Judith holding a sword by the cutting edge is posed to cut off the head of Holofernes. The print appears opposite the title page of the printed version of William Hogarth's Judith : An Oratorio, or, Sacred drama ... the musick composed by Mr. William de Fesch, late Chapel-Master of the Cathedral Church at Antwerp. London : Printed in the year MDCCXXXIII
Alternative Title:
Per vulnera servor moret tuâ vivens
Description:
Title and date from Paulson., Engraved caption title below image: Per vulnera servor moret tuâ vivens. Virg. Aeneid., Sheet trimmed to plate mark., Ms, note in Steevens' hand in pencil above print: Judith. Another note next to print on right: See Mr Nichol's Book 3d edit. p. 419., and On page 55 in volume 1.
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 45 x 56 cm., and Leaf 3 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., and On page 59 in volume 1. With pencilled ms. note in Steevens hand above print: 1st Impression. Plate trimmed to: 31.1 x 37.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
"A certificate of attendance for the practice of surgery as a pupil at the London Hospital, and for attendance on courses on anatomy and attendance to the institutes and operations of surgery; the headpiece, after Hogarth, shows Christ seated at left in the company of his disciples, gesturing to a hospital in the distance, two figures being carried towards the door on stretchers."--British Museum online catalogue
Alternative Title:
London Hospital
Description:
Title, state, and date from Paulson., Title from first lines of text: The London Hospital for charitably relieving sick & wounded manufacturers and seamen in Merchants Service their wives & children ..., Caption title in image: In as much as ye have done it unto one of the least of these my Brethern, ye have done it unto me. St. Matt. XXV. v: 40., State with the arms of Charles Duke of Richmond Lenox & Aubigny removed from top and image of modern hospital replacing image of older building., The certificate, with spaces left blank to be filled in., and On page 104 in volume 2.
Christ is shown with his disciples, gestering toward the sick in the distance who are beign carriet to an antique building in the left background, presumably a hospital
Alternative Title:
In as much as ye have done it unto one of the least of these...
Description:
Title from Paulson., Text continues: ... my Brethern, ye have done it unto me. St. Matt. XXV. v: 40., Sheet trimmed to plate mark., Ms. note in Steevens's hand in pencil above print: Christ and his Disciples. See Mr. Nichols's book, 3d edit. p. 435 & 444. See also John Ireland's Hogarth Illustrated, p. 373. In pencil at lower right below print: See page 104., and On page 101 in volume 2.
"A certificate of attendance for the practice of surgery as a pupil at the London Infirmary, and for attendance on courses on anatomy and attendance to the institutes and operations of surgery; the headpiece, after Hogarth, shows Christ seated at left in the company of his disciples, gesturing to a hospital in the distance, two figures being carried towards the door on stretchers; at top centre, the arms of Charles, Duke of Richmond."--British Museum online catalogue
Alternative Title:
London Infirmary
Description:
Title and state from Paulson., Title from first lines of text: The London Infirmary for charitably relieving sick & diseas'd manufacturers and seamen in Merchants Service, their wives & children ..., Caption title in image: In as much as ye have done it unto one of the least of these my Brethern, ye have done it unto me. St. Matt. XXV. v: 40., The date can be narrowed down from the dedication to 'Charles Duke of Richmond Lenox & Aubigny President.': he became President of the London Hospital in November 1741 and died in 1750., The certificate, with spaces left blank to be filled in., and On page 104 in volume 2.
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 31.2 x 37.9 cm, on sheet 46 x 59 cm., and Plate 3 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., and Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
