"The Speaker in his hat and robes stands in back view directing a stream (as Gulliver extinguished the fire in the royal apartments in Lilliput) upon Lilliputian fortifications and cannon; those seen between his legs are being dashed to pieces. Beyond are the masts of ships. The devastating stream is inscribed 'Casting vote'. The right side of the Speaker's chair is visible (right)."--British Museum online catalogue and Allusion to Jonathan Swift's Gulliver's travels in reference to a bill in the House of Commons addressing Richmond's fortifications. It was defeated, Feb. 27, 1786
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 36.8 x 27.6 cm.
Publisher:
Publd. 1st March 1786 by T. Cornell, Bruton Street
Subject (Geographic):
Great Britain and Richmond (Richmond upon Thames, London, England)
Subject (Name):
Cornwall, Charles Wolfran, 1735-1789 and Great Britain. Parliament. House of Commons.
Subject (Topic):
Politics and government, Cannons, Forts & fortifications, British, Guns, and Urination
"John Bull sits in a double pair of stocks, his ankles heavily shackled. His wrists are linked by a huge padlock inscribed Million £800 000 000 [National Debt]. He sits on bales of Taxes; to his back is tied a huge bundle of Last Wars Taxes. His clothes are tattered; three pockets hang inside out, inscribed To Let. At his side (left), and in profile to the right, kneels a noble Spaniard, in very theatrical dress, with trunk hose, cloak, and ruff. He has a spear from which hangs a pennant inscribed Libertas. He puts his hands together in a gesture of prayer: I come once again, and on my kneens [sic] to implore your Aid, we are indeed grateful for former Services, and beleive that you fought purely for Spain and not for yourselves--Save us from our pretended Friends they are worse then Enemies--Save us, and the World, from the destruction of Liberty--. John bites his thumbs despairingly; he answers: I pity you, but I can only give you advice, when you came to me before, I was a Strong Man, and free, but I am now exhausted in saving you, and destroying your great Enemy--See how I am fetter'd--! My Creditors enchain me--! look at my Debt and pity me!-- At his feet a heavy pair of leg-irons lies across many papers inscribed Debt and Taxes. He sits under an oak-tree; from a partly-withered bough hang his cartouche-box and bayonet-belt. In the middle distance (right) Louis XVIII sits astride a cannon (cf. British Museum Satires No. 12797), on a gun-carriage drawn rapidly up a slope by the Tsar and the Emperor of Austria. Both wear uniform and crowns, that of the latter topped by a fool's cap. Both cry: War! War!! War! and blood!! Alexander holds a sword in one hand, a bayoneted musket in the other; Francis holds a sword and a pistol, against his shoulder is the shaft of a flag inscribed Holy Alliance. Louis XVIII leans back, flannelled legs extended, two pistols in his belt, a sword in one hand, a musket in the other. Before him on the cannon is a bowl of soup, &c. The Pope walks at his right, holding a string attached to his nose. The King: By the Powers I shall fall, and lose my Balance Stop!! Stop! I say don't pull so hard you'll rupture [your scored through] Eu rope, this is not suited to my Taste [scored through] Gout I am already crippled and cannot bear it Stop!!!-- The Pope, who wears his tiara and holds his crosier against his shoulder, answers: Fear not, I'll let you into Heaven, through the back door my dear Son. Keys hang from his neck. Behind the cannon runs the Devil pushing at the King's posterior with a trident; he says: They cannot go on without me so I bring up the rear!! Beside the cannon run tiny frogs in uniform with muskets, &c. A slightly bigger one holding a sword may represent Angoulême. Cannon fire at them from a fort on a hill."--British Museum online catalogue, description of an earlier state
Alternative Title:
John Bull flourishing in a dignified attitude of strict neutrality
Description:
Title etched below image., Later state, with initials "A.J." added in lower right and the words "with Spain" added to speech bubble immediately to the right of the stocks in center of image. For an earlier state lacking these additions, see no. 14520 in the Catalogue of prints and drawings in the British Museum, v. 10., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 1823 by G. Humphrey, 24 St. James's Street & 74 New Bond Street
