"George IV, dressed as Henry VIII and with cavalry boots decorated with rosettes, sits on the throne (right), shrinking angrily from oxen wearing civic gowns who bow, presenting petitions. All the horns of the oxen are tipped with tiny caps resembling caps of Liberty; a slightly larger pair protects the prongs of a fork held up on the extreme left above the massed heads of the beasts. On this a placard is speared: 'Petitions from every Part of the World--(Hole's and Corner's excepted) to Dismiss the Ministers-- signed by upwards of 999,999--Millions of the Brute Creation.' The petitions of the four beasts in the front row are headed: 'Petition of Lord Mayor & Citizens of London to Dismiss Ministers'; 'Petitions from every part of England & Wales to Dismiss Ministers &c &c &c'; '. . . ions from every Part of Scotland to Dismiss Ministers &c &c &c'; 'Petitions from every part of Ireland . . . [ut supra]'. Hooves rise from cattle behind holding more petitions: 'from Europe'; 'From Asia'; 'from Africa'; 'from America'; 'from every Honest Man'. The canopied throne is raised on a dais of three steps, the footstool is a cushion supported on a (carved) elephant; but the King's feet are drawn back. His right hand is on his hip; he holds an oddly shaped sceptre in the left hand. The back of the throne is framed by carved mannikins with shackled hands and feet; a large crown rests on the heads of the two uppermost. The back of the canopy has a pattern of writhing serpents. Ministers, much caricatured, stand on the right and left of the dais. In the foreground (right) and on the King's left, Wellington, with the apron and steel of a butcher (as in British Museum Satires No. 13288), with gauntlet gloves and with a star on his tunic, holds a blood-stained battle-axe. Sidmouth, as Court-fool, sits in profile to the left on an apothecary's mortar, wearing a double-peaked fool's cap and a star, and holding a bladder which is his clyster-pipe. Behind is Eldon, scowling savagely and holding the mace and the Purse of the Great Seal. A bishop holding a crosier stands on either side of the throne, behind the Ministers. A staff supports an emblematical cask which a naked Bacchus bestrides. On the King's right is Liverpool, holding a tall staff to which a green bag is tied (see British Museum Satires No. 13735). Next him is Castlereagh, blandly sinister, holding a scourge, and with a bunch of keys hanging from his belt; he stares at the petitioners. A tiny Vansittart is beside him, in his Chancellor of the Exchequer's gown, with an 'X' on his breast above a chequered pattern, hung diamond-wise. Immensely fat and absurd beefeaters stand along the back of the room under quasi-Gothic windows of stained glass. All hold tridents and turn their eyes towards the petitioners, grinning grotesquely. Each window is centred by an escutcheon on which a decanter is the chief object. The upper part of each is filled by a design of three large peacock's feathers (see British Museum Satires No. 13299). The Gothic roof, caricaturing that at Carlton House (cf. British Museum Satires No. 11727), is filled with tracery in the form of antlers."--British Museum online catalogue
Description:
Title etched above image., Text below image: Historical fact, King Henry VIII, being petitioned to dismiss his ministers & council, by the citizens of London & many boroughs, to releive [sic] his oppressed subjects, made the citizens this sagacious reply: "We, with all our cabinet, think it strange that ye, who be but brutes, & inexpert folk, shd. tell us who be & who be not fit for our council." Vide La Belle Assemblée for October 1820, p. 151., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, Feby. 14, 1821, 27 St. James's Street
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Henry VIII, King of England, 1491-1547., and Dionysus (Greek deity)
Subject (Topic):
Politicians, Boots, Thrones, Oxen, Bowing, Petitions, Liberty cap, Pitchforks, Podiums, Crowns, Scepters, Butchers, Fools & jesters, Mortars & pestles, Medical equipment & supplies, Ceremonial maces, Bishops, Bags, Whips, Honor guards, and Windows
Watercolor of a beggar dressed in ragged, patched clothes, leaning on two crutches and wearing a bag slung across his body with the words "Scraps thankfully received" lettered upon it. He wears an eye patch on his right eye; a pipe sticks out of his hat
Alternative Title:
Scraps thankfully received
Description:
Title, a quote from Hamlet, written in ink beneath image., Signed with the artist's initials and dated in lower portion of image. Artist's full name "Wm. Carruthers Esqre." is written within wash-line border at bottom., and For a lithograph of this design in reverse, published March 1825 by E. Hull and Rowe & Walker, see Wellcome Collection reference: 664653i.
