"Portrait of Robert Clive, 1st Baron Clive of Plassey, three-quarter length, standing to right on a hill beside a tree, looking towards the viewer, leaning on a stick held in his left hand, holding a tricorn hat in the right; wearing uniform, sash over waistcoat, sword and queue wig; river below."--British Museum online catalogue, description of another print of similar composition
Description:
Title from manuscript note in ink on mounting sheet., Engraved after a painting by Nathanial Dance; see description of another print of similar composition in the British Museum online catalogue, registration no.: 1920,1211.410. For a discussion of various versions of the painting produced by the workshop of Nathanial Dance, see description for NPG 39 in the online catalogue of the National Portrait Gallery, London., Proof before letters?, Approximate date of publication supplied by cataloger., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 1, page 451., Window mounted to 51 x 36 cm., and Mounted opposite page 382 (leaf numbered '197' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Clive, Robert Clive, Baron, 1725-1774,
Subject (Topic):
Government officials, British, and Military uniforms
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., Numbered '328' in lower right of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Major Skey.
"Design in two rows of eight sections, with 15 figures demonstrating a salute with the half-pike; at top, the title in an oval decorated with arms, and figures numbered 1-7, below, figures numbered 1-8 ..."--British Museum online catalogue
Description:
Title, printmaker, and imprint from Paulson., One of two folding plates to John Blackwell's A compendium of military discipline., Caption in the oval at the left: The several postures of [the] salute wth [sic] [the] half-pike. Describ'ed from order & on [the] long march, as it is practis'd in [the] Artillery Company of [the ] City of London. By Jon. Blackwell adjutant and clerk., Companion print to: Exercise for the Halberd., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: See Nichols's book, 3d edit. p. 439. Blackwell's figure in all, 26. Note below print: Given me by the Revd Dr. Lort., and On page 44 in volume 1.
Publisher:
John Blackwell
Subject (Name):
England and Wales. Army. Honourable Artillery Company of London.
Half-length portrait of Miss Farren shown in profile looking left
Description:
Title devised by cataloger., Printmaker and publication date inferred from another print on the same sheet., Printed on one sheet with: Mr Bannister in the character of Miss Polly Peachum by Sayers., Not in the Catalogue of engraved British portraits preserved in the Department of prints and drawings in the British museum., and Mounted to 56 x 37 cm.
"A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right)."--British Museum online catalogue
Alternative Title:
Had I heart for falshood fram'd, I ne'er could injure you and Had I heart for falsehood framed, I never could injure you
Description:
Title from later state., Four lines of quoted dialogue below image: "Had I heart for falshood [sic] fram'd, I ne'er could injure you - For tho' your tongue no promise claim'd, your charms would make me true! &c. &c. &c.", First state, before title added above image. For a later state with G. Humphrey's imprint and the title "Money hunting," see Lewis Walpole Library call no.: 823.01.10.01. For a reissue with Thomas McLean's imprint, published in Cruikshankiana (London : Thomas M'Lean, [1835]), see British Museum online catalogue, registration no.: 1853,0112.247., and Sheet trimmed within plate mark.
Publisher:
Pub. Jany. 10, 1823 by G. Humphrey 27 St. James's Stt
Subject (Topic):
Dandies, British, Military officers, Dogs, Couples, and Courtship
Drawing of the monument Nicholas Stone Senior (1586-1647).
Description:
Title devised be cataloger., Inscription in pencil, within design of the monument encirling effigy: Nicholas Stone, sculp. & architect, &c., Inscription in pencil, within design of the monument below effigy: 24 Aug 1642 departed this life., Inscription in pencil, within design at the base of the monument: H.S. posuit., Inscription in pencil, lower half of sheet: This monument was fixed in the north wall of the Parish Church of St. Martins in the Fields., Drawing that was used as a basis for an engraving of Stone in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 23., and George Vertue, English artist, 1684-1756.
Subject (Name):
Stone, Nicholas, 1586-1647, and Stone, Nicholas, 1586-1647
Scene showing the actor and dramatist Samuel Foote in the role of Fondlewife, a character in William Congreve's comedy "The Old Bachelor". Foote wears a long unfastened, deep-cuffed coat over a waistcoat, breeches tied at the knee, and a tassled scarf knotted at his neck. He holds a tall walking stick in his right hand
Description:
Title devised by cataloger., Date from unverified data from local card catalog record., and For further information, consult library staff.
Subject (Name):
Foote, Samuel, 1720-1777, and Congreve, William, 1670-1729.
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., Numbered '345' in lower right of plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Portrait of Sarah Siddons, after Gainsborough; three-quarters length sitting directed and looking to left, wearing a striped gown and large feathered hat, set at an angle, her hands on a fur muff in her lap."--British Museum online catalogue
Description:
Title, artist, printmaker, publisher, and date of publication from description of a later state in the British Museum online catalogue, registration no.: 1931,0509.124.
