Title etched below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint and possibly song text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Boats, Cannons, Musical instruments, Sailors, Uniforms, Violins, and Warships
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, and Manuscript "254" in upper center of plate.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, Mounted on page 35 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; plate mark 38.3 x 23 cm, on sheet 38.8 x 23.7 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
"Queen Caroline, not caricatured, wearing Bergami's miniature as in British Museum Satires No. 14103, &c., stands on the summit of a column holding out a paper inscribed 'R+G+NA still in spite of them.' Her left hand supports a medallion, inscribed 'Knight of Saint Caroline' [see British Museum Satires No. 13810], on which is a realistic bust portrait of Bergami, wearing an order, the head much larger than her own. Beside it on the capital stand two billing doves. The pedestal, which stands on a triple plinth, is inscribed 'This Column is intended to perpetuate the glorious adventures of an I - L - - T - - - - S F - M - - E' [illustrious female]. Two figures flank the pedestal, standing on the upper plinth: on the left the Princess, in scanty draperies as the 'Neapolitan Muse of History' [see British Museum Satires No. 13890, &c.], holds an open book: 'Boccaccio illustrated.' On the right, in contemporary dress, and garlanded with roses, she is 'Columbine of Como' [see British Museum Satires No. 14120, &c.]; she wears a simple garden hat in which are three peacock's feathers, cf. British Museum Satires No. 13299, &c. This plinth is centred by a Maltese cross supported by lion and unicorn. Above the pedestal and at the base of the column crouch two satyrs holding between them a ribbon inscribed 'Order of Saint Caroline' [see British Museum Satires No. 13810, &c.] from which dangles a large Maltese cross; one holds up a bottle of 'Acqua Vita', the other a goblet of wine. On the column are five realistic little scenes, divided by captions on a spiral border, incidents of the Princess's travels as related by the witnesses against her. These are, reading upwards: '[Ri]ding to Jerusalem'; she heads the procession on an ass (see British Museum Satires No. 13918, &c.). 'In the Tent', she and Bergami on adjacent couches, see British Museum Satires No. 13818. 'Taking a bath'; Bergami fills the bath in which she sits (see British Museum Satires No. 13819). 'On board the Polacre' [see British Museum Satires No. 13818]; Bergami sits on a cannon embracing the Princess who is on his knee. 'Returning with pillow'; she walks from a room in which Bergami lies (see British Museum Satires No. 13822, &c.). Above, and at the Princess's feet, is the inscription: 'Pleasures obtained with 30.000 Per annm'. The column is flanked by a trophy of eight banners, with inscriptions, all surmounted by emblems of societies which had supposedly presented Addresses to the Queen (cf. British Museum Satires No. 14119). On the left: 'Ladies Address--Birds of a Feather signed Queens Own'. This is surmounted by a crouching satyr-Cupid aiming his bow. Next, surmounted by a brush: 'Chimney sweepers--who says touching makes dirt.' Next, a banner with two white favours topped by a handbell: 'Honble Company of Dustmen--Dust-Ho!' Last, the flag of the 'Taylors NB Patches put on', is surmounted by goose (bird) and shears. On the right a tattered flag supports a pair of breeches: 'Breeches Makers--Where does honour lie.' Above this, a flag inscribed 'Nightmen call it Filth Tis Cleanliness' is surmounted by a lantern and a bundle of rods. Next, a large white flag is inscribed 'Bricklayers Plaisterers and Whitewashers', and is surmounted by trowel, hod, line, and level. A flag with the butchers' emblem, marrow-bones and cleaver, is inscribed 'Procumbit humi bos Bergamo'. The whole is flanked at the base by two figures: Wood (left), wearing a furred gown, and with a long staff, shouts, holding up a huge cocked hat inscribed 'Un-Adulterated'; on hat and breast are enormous white favours; in his pocket is a paper: 'A powerful Substitute for Malt & Hops'. On the right a ragged newsboy blows his horn; he holds a sheaf of 'The Times', and on his hat are a large favour and a paper: 'Glorious News'."--British Museum online catalogue
Alternative Title:
Caroline Column
