"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Parsons., Leaf 54 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.5 x 21.0 cm, on sheet 31.1 x 25.5 cm., and Watermark, trimmed: [Ed]meads 1808.
"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Parsons.
"The platform extends across the centre of the design. Below are the audience, three-quarter length and half-length, standing and seated. A man in patched clothes stands in the front of the semicircle of men seated on the platform, holding out his empty breeches pockets. With sanctimonious melancholy he says: Oh! my Bretheren! in that black and benighted land of Ireland have the Servants of the Lord fought the good fight! For behold! we have wrestled lustily with the Wh--re! Yea, with the Scarlet Wh--re! and behold, from the pestiferous abominations of papistry, Millions have we gather'd to the fold, of Starving Souls who yearned for the Word!--but yet my Bretheren! 6 times 999000 still worship in the temple of Dagon!--still dwell in the tabernacles of the Enemy!--still hang over the Gulf! and shall they Tumble therin? even into the brimstone and the desolation & ye Confla=ge=ra=tion? No! No! No!--but alas! the Vinyard of the Lord is deserted, for the labourer lacketh his hire! Open thy purse strings Oh Israel! and let ye Mamon of the World be converted into the Sweet Manna of Justification! for lo! there is no Corn in Egypt, and the pockets of the faithful are lank and unreplemished [sic], yea even as the Udders of the Seven Starving kine in the Vision of King Pharoah!!! Those on the platform listen in pious gloom. In the centre are two stout bishops with a lean minister (? Irving) between them, dressed like a minister of the Scottish Church. The others are gaunt, elderly, in plain old-fashioned dress with knee-breeches. One (left) (who resembles Liston as Maw-worn in Bickerstaffe's 'The Hypocrite'), with lank hair resting on his shoulders, fingers clasped and thumbs together, says: That Man's a Saint, if ever there was a Saint. Another says oh! oh! The rest listen in silence. On the platform is a pile of books, three inscribed Bible, two Tracts, one Prayer. A man brings in on his shoulders a large basket inscribed Food for the Starving Irish, heaped with similar books, with a great preponderance of Bibles. Among the audience stands a man with a collecting-plate heaped with sovereigns; coins and a note are contributed. The audience listen intently or converse gloomily. A paper hangs from the platform: Paddy, Mullagan Converted by a Pair of Leather Breeches--Biddy Quin by a Peticoat and a Pair of Shoes."--British Museum online catalogue
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in near total loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., and Matted to: 28.2 x 33 cm.
Publisher:
Pulished [sic] June 21, 1827, by Thos. McLean, 26 Haymarket
Subject (Name):
British and Foreign Bible Society. and Religious Tract Society (Great Britain)
Title etched at top of plate., Date of publication from British Museum catalogue., Three images on one plate, arranged vertically., Caption in upper right corner of top image: This piece of the train found to do greater execution the more its wore ..., Caption in upper right corner of center image: This piece drives all before it & acts equally from either end ..., Caption in upper right corner of bottom image: This piece kill'd two persons in proving ..., One line of text at bottom of plate: These cannon [sic] are all mounted on golden wheels., Plate numbered '5' in upper right corner., Plate prepared for: England's remembrancer. London, 1759., and Temporary local subject terms: House of Commons: Ways and Means, 1756 -- Personifications: Liberty as a gun-carriage -- Property as gun-carriage -- Heterodox clergyman as a gun-carriage -- Guns -- Map of England -- Coins as wheels -- Gun-carriage -- Ammunition: sacks of 'Luxury', 'Venality', 'Corruption' -- Trunks of 'Pride', 'Avarice' -- Books of 'Priestcra[ft]', 'Heresy' -- Bills: Money Bill, 1756 -- Taxes: 1756 -- Spears: Britannia's broken spear -- Marriage bill, 1756 -- Buildings: churches --Allusion to the Duke of Newcastle -- Allusion to Lord Hardwicke.
Publisher:
publisher not identified
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), Cannons, Maps, Money, Taxes, and Bibles
Title etched at top of plate., Publisher identified from address., Date of publication from British Museum catalogue., Three images on one plate, arranged vertically., Caption in upper right corner of top image: This piece of the train found to do greater execution the more its wore ..., Caption in upper right corner of center image: This piece drives all before it & acts equally from either end ..., Caption in upper right corner of bottom image: This piece kill'd two persons in proving ..., One line of text at bottom of plate: These cannon [sic] are all mounted on golden wheels., Plate numbered "5" in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. London: Printed for E. Morris, [1757]., Temporary local subject terms: House of Commons: Ways and Means, 1756 -- Personifications: Liberty as a gun-carriage -- Property as gun-carriage -- Heterodox clergyman as a gun-carriage -- Guns -- Map of England -- Coins as wheels -- Gun-carriage -- Ammunition: sacks of 'Luxury', 'Venality', 'Corruption' -- Trunks of 'Pride', 'Avarice' -- Books of 'Priestcra[ft]', 'Heresy' -- Bills: Money Bill, 1756 -- Taxes: 1756 -- Spears: Britannia's broken spear -- Marriage bill, 1756 -- Buildings: churches --Allusion to the Duke of Newcastle -- Allusion to Lord Hardwicke., and Mounted to 18 x 22 cm.
Publisher:
To be had at the Acorn, facing Hungerford Market in the Strand
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774
Subject (Topic):
Britannia (Symbolic character), Cannons, Maps, Money, Taxes, and Bibles
Title from item., Place of publication derived from publisher's street address., In margin top center: Salon de 1843., Date derived original painting's exhibition date., In margin lower right: En Basse Bretagne, quand un malade est en danger il est transportè dans une ecurie., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Uroscopy.
Publisher:
Challamel édit 4. de l'Abbaye and Imp. Bertauts Paris
Title from item., Date and place of publication supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Sheet trimmed to 14.0 x 19.9 cm.
Publisher:
publisher not identified
Subject (Topic):
Clergy, Spiritual healing, Sick persons, Priests, Bibles, and Birdcages
Title from item., Date derived from date of original painting., After the 1863 painting "My First Sermon" by Millais., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published by Currier & Ives, 152 Nassau St. New York
Subject (Topic):
Children, Religious aspects, Christianity, Church attendance, Bibles, Pews, Girls, and Muffs
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare., 1 print : etching and aquatint on wove paper ; plate mark 35.5 x 25.1 cm, on sheet 37.2 x 26.6 cm., and Mounted on leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare., and Mounted on page 74.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons
