corner of image: In Hollands Exhibition Rooms may be seen the largest collection in Europe of humorous prints., Sheet trimmed to plate mark., and Formerly mounted on blue paper, with residue on verso.
Publisher:
Pubd. by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Spain.
Subject (Name):
Charles IV, King of Spain, 1748-1819, Humphries, Richard, -1827., Bryan, Benjamin, 1753-1794., and Ward, Joseph, active 1790.
Subject (Topic):
John Bull (Symbolic character), Ambassadors, British, Audiences, Boxers (Sports), Ethnic stereotypes, Kings, and Reception rooms
On the right, the chairman of the Robin Hood Society leans over a rostrum toward the speaker, Jeffery Dunstan, a hawker whose physical deformities and wit led to his election as the "mayor of Garrett" shown in the image behind him on the wall. The caricatured audience, plebeian in its appearance, along with the subject of an upcoming debate announced on the side of the rostrum, further ridicule this well-known debating society
Description:
Title etched at bottom of image. and Cf. No. 6331 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Dunstan, Jeffery, 1759?-1797.
Subject (Topic):
Debates and debating, Audiences, Interiors, and Clothing & dress
On the right, the chairman of the Robin Hood Society leans over a rostrum toward the speaker, Jeffery Dunstan, a hawker whose physical deformities and wit led to his election as the "mayor of Garrett" shown in the image behind him on the wall. The caricatured audience, plebeian in its appearance, along with the subject of an upcoming debate announced on the side of the rostrum, further ridicule this well-known debating society
Description:
Title from item., Sheet trimmed to plate mark., and Mounted to 18 x 23 cm.
Publisher:
Pubd. May 25, 1783, by W Humphrey, No 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Dunstan, Jeffery, 1759?-1797.
Subject (Topic):
Debates and debating, Audiences, Interiors, and Clothing & dress
Probable book illustration, within ornamental frame, of a man declaiming from a raised platform before an audience composed chiefly of men in the foreground and of women in the upper gallery, the setting illuminated by candles on the table before the speaker, and by a chandelier
Alternative Title:
School of Shakespeare
Description:
Title from item. and Date inferred from costume.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Shakespeare, William, 1564-1616
Subject (Topic):
Dramatic productions, Acting, Actors, Audiences, and Stages (Platforms)
A satire on Madame Mara: She sits in an armchair decorated with Masonic symbols which is in the center of a concert room, with a boarded floor and low platform along the back for the performers. She sings the lines "Oh, Oh, de roasta beef-a de charmante pudding O"; in her hands is an open music book titled "Oh the road beed of Old England, Fieldings popular song. The plebeian audience sit or stand along the right and left foreground. On the left a lady asks her neioghbor, "Did she sing this sogn at the Abbey?" He responds, "She never sung so well as the Abbey in her life." In the center foreground sits a dog who watches the vocalist. The wall is decorated with candle-sconces and a placard with the "Rules to be observed in this meeting" which jabs at the plebeian audience. One man performs on a salt-box, another with marrow-bone and cleaver while yet another puts a Jew's harp in his mouth; a fourth plays a bladder bridge. See British Museum catalogue for further discussion
Description:
Title etched below image., Seven lines of descriptive prose inscribed below title., Possibly engraved by Henry Wigstead (d. 1793). See attribution in British Museum catalogue to Mr. Hawkins., and Watermark in center of sheet: J Whatman.
Publisher:
Publish'd Feby. 28th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3, Piccadilly
Subject (Geographic):
Wapping (London, England)
Subject (Name):
Mara, Gertrud Elisabeth, 1749-1833
Subject (Topic):
Social life and customs, Masons, Audiences, Concerts, Dogs, Etiquette, Harps, Musical instruments, and Musicians
