On the right, the chairman of the Robin Hood Society leans over a rostrum toward the speaker, Jeffery Dunstan, a hawker whose physical deformities and wit led to his election as the "mayor of Garrett" shown in the image behind him on the wall. The caricatured audience, plebeian in its appearance, along with the subject of an upcoming debate announced on the side of the rostrum, further ridicule this well-known debating society
Description:
Title etched at bottom of image. and Cf. No. 6331 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Dunstan, Jeffery, 1759?-1797.
Subject (Topic):
Debates and debating, Audiences, Interiors, and Clothing & dress
On the right, the chairman of the Robin Hood Society leans over a rostrum toward the speaker, Jeffery Dunstan, a hawker whose physical deformities and wit led to his election as the "mayor of Garrett" shown in the image behind him on the wall. The caricatured audience, plebeian in its appearance, along with the subject of an upcoming debate announced on the side of the rostrum, further ridicule this well-known debating society
Description:
Title from item., Sheet trimmed to plate mark., and Mounted to 18 x 23 cm.
Publisher:
Pubd. May 25, 1783, by W Humphrey, No 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Dunstan, Jeffery, 1759?-1797.
Subject (Topic):
Debates and debating, Audiences, Interiors, and Clothing & dress
Probable book illustration, within ornamental frame, of a man declaiming from a raised platform before an audience composed chiefly of men in the foreground and of women in the upper gallery, the setting illuminated by candles on the table before the speaker, and by a chandelier
Alternative Title:
School of Shakespeare
Description:
Title from item. and Date inferred from costume.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Shakespeare, William, 1564-1616
Subject (Topic):
Dramatic productions, Acting, Actors, Audiences, and Stages (Platforms)
A satire on Madame Mara: She sits in an armchair decorated with Masonic symbols which is in the center of a concert room, with a boarded floor and low platform along the back for the performers. She sings the lines "Oh, Oh, de roasta beef-a de charmante pudding O"; in her hands is an open music book titled "Oh the road beed of Old England, Fieldings popular song. The plebeian audience sit or stand along the right and left foreground. On the left a lady asks her neioghbor, "Did she sing this sogn at the Abbey?" He responds, "She never sung so well as the Abbey in her life." In the center foreground sits a dog who watches the vocalist. The wall is decorated with candle-sconces and a placard with the "Rules to be observed in this meeting" which jabs at the plebeian audience. One man performs on a salt-box, another with marrow-bone and cleaver while yet another puts a Jew's harp in his mouth; a fourth plays a bladder bridge. See British Museum catalogue for further discussion
Description:
Title etched below image., Seven lines of descriptive prose inscribed below title., Possibly engraved by Henry Wigstead (d. 1793). See attribution in British Museum catalogue to Mr. Hawkins., and Watermark in center of sheet: J Whatman.
Publisher:
Publish'd Feby. 28th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3, Piccadilly
Subject (Geographic):
Wapping (London, England)
Subject (Name):
Mara, Gertrud Elisabeth, 1749-1833
Subject (Topic):
Social life and customs, Masons, Audiences, Concerts, Dogs, Etiquette, Harps, Musical instruments, and Musicians
"Theatre stage with two dancers; a woman (La Barbarina) jumping with her legs apart and a man (George Desnoyer) with his legs together; on either side a chorus, or audience, and statues of Comedy and Tragedy holding candles."--British Museum online catalogue
Description:
Title etched below image., Lettered within image with the words in brackets added in pen and ink: "A Scale of feet" and below, "A B The Charmers of the Age: C. C. Prickt lines [shewing the rising] Height., On page 95 in volume 1. Sheet 190 x 252 mm., and Ms. note in pencil in Steevens's hand above print: Livesay's Copy
Publisher:
Publish'd March 1, 1782 by Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Name):
Campanini, Barbara 1721-1799 and Desnoyer, George, approximately 1700-1764
"Dr. James Graham, the famous quack, stands on a small platform or pedestal, addressing an audience of both sexes who sit and stand in front of him. He stands rather to the right of the design looking left, his right hand raised, his left holding a rolled paper as in British Museum satire no. 6324. He wears a bag-wig and ruffled shirt. Those of the audience whose faces are visible are probably portraits, but only Fox, Wilkes, and (?) Perdita Robinson can be identified. Three persons sit on a raised seat immediately under the lecturer and with their backs towards him: a young man puts his arm round a lady who draws back with a coy expression; the third is Fox who sits gloomily impassive, his head supported on his hand, perhaps annoyed at the way in which Mrs. Robinson looks towards the man standing next her, who stands on the extreme right in profile to the left. He is slim and wears the fashionable riding-dress but is very ugly. Two rows of people sit on forms facing the lecturer. Others stand on the left. Wilkes is in profile to the right, an elderly beau with receding hair, sunken eyes, and broken teeth."--British Museum online catalogue
Alternative Title:
Docter himself pouring out his whole soul for 1 s. and Doctor himself pouring out his whole soul for 1 s.
Description:
Title etched below image., Two lines of verse below title: How fluent nonsense trickles from his tongue, how sweet his lectures neither sd. nor sung. Pope., Sheet trimmed to plate mark leaving thread margins., Dr. Graham and Capt. Topham are identified in black ink contemporary hand, perhaps that of James Gillray., and Mounted to: 38 x 31 cm.
Publisher:
Published as the act directs Feby. 12, 1783, by R. Rusted, No. 3 Bridge St., Ludgate Hill
Subject (Name):
Graham, James, 1745-1794, Fox, Charles James, 1749-1806, Topham, Edward, 1751-1820, Robinson, Mary, 1758-1800, and Wilkes, John, 1725-1797
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"King, Queen, bishop and politicians performing on a stage of a theatre."--British Museum online catalogue
Alternative Title:
King, Lords, and Commons, as it was performed at the National Theatre
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Two lines of text below title: Sole proprietor, the Apsley House Junta; leasee, pro tem. Mr. Melbun; stage manager, Mr. Russel ..., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Incorrectly numbered "107" in brown ink in top center portion of design., Mounted on green paper backing; small strip of paper (6 x 112 mm) with partial title from no. 105 in The political drama series pasted on verso of mount, with the text "Noble lords!!! A few speciements of ou[...]" present., and No. 106.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, Russell, John Russell, Earl, 1792-1878, Wellington, Arthur Wellesley, Duke of, 1769-1852, and National Theatre (Great Britain),
Subject (Topic):
Britannia (Symbolic character), John Bull (Symbolic character), Politicians, Bishops, Interiors, Theatrical productions, Stages (Platforms), and Audiences
"View inside the hall of the school at Christ's Hospital, London; two students wearing blue coats stand on platform in centre of hall, scholars and elegantly dressed figures seated around edge; a large figure painting across top half of wall above panelling on the right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 10., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 69.
Publisher:
Pub. 1 March 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Christ's Hospital (London, England)
Subject (Topic):
Audiences, Events, Interiors, Auditoriums, and Public speaking
An audience of spinsters (variously caricatured) is entertained by an orchestra and chorus of cats who play instruments but mostly sit before large volumes or scores singing. The stage is decorated with curtains decorated with tassels and supported by grand pillars. To the right a chandelier with candles is partially visible
Description:
Title from text on banner in image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford St.
Subject (Topic):
Audiences, Cats, Chandeliers, Concerts, Musical instruments, Single women, and Theater curtains