Subject (Name):
Louis XVIII, King of France, 1755-1824, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, and Pius VII, Pope, 1742-1823
Subject (Topic):
John Bull (Symbolic character), Public debt, Taxes, Trees, Rocks, Stocks (Punishment), Forts & fortifications, Cannons, Devil, and Frogs
"Pitt stands, in profile to the right, on a fortified tower, or platform, in the crenellations of which are cannon; he looks through a spy-glass, his knees bending with fear, and clutches by the arm a stout John Bull (left), a yokel (as in British Museum Satires No. 7889), who stands full face, almost equally terrified. He is watching a flight of geese advancing from the right, and says, "There, John! - there! there they are! - I see them - get your Arms ready, John! - they're Rising & coming upon us from all parts; - there! - theres Ten Thousand sans-Culottes now on their passage! - & there! look on the other side, the Scotch have caught the Itch too; and the Wild-Irish have begun to pull off their Breeches! - what will become of us John? - & see, there's Five Hundred Disputing-Clubs, with bloody Mouths; - & Twenty Thousand Bill-stickers with Ca ira pasted on the front of their Red-Caps ! - where's the Lord Mayor John ? - are the Lions safe ? - down with the Book-stalls! - blow up the Gin-shops! - cut off the Printers Ears! - O Lord John! - O Lord! - we're all ruined! - they'l Murder us, and make us into Aristocrat Pyes!" John Bull answers: "Aristocrat Pyes ? - Lord defend us! - Wounds, Measter, you frighten a poor honest simple Fellow out of his wits! - Gin-Shops & Printers-Ears! - & Bloody-Clubs & Lord Mayors! - and Wild-Irishmen without Breeches, & Sans-Culottes! Lord have mercy upon our Wives & Daughters! - And yet, I'll be shot, if I can see any thing myself, but a few Geese, gabbling together - But Lord help my silly head, how should, such a Clod-pole as I, be able to see any thing Right ? - I dont know what occasion for I to see at all, for that matter; - why Measter does all that for I, - my business is only to Fire when & where Measter orders, & to pay for the Gunpowder; - but Measter o' mine, (if I may speak a word,) where's the use of Firing now? - what can us two do against all them Hundreds of Thousands of Millions of Monsters ? - Lord, Measter, had not we better try if they won't shake hands with us, & be Friends ? - for if we should go to fighting with them, & They should Lather Us, what will become of you & I, then, Measter!!!" John Bull, frightened and bemused, holds a musket with a broken bayonet, his left hand is in his coat-pocket, and he wears very wrinkled gaiters. In his hat are two favours, one 'Vive la Liberte', the other 'God save the King'. A pamphlet projects from each waistcoat-pocket: one, Paine's 'Rights of Man' (see British Museum Satires No. 7867, &c), the other 'Pennyworth of Truth'. This is the pamphlet 'One Pennyworth of Truth, from Thomas Bull to his Brother John' denounced by Grey (17 Dec.) as a libel. 'Parl. Hist.' xxx. 138 ff. It attacked Price and Priestley and was by the Rev. William Jones. 'Hist. MSS. Comm., Kenyon MSS.', p. 536. Pitt's hair rises on his head, and his face is blotched with drink."--British Museum online catalogue, description of an earlier state
Alternative Title:
Geese alarming the Capitol and John Bull bothered
Description:
Title etched below image., Later state, with price changed, of no. 8141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Two lines of text following title: Thus on the rock, heroic Manlius stood, spy'd out the geese, & prov'd Rome's guardian god., Sheet trimmed within plate mark., In upper right corner of plate: Price 4 shills., the engraving not having been paid for by the Associations for vending two-penny scurrilities., Temporary local subject terms: Spyglasses -- Allusion to Thomas Paine's The Rights of Man -- Weapons: muskets with bayonettes -- Threat of the French invasion -- Favors: label 'God save the King' -- Favors: French tricolor cockade., and Mounted to 36 x 46 cm.
