Caption title., Verse-"In St. Lucie's distant isle, ", In four columns, with the title above the first two columns; columns are not separated by rules; the first and fourth columns include one woodcut each and the second includes two woodcuts., At foot of the fourth column, within square brackets, is the statement "Entered at Stationers Hall.", At head of title: Cheap Repository., Attributed to Hannah More., Imprinted from English short title catalogue., and For further information, consult library staff.
A very plump young woman in a bonnet stands in a park leaning forward into the wind ; her skirt is blown tightly around her backside and above her knees. Two foppish looking men eye her with amusement, the one using an eyeglass, the other holding his hat and wearing a long braided coat. Another couple on the right, struggle with an umbrella in the wind. Like the woman on the left, this woman's dress is also blown above her knees; her companion is dressed in wide trousers tied at the ankles. Between these two scenes, in the distance, a young woman walks along a rail toward the left struggling against the wind; a little black footboy follows her holding the hem of her skirt and her reticule. Beyond the rail another man and a woman struggle in the wind with their hats and she with her umbrella
Description:
Title from item., Sheet trimmed within plate mark at bottom resulting in loss of imprint., and Numbered '199' in upper right corner. Cf. British Museum copy which is numbered '385'.
Publisher:
Pubd. Septemr. 1816 by T. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Topic):
Blacks, Clothing & dress, Dandies, Parks, Servants, and Umbrellas
A drawing showing the interior of a Turkish bath with a woman in the pool in the foreground, another seated smoking a long pipe on cushions in an alcove, center back, and a black woman, clothed and standing on the right holding a stick and towel as she looks at the woman in the pool. Behind her is a figure in the process of tying a towel around her head
Description:
Title inscribed below design., Signed in lower left of design with Bentley's monogram: RB., With Horace Walpole's ms. note in ink on verso: A Turkish bath by Mr. Bentley., Date based on creation date of album., and Formerly mounted on leaf 24 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Subject (Topic):
Baths, Turkish, Blacks, Interiors, Public baths, Pipes (Smoking), and Women
Caption title below woodcut., In verse., Text in two columns. First line: About five hundred years ago, there lived (at least folks tell us so) one Wanki Fongo ..., A comic folk song about the wedding of Wanki Fongo Chi Chou Chu, Chief of the Yankee Doodles., Imperfect; printing flaw with loss of bottom two lines of text in left-hand column and most of imprint., and For further information, consult library staff.
Publisher:
Printed by T. Birt, wholesale and retail, 10, Great St. Andrew-Street, Seven Dials, London
A man sits in an armchair next to fireplace frantically ringing for service while boling water pours from the spout of a kettle onto one of his two gouty feet. The other foot is raised from the stool to avoid the hot water but has overturned a table with tray full of dishes which has fallen in front of a maid lingering in the doorway. Embracing the maid from behind is a black footman. A screaming cat stands, back arched, in front of the man's footstool. On the left a pair of crutches are placed against the fireplace; the mantel is lined with medicinal bottles. A map hangs on the wall behind along side a barometer
Description:
Title from dealer's label on verso of the frame., Attributed to Thomas Rowlandson., and Another drawing on this theme with the title: The old batchelor in distress. In the Ashmolean Museum, Oxford: Ashmolean catalogue, vol IV-1982 #1623.
Subject (Geographic):
England
Subject (Topic):
Gout, Interiors, Chimneypieces, Blacks, and Servants
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title, state and date from Paulson., Second state of the second plate in the series A harlot's progress, as described by Paulson, with black Latin cross in the center below design., "Plate 2"--Lower left corner., Sheet trimmed within plate mark., and Touched in sepia ink around the Harlot's and Jew's faces, and the Harlot's dress and foot; the foot of the blackamoor is extended down to meet the pile of cloth.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Prostitution, Biblical events, Ethnic stereotypes, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
