Half-length portrait of William Hogarth, facing viewer, slightly turned to the right; he holds a palette in his left hand
Alternative Title:
William Hogarth
Description:
Title from caption below image., After a portrait by Hogarth., Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. ii, frontispiece., On page 207 in volume 3. Sheet trimmed to: 19.1 x 12.8 cm., and Ms. note in pencil in Steevens's hand to side of print: From S. Ireland's Graphic Illustrations &c.
Half-length portrait of William Hogarth, facing viewer, slightly turned to the right; he holds a palette in his left hand
Alternative Title:
William Hogarth
Description:
Title from caption below image., After a portrait by Hogarth., and Page from: Ireland, S. Graphic illustrations of Hogarth ... 1794, vol. ii, frontispiece.
Drawing of William Lodge (1649-1689), English born painter, etcher and landscape draughtsman
Alternative Title:
William Lodge, Gent
Description:
Title, caption and Inscription in ink, in Horace Walpole's hand., Drawing that was later used as a basis for an engraving of Lodge in: Catalogue of engravers / digested by Mr. Horace Walpole from the mss. of Mr. George Vertue. Strawberry-Hill : Printed in the year MDCCLXIII [1763], opp. p. 87., and George Vertue, English artist, 1684-1756.
"A series of isolated figures, single or in pairs, arranged in two rows, each with an explanatory couplet relating to the news of the capture of Seringapatam, on the authority of a letter received at the India House on 15 May from Bristol dated 'Vestal, at sea'. [1] A grinning man stands full face, with raised shoulders, inscribed,'I cannot express how delighted I am, To hear we have taken Seringapatam'[2] Thurlow, tall and thin, nearsightedly reads a paper with a grin: 'The Chancellor look'd like a frolicksome Ram To hear we had taken Seringapatam.'[3] Dundas, holding a cane, runs in profile to the right; behind him is a small table on which is a bottle, &c.: 'Dundass fled from bottle, from chicken, and ham To Windsor to tell of Seringapatam.'[4] Pitt stands, chapeau-bras, in profile to the left, a cake in one hand, a jam-pot in the other:'Will Pitt eat a cake with some rasberry jam When told we had taken Seringapatam.' ,..."--British Museum online catalogue
Description:
Title from caption below images., Attribution to Newton in the British Museum catalogue., Publisher's advertisement above title: Just published by Holland, three prints on the slave trade ..., Design consists of fourteen single or paired figures in two rows, each with two lines of verse etched above., and Watermark: Curteis & Sons.
Publisher:
Pubd. May 18, 1792, by William Holland, No. 50, Oxford Street
Subject (Geographic):
Śrīraṅgapaṭṭaṇa (India) and India.
Subject (Topic):
Military officers, British, Military uniforms, and Soldiers
"Mrs. Clarke stands before a large doorway inscribed Clark and Company. She wears a white short-sleeved dress with plumed cocked hat, gorget, and military sash, sword-belt and scabbard. The sword she holds over her head, saying, Now Gentlemen you had better be quick I have a few bargains to dispose of. as the partnership is disolving. She holds out a paper: List of Prices at Clark and Co's Warehouse--Majority--£900. Company --7oo. Lieutenancy 400. Through the doorway behind her are seen great stacks of papers in her 'warehouse'. These are labelled: Captains Commissions 500 each, Half-pay Commissions 200 each, Lieutenant, Colonel, Major, Cornet. On the wall is a notice: NB a sum wanted by way o Loan, terms to be seen within. On the right stands a man playing a fiddle, and saying with a sly smile, If you want de commission, you must give me de Note den I go play de Fiddle to de white petticoat. From his coat-pockets hang papers: Pay Sigr Cor[ri] for [word illegible] 200; and a piece of music: The Petticoat [see British Museum Satires No. 11220]. Beside him lies a large Note Book. Above his head hangs upside down a portrait: The Dukes Head; the upper part only of the Duke of York's profile is visible, defaced by a black mark, the rest of the picture being cut off by the upper margin of the design. On the left two military bandsmen play a drum and fife. One asks: What tune shall we play now Jack the Duke of Yorks Marck [sic]? Answer: No No lets play she's off with another."--British Museum online catalogue
Alternative Title:
Commission warehouse
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Imperfect; the word "York" at beginning of title has been erased from sheet.