Publisher:
Pubd. Decr. 19th 1792 by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Fortifications, and Cannons
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 27.5 x 41.9 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 71 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," " Dr. Parr," "G. Noel[?]," "Brougham," "Sir. R.[?] Wilson," "Times Paper," and "Caroline" identified in ink below image; date "12 May 1821" written in ink in lower right corner. Typed extract of thirty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
"Leach (right), the Vice-Chancellor, dressed as a woman, with a trimmed bonnet over his wig, sits on a corded chest inscribed Commissio[n] ; against this leans a book: Justifia et honor. He grasps a moneybag inscribed 10,000, and holds the ear of a fox which crouches against his knee. He faces John Bull who is stripped to the waist, with a gigantic leech on his back. John, a countryman in patched breeches, registers angry terror and pain; he looks over his shoulder, exclaiming: "D--me what a monstrous Leech! it not only sucks blood but honor also!" Leach says: "I am not plain, Leech, Sir, but by vulgar denomination--I am called Miss Leech if you please--." Beside J. B., and pointing menacingly towards him, are the muzzle of a cannon, a sheaf of bayonets in a chest inscribed 'G R' and 'Steel Lozenges' [see British Museum Satires No. 13513]. Against this lie shackles inscribed 'Bandages', and cannon-balls inscribed 'Bolus' and 'Iron Pills'. On a hill behind a large cap of 'Liberty' dangles from a gibbet against which leans a ladder. Leach's fox turns its head towards John, saying: "In Law. what plea so tained [sic] and corrupt, But, being season'd with a gracious voice, Observes the evil? There is no Vice so simple, but assumes Some mark of virtue on his outward parts Shak Mer of Ven--Act 3 Scene 2." Behind Leach, and on the extreme right, is a second chest inscribed 'French and Italian Monkey[s]'. A monkey wearing a fool's cap crouches on it, grinning at his reflection in a hand-mirror."--British Museum online catalogue
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted on leaf 39 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "John Bull" and "Sir John Leach" identified in pencil at bottom of sheet; date "July 1820" written in ink in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. July 1820 by Smolky, 18 Rupert Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Leach, John, 1760-1834
Subject (Topic):
John Bull (Symbolic character), Cross dressing, Bonnets, Chests, Foxes, Worms, Parasites, Cannons, Cannon balls, Bayonets, Shackles, Ladders, Gallows, Liberty cap, Monkeys, Mirrors, and Fools' caps
"Monument for the Marquis of Granby with weeping Britannia and soldier."--British Museum online catalogue
Alternative Title:
Monument designed for the Marquis of Granby
Description:
Title from item., Publication date in British Museum catalogue: October 18, 1770., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), page 180., Temporary local subject terms: Reference to the Battle of Minden, August 1759 -- Reference to the Battle of Warburg, 1760 -- Reference to Godenburg -- Reference to Copenhagen., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Granby, John Manners, Marquis of, 1721-1770
Subject (Topic):
Britannia (Symbolic character), Angels, Cannons, Crying, Liberty cap, Soldiers, and British
"Three sailors sitting on trunks on board a ship, grimacing as they read papers. At centre one points to his paper, saying, 'Did you ever hear such palaver Jack - Just before an Action'; his paper is inscribed, 'nothing opposes the individual esteem entertaind for your excellency by your faithfull servant / J Moore / Cadiz'. At left, a sailor reads a paper inscribed, 'I am your Excellrncys most Humble Servant / Rossily'; his trunk is lettered 'Will bo[...]'. At right the third says, 'Be quiet you lubbers, you dont know how to be polite - one of the Mounseers has ax'd me a little time, before I blow him up, and see what a civil letter I have sent him.'; his trunk is lettered 'Junk' and his paper, 'Mounseer / I had the honor of your this morning, and if you don't surrender by six in the evening, I'll be d-d if I dont blow you up / yours / to command / Jack Junk'. On the floor in the foreground, a tankard of 'Grog', a pipe and broadsides, one of which is headed 'True courage'; a cannon behind at left. Reissue by Fores of a print originally published c. July 1808."--British Museum online catalogue and "In May-July 1808, at the beginning of the Peninsular war, the British fleet helped to defend the Spanish in Cádiz from the French fleet led by Rosily; the British officer John Moore left England for Portugal in July 1808. The imprint indicates a reissue, giving the address line used by Fores in 1818-19."--Curator's comments, British Museum online catalogue
Alternative Title:
British sailors perusing the dispatches from Cadiz
Description:
Title etched below image., Printmaker identified as Rowlandson in the British Museum online catalogue., Date of publication from the British Museum online catalogue, registration no.: 1948,0214.697., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly & 312 Oxford Street
Subject (Name):
Moore, John, Sir, 1761-1809. and Rosily-Mesros, François de, 1748-1832.
Subject (Topic):
Peninsular War, 1807-1814, Sailors, British, Decks (Ships), Luggage, Newspapers, Cannons, Drinking vessels, and Pipes (Smoking)
Title from item., Printmaker from British Museum catalogue., and Publisher's advertisement following imprint: ... where may be seen the original model of the guillotine, head and hand of Count Streunzee and the largest collection of caracatures in the world. Admit. 1 shl.
Publisher:
Pub. June 9, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Holland.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Bottles, Cannons, Courtesans, Military camps, Prostitutes, and Wine
"Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
