"Queen Caroline, stout and raddled, with black ringlets, stands full-face and four-square, bending forward as if bowing, with a fixed stare from black beady eyes. She wears the feathered hat (caricatured) of the 'trial', and a fur-bordered pelisse. Under her right arm is a rolled document, 'List of [Addresses'; in her left hand she awkwardly raises her skirts in order to bow. She stands on a grass plot in front of Brandenburgh House. Below the design: ... 'Lo! yonder she walketh in maiden sweetness, with innocence on her mind and modesty in her cheek.-- Her hand seeketh employment; her foot delighteth not in gadding abroad.-- She is cloathed with neatness; she is fed with temperance; humility and meekness are as a crown of glory circling her head.-- Her breast is the mansion of goodness; and therefere [sic] she suspecteth no evil in others.-- Decency is in all her words; in her answers are mildness and truth.-- Submission and obedience are the lessons of her life; and peace and happiness are her rewards.-- Before her steps walketh Prudence; and Virtue attendeth at her right hand. Her eye speaketh softness and love; but discretion with a sceptre sitteth on her brow.-- The tongue of the licentious is dumb in her presence; the awe of her virtue keepeth him silent.-- Happy Bartolomeo [Bergami]!!! he putteth his heart in her bosom, and receiveth Comfort.-- Thus the prudence of her management is an honor to her husband, and he must hear her praise with silent delight.--!!!'"--British Museum online catalogue
Alternative Title:
Who is she that winneth the heart of man, that subdueth him to love ...
Description:
Title etched above image., Caption below image: Who is she that winneth the heart of man, that subdueth him to love, and reigneth in his breast?, Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., George IV, King of Great Britain, 1762-1830., and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Adultery, and Bowing
Leaf 14. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Mrs. Gilpin (left) holds out a coin to the driver (right) of her chaise who stands bowing deferentially beside his horse. Her sister and two children stand behind her. In the background is the inn and the chaise."--British Museum catalogue
Alternative Title:
And thus unto the youth she said that drove them to the Bell ...
Description:
Title etched above image., Four lines of verse below image: And thus unto the youth she said that drove them to the Bell, 'This shall be yours, when you bring back 'my husband safe and well., Fifth plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "5" in upper right corner., and Bound in as leaf 14 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Carriages & coaches, Coach drivers, Bowing, Coins, Taverns (Inns), and Family members
Charles II returning to England after exile, on the beach being greeted by General Monk, the Dukes of Gloucester and York, the Earl of Clarendon and Sir John Grenvill and others, with Dover Castle in the background after Benjamin West (Staley 84).
Alternative Title:
King Charles the Second landing on the beach at Dover
Description:
Title from caption below image., Text below title: From the original picture in the possession of the Right Honourable the Earl Grosvenor., and Watermark.
Publisher:
Published as the act directs, April 5th 1789, by B. West, E. Woollett & J. Hall
Subject (Geographic):
Dover (England), and Great Britain.
Subject (Name):
Charles II, King of England, 1630-1685,, Clarendon, Edward Hyde, Earl of, 1609-1674,, Bath, John Grenville, Earl of, 1628-1701,, Henry, Prince, Duke of Gloucester, 1640-1660,, and Albermarle, George Monck, Duke of, 1608-1670,
Leaf 40. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A short, stout elder man in glasses stands in front of an armchair as he greets a tall, younger man with elongated chin and bag wig who bows to him. The visitor's greyhound is looking curiously at the host's little pug
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., Plate numbered "V. 2" in upper left corner and "12" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Furniture: Armchair with claw feet -- Room screen -- Table -- Pictures amplifying subject: Portrait of an obese man -- Pets., Mounted to 28 x 34 cm., and Watermark.
