A group of five boys play under a large tree. One boy has climbed up the tree and is handing down a bird's nest with three fledgling birds to another boy on the left, who holds out his hat. On the right one boy gives another boy a ride on his back. On the left one boy gently holds a bird in his hands and strokes its beak. In the background a small group of buildings behind a rail fence
Alternative Title:
Boys taking a bird's nest
Description:
Title from caption below image., Numbered "512" in lower left corner., Sheet trimmed to plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., No. 26 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Title from description in the British Museum catalogue for the original version of the print., Publication date based on an adverstisement of the series in Robert Sayer's catalog for 1766. See no. 1858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy in reverse of a print published ca. 1730. Cf. No. 1864 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Original print was etched by W.H. Toms after a design by Egbert van Heemskerck II., Eight lines of verse in two columns below image: See valiant Captain Snout appears, the drum beats up for volunteers, you that are weary of your wives, and willing to live merry lives ..., Plate numbered '3' in lower left corner. Possibly a reissue of Egbert van Heemskerck, the Younger's satires of people with animal heads, published in the 1760s., and Temporary local subject terms: Street scenes -- Military: recruiting sergeants -- Food: roast beef -- Plum pudding -- Buildings -- Signs: tavern signboard -- Nest made of a bottle -- Elephants -- Boars -- Monkeys -- Cats.
Publisher:
Robert Sayers?
Subject (Topic):
Recruiting & enlistment, Military uniforms, Drums (Musical instruments), Banners, Taverns (Inns), Birds, and Nests
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.
A volume of etchings by three daughters of art collector John Ingram (1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli. Most of the prints bear the monogram of one of the Ingram sisters and are dated 1816 -1821. The works include images after Rembrandt, Ostade, Pietro Novelli, and other artists, Continental views, views of Hartlepool and Newcastle, and a vignette after Bewick. Also included is an image signed "IG' and dated 1824
Alternative Title:
Etchings
Description:
Title devised by cataloger., Date of album based on internal evidence., With a manuscript gift inscription to front free endpaper, dated 1867., Bound in dark half morocco., and For further information, consult library staff.
Drawing of two doves in profile, facing each other and touching beaks; both stand on a quiver of arrows lying on its side
Description:
Title from local catalog card., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., On verso are light sketches in pencil., Formerly laid in with one other drawing at page 117 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with one other drawing to 49 x 37 cm., and Original case shelved separately.
Drawing of two doves in profile, facing each other and touching beaks; both stand on a quiver of arrows lying on its side
Description:
Title from local catalog card., Unsigned; artist unidentified., Place and date of production based on the country of residence and death date of Richard Bull, who owned and likely assembled the album in which this drawing was found., On verso are light sketches in pencil., Formerly laid in with one other drawing at page 117 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with one other drawing to 49 x 37 cm., and Original case shelved separately.
A collection of 24 proof sheets, mostly eight images per sheet, surrounded by typographic border. The images include a wide range of insects, aquatic animals, and mammals, both those common in England as well as those found in Africa and parts of the British Empire; small country scenes by Bewick or in his style; battles, scenes showing a variety of human relationships and occupations, and other scenes designed to illustrate chapbooks and tales such as Robin Hood and Blue Beard and other tales. Also included are satirical prints such as Bewick’s ‘Clown’s Visit to the Moon’, or Davison’s publication on local history
Description:
William Davison (1781-1858), printer in Alnwick, as well as a pharmacist, newspaper produce and local philanthropist; a partner with John Catnach until 1808. Davison's output included notepaper and handbills, newspapers, chapbooks, an illustrated bible, and prayerbooks. He set up a small foundry to produce his own metal stereotypes, which according to his trade catalog, numbered 1082 cast-iron ornaments and wood types, many of these come from wood engravings by Bewick or from Davison’s own jobbing engravers after Bewick’s images., Title devised by cataloger., Date range for publication from dealer's description., Sheets numbered 1, 3-8, 11, 33-35, 37-42, 46, 48-50, 52, 54, 65; preserved in old frayed wrappers., Many of the images are reproduced in: Isaac, P. C. G. William Davisons's new specimen of cast-metal ornaments and wood types. London : Printing Historical Society, 1990., and For further information, consult library staff.
Publisher:
Published by W. Davison, Bondgate Street, Alnwick
Subject (Topic):
Birds, Fairy tales, Fish, Insects, Landscapes, Mammals, and Reptiles
A drawing of five birds in a decorative scrolling pattern on the privately printed title page of an extra-illustrated volume; it fills the space along the right margin and extends over the top of the text block; the top two image show two birds in flight with the three circles below showing birds perched on branches
Description:
Title devised by cataloger., Signed by the artist with initials in lower right portion of image., Place of production inferred from artist's city of residence during this time period., Date from specially printed title page indicating that the volumes of this copy were "... privately illustrated 1884-1890"., and Bound as page 10 in volume 7 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