Publisher:
Pubd. February 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827.
Subject (Topic):
Daggers & swords, Musicians, Violins, Drums (Musical instruments), Military bands, Military uniforms, British, Price lists, Warehouses, and Portraits
An oversized John Bull with a carbuncled-faced sits at a round table across from a very young looking William Betty and his father, both handsome and not caricatured. John Bull toasts the two, full wine glass in hand: "Youngster, heres to you I'm glad to see you in town. Old Master Roscius your health, and may you get such another boy every New Year's Day for the benifit [sic] of the English stage." Behind them pinned to the wall are two prints: the one a profile portrait of Mrs. Siddons, hangs from one corner only, and the other a portrait of J.P. Kemble. The three ostrich feathers on the back of Master Betty's chair may indicate the patronage of the Prince of Wales
Description:
Title etched below image., Printseller's stamp in lower right corner: S.W.F., and Description from British Museum catalogue of "Young Roscius and Don John" mounted on verso.
Publisher:
Pubd January 4, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Betty, William Hen. West 1791-1874. (William Henry West),, Siddons, Sarah, 1755-1831, and Kemble, John Philip, 1757-1823
Subject (Topic):
John Bull (Symbolic character), Theater, Actors, British, and Child actors
Sailors carouse in a drunken orgy between decks; hammocks are slung from the roof and drunken sailors vomit over the sides into the crowd. Musicians play fiddles and drums. Men and women drink and dance. A negro fiddles; a Jew sits on the ground ready to receive the watch which a woman steals from a sailor as she sits stirring a bowl on a box labeled "T. Ockham'. A marine kicks over a bucket labeled with the ships name as he spills the contents of his mug onto a barefoot boy who in turn pours the contents of his kettle onto a dog. To the left is a large keg of rum. The scene is watched by smiling officers (left), among whom is Lord Cochrane. This wartime scene is called to mind by the sight of the frigate 'Peranga' lying off Spithead. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14952 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, page 214.
Publisher:
Sherwood Jones & Co.
Subject (Name):
Dundonald, Thomas Cochrane, Earl of, 1775-1860
Subject (Topic):
Blacks, Jews, Boys, Dogs, Eating & drinking, Fighting, Military officers, British, Musicians, Robberies, Sailors, and Vomiting
Group portrait of nine men seated around a table set with fruit and decanters; they are served by a black page. Boswell is on the left, with Johnson to his right talking to Edmund Burke; Reynolds is seated across from Johnson and listens with a trumpet to his ear. Garrick to the left of Reynolds faces the viewer, while Pasquale Paoli to his left observes Johnson conversing at the far end of the table. Charles Burney across from Paoli also follows the same conversation, as he rests his right hand on his chin. Next to Paoli, Warton leans toward Oliver Goldsmith who sits at the head of the table on the right; Warton holds his hand up towards his mouth as if to keep his words confidential. The room is richly decorated with a Japanese screen on the right, curtains, a miniature portrait, and a portrait bust on a pedestal on the left; Reynolds' pictures of Puck (Mannings 2142) and the Infant Academy (Mannings 2092) hanging on the wall and a bright chandelier hangs above the table
Description:
Title from later state in the British Museum., Also etched below is a facsimilie the nine individuals' signatures., and Tear badly repaired with tape, lower right corner. For further information, consult library staff.
Publisher:
Published July 1st 1848 by the proprietors Wm. Walker, 64 Margaret St., Cavendish Sqre., & Owen Bailey, 128 Seymour St. Euston Sqre
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