Publisher:
Pub. according to act, July 1, 1773, by MDarly, Strand
Leaf 40. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A short, stout elder man in glasses stands in front of an armchair as he greets a tall, younger man with elongated chin and bag wig who bows to him. The visitor's greyhound is looking curiously at the host's little pug
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top edge., Plate numbered "V. 2" in upper left corner and "12" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Furniture: Armchair with claw feet -- Room screen -- Table -- Pictures amplifying subject: Portrait of an obese man -- Pets., Second of two plates on leaf 40., and 1 print : etching on laid paper ; plate mark 17.7 x 24.8 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pub. according to act, July 1, 1773, by MDarly, Strand
"A scene at Court; beefeaters flank the dais of the empty throne (right). George IV stands before it, turning his back angrily on Prince Leopold, who bows distractedly, dropping his cocked hat with its field-marshal's plume. The King: "You smell of Brandynburgh ['y' being scored through and replaced with 'e']." Prince Leopold: "I have performed my Duty as a Husband to the satisfaction of the Country-- & I hope to do the same as a Son, & a Man;." Others at the levée register astonishment. Behind (left) a man in court-dress kneels facing the King, but is dragged away by three courtiers. He says: "Is this the answer to my Petition." One of the three replies: "Yes this is the Way we answer." Below the design: 'We've heard of the rump Parliment, Rump Chickens & rump't Dames [British Museum Satires No. 6716]. But of all the boasted rumps we've heard, This one most notice claims. A Pugilist he rumps his man, The Dustman rumps his Brother, But here observe the R--l plan , A Prince must rump his mother Rather than thus forego the Man, And virtuous feelings smother 'Gainst Persecution boldly stand, To save an Injured Mother.'"--British Museum online catalogue
Alternative Title:
Royal rumping
Description:
Title etched above image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 43 of: George Humphrey shop album.
Publisher:
Pub. Jany. 31, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Interiors, Honor guards, Podiums, Thrones, Bowing, Hats, and Petitions
"The Princess, in oriental dress, sits regally on a low settee, knees apart, left foot on a stool, with Pergami at her right hand, and others of her suite behind her. She addresses Metternich (right), pointing to Pergami, and saying: "Permit me Sir Prince, to present to you my sweet [scored through and replaced by] suite--" Pergami, bold, florid, and handsome, stands erect, right hand on his hip, holding his busby and the hilt of his sword. He wears hussar uniform as in British Museum Satires No. 12889, with spurred Hessian boots. Metternich, slim and elegant, wearing embroidered court dress with a sword, makes a courtier's bow, answering: "Your R--l H--s is really too Condescending?!" The Princess is a grotesque obese figure in Turkish trousers, short-waisted bodice grossly décolletée, Turkish slippers, and large turban with crescent and aigrette, wearing, like Pergami, a bunch of orders. At her right knee and between her and Metternich is little Willy Austin, cap in hand, and holding a riding-switch. He wears a short braided jacket with trousers, and a childish frill round the neck. Behind him is a stout lady-in-waiting (probably 'Countess' Oldi), oddly dressed, in round cap, décolletée high-waisted bodice and (apparently) breeches or trousers. Two gentlemen-in-waiting behind Pergami wear braided tunics with trousers gathered at the ankle. All the suite, including the boy, wear orders; the three men are whiskered and moustached. Along the wall forming a background are pictures illustrating the persons beneath. Behind Pergami is a prancing stallion with a girth inscribed 'Ich Dien: Cock horse a favourite Stallion.' Behind the Princess is 'A View in Wales', the frame decorated with the Prince's feathers: a mountainous sea-shore with goats. Behind the boy is a scraggy mule with a plume of ostrich feathers, and its tail decorated with ribbons. At its feet 'Black-heath' (see British Museum Satires No. 12027): This is 'Billy A-- favourite Mule--!!!' Above Metternich is the whole length portrait of a courtier, cocked hat in hand: 'Met--her--nick--!!'"--British Museum online catalogue
Alternative Title:
Royal condescension, or, A foreign minister astonished! and Foreign minister astonished!
Description:
Title etched below image., "Ple. 2"--Upper left corner., Companion print to: A r-y-l visit to a foreign capital, or, The ambassador not at home!!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Metternich, Clemens Wenzel Lothar, Fürst von, 1773-1859, and George IV, King of Great Britain, 1762-1830.
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
Fox (right), hat in hand, bows humbly before Bonaparte (left), who stands arrogantly, arms akimbo, head in profile to the right. The First Consul wears military uniform, boots, an enormous sword; on his head is a mural crown decorated with a cannon and skull and cross-bones, and bristling with sabres, pistols and daggers. Both men are shown full-length and in profile
Description:
Title from caption below image., Attribution to Rowlandson based on style., and Sheet trimmed to plate mark.
Publisher:
Pubd. Novr. 12, 1802 by W Holland No. 11 Cockspur Street, (removed from Oxford Street
Subject (Geographic):
Great Britain and France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Fox, Charles James, 1749-1806
Subject (Topic):
Foreign relations, Bowing, Emperors, France, Politicians, and Great Britain