"A scene in the Lords. A large Green Bag stands wide open on the floor before the Woolsack; John Bull, a fat 'cit', takes from it a bottle inscribed 'Imputation' [cf. British Museum Satires No. 13796]; the cork, in the form of a crown, flies up, and smoke rises. Eldon, seated on the Woolsack, one foot regally on a sack inscribed 'Mother Coal', scowls at the bottle; his mouth, like those of the other peers, is closed by a padlock, but he holds up a paper inscribed: 'My Lords-- Right or Wrong we will proceed'. J.B. faces him with arm flung back, exclaiming: "Stop--hear me first--step one Inch if you dare without my consent-- I protest against your Secret Tribunal I'll protect the Queen look at this Bottle--and look at that Reptile." He refers to a serpent wearing a royal crown and representing the King; this issues from a rent in the bag which is inscribed 'The Green Bag Opened'. Peers are grouped near Eldon, the Archbishop of Canterbury, Wellington, and Liverpool being the most prominent. On the right, behind a bar, stands the Queen wearing a small spiky crown, surrounded by three counsel (Brougham, Denman, and Lushington)."--British Museum online catalogue
Alternative Title:
John Bull and the secret committee
Description:
Title etched below image. and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published July 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Manners-Sutton, Charles, 1755-1828, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Politicians, Legislative bodies, Interiors, Bags, Bottles, Crowns, Smoke, Locks (Hardware), and Snakes
Leaf 50. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"An Englishman directing two men to load bags of silver into a carriage where his wife is seated, while the money-changer gives thanks to heaven for his luck."--British Museum online catalogue
Alternative Title:
English macaroni at Paris : changing English guineas for silver
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 3" in upper left corner and "15" in upper right corner., Temporary local subject terms: Grand Tour -- Servants: Black boy., and Watermark (partially trimmed): Strasburg bend.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Carriages & coaches, Servants, Bags, and Coins
Leaf 50. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"An Englishman directing two men to load bags of silver into a carriage where his wife is seated, while the money-changer gives thanks to heaven for his luck."--British Museum online catalogue
Alternative Title:
English macaroni at Paris : changing English guineas for silver
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 3" in upper left corner and "15" in upper right corner., Temporary local subject terms: Grand Tour -- Servants: Black boy., Second of two plates on leaf 50., and 1 print : etching on laid paper ; plate mark 18 x 24.8 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Topic):
Dandies, British, Carriages & coaches, Servants, Bags, and Coins
"Eldon as a street-beggar kneels on both knees on straw placed on paving-stones, wearing a cap resembling those worn by butchers and the rags of a Chancellor's gown over tattered breeches. He supports himself by a staff, and holds out his short powdered wig. Beside him (left) lies an empty and dilapidated bag inscribed The Old Bagg [cf. British Museum Satires No. 12883]. He looks down with a gloomy scowl, and from his closed lips rise the words: Pity the sorrows of a poor old man [cf. British Museum Satires Nos. 13991, 16236]--vide beggars petition, Tricked out of Work by a Soldier. Round his neck is tied a placard reaching below the waist, and inscribed: Pity a poor Old Man out of Place, at the age of 78 [76], and though extremely anxious, for employment, disappointed in, all his expectations of procuring the Same. His pension is only 4.000 P A [cf. British Museum Satires No. 10714] and not a Dinner has been dressed in his house within the memory of man! He has a wife to support, and a Son to provide for, who holds only Eight Appointments! Beside him an emaciated dog stands on its hindlegs holding a begging-dish, with a piteous expression."--British Museum online catalogue
Alternative Title:
To a benevolent public
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark on right and left sides.
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[13 February 1773]
Call Number:
Bunbury 773.02.13.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on an English post courier (as opposed to a French courier, see British Museum Satires No. 4737): a man on horseback, blowing a horn, with an enormous sack at his back; he rides along a country road towards the right where a gibbet stands with two hanging bodies."--British Museum online catalogue, description of a later state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Early state. For later states with altered imprint statements, see Lewis Walpole Library call no. Bunbury 774.05.03.01+ and no. 4736 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Likely companion print to: Courier francois., and Temporary local subject terms: Couriers -- Post-horns.
Publisher:
Publish'd as the act directs, 13th Feby. 1773, by J. Bretherton, No. 134, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 May 1774]
Call Number:
Bunbury 774.05.03.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., For variant states with different imprint statements, see Lewis Walpole Library call no. Bunbury 773.02.13.01+ and no. 4736 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Likely companion print to: Courier francois., and Temporary local subject terms: Couriers -- Post-horns.
Publisher:
Publish'd as the act directs, 3d May 1774, by J. Bretherton, No. 134, New Bond Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 May 1774]
Call Number:
Bunbury 774.05.03.01+ Impression 2
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., For variant states with different imprint statements, see Lewis Walpole Library call no. Bunbury 773.02.13.01+ and no. 4736 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Likely companion print to: Courier francois., Temporary local subject terms: Couriers -- Post-horns., and 1 print on laid paper : soft-ground etching, hand-colored ; plate mark 30.3 x 43 cm, on sheet 36 x 55 cm.
Publisher:
Publish'd as the act directs, 3d May 1774, by J. Bretherton, No. 134, New Bond Street