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Three lines of text below title: To be executed in silver. This piece of plate is designed to complete the subscription service and proposed to be presented by the W-d of Crip-l-gate!, 1 print : etching ; plate mark 38.2 x 23 cm, on sheet 39 x 23.9 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 61 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Ald. Wood, Brewers Druggist" identified in ink below image; date "28 Feb. 1821" written in lower right corner. The censored name "C-r-l--e" in title has had its blank spaces completed in ink to read "Caroline." Typed extract of nine lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
A satirical representation of the Battle of Dettingen, 1743. Overturned canons are piled in a ditch with fascines in the foreground; a large dead limb of a tree separates it from the battle ground. In the left corner the word 'Steelingensat' suggests the scene is a view from the fortress. In the center George II as the white horse of Hanover rides a British lion from whose mouth come the words "Starv'd on Bon pour nicole". The Hanoverian general Otto Christian von Ilten (nicknamed "Confectioner General") confronts the lion and his rider. Also depicted are the French and Austrian generals who shout encouragement to the troups
Alternative Title:
Hanoverian Confectioner General
Description:
Title etched above image., Publication date based on event depicted., Sheet trimmed within plate mark., Sixteen lines of verse in four columns below image, with title: A song sung by [the] soldiers in [the] B-h [i.e., British] camp to [the] tune of [the] Cucco., Truman's notes about the print are shelved as: LWL Mss Group 1 File 6., Short description by Bowditch in upper right of mounting sheet., Watermark., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Stair, John Dalrymple, Earl of, 1673-1747, and Ilten, Otto Christian von, ca. 1687- 1749
"Heading to a printed broadside. Four well-dressed men hold open a large bag, resting on the ground, in which stands a fifth, in profile to the right, who says indignantly to one of the openers: "Oh here you are--now for the Truth, the whole Truth & nothing but the Truth, by whose authority did you make Tools of the Clergy, to create divesions [sic] among their Parishione's [sic], & become sources of discord instead of Peace Makers." The other draws back disconcerted, answering: "Indeed it was not my master but the Pit Club, to whom the Nation is so much indebted." The first speaker rejoins: "Yes to whome the Nation is indebted 9 Hundred Millions." A slanting blast issues from the bag to the left, carrying into the air Wellington astride a cannon, who turns round to look anxiously down at the bag, and is followed by a cannon supported on clerical arms and legs and ridden by a bishop. The latter says: "my Minor Cannon are of little use." A little man (? Canning) runs in the blast, below Wellington. Smoke surrounds the bag. The text is the speech of Mr. Marsh at the Hampshire meeting on 12 Jan., when petitions to both Houses in favour of the Queen were resolved on. The plate illustrates a passage from the facetious printed speech: 'Besides the Ultras had a terrible weight of metal for the fight. They could muster all the great guns from Portsmouth; and if these did not do execution enough, they had at hand the little canons of Winchester.'"--British Museum online catalog
Alternative Title:
Secret spring of ultra-loyal addresses, discovered and exposed
Description:
Title from letterpress text below image., Attribution to William Heath and date of publication from the British Museum catalogue., Five lines of text beneath title: See the following witty and elucidating speech of Mr. Marsh, at the Hampshire meeting, January 12, which was attended by 6000 persons ..., Sheet trimmed to plate mark on three sides., Two columns of letterpress text at bottom, beginning: Mr. Marsh came forward, and was received with great applause. ..., "Price one shilling"--Following imprint statement., Watermark: J L 1817., Mounted to 58 x 39 cm., Mounted on leaf 42 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "12 Jan. 1821" written in ink in lower right corner of sheet. Typed extract of fourteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed and published by S.W. Fores, 41, Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Canning, George, 1770-1827
the 25th of October 1783. and [approximately 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 28. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A Frenchman, in profile to the left, seated on a globe. To the globe are fixed vertical rods, the upper ends of which terminate in four smaller globes which are thus supported above the principal one; chains link these four globes to a fifth globe above, and slightly longer than, the other four. On this fifth globe is a child from whose bare posteriors six balls are being projected. On two (right) of the four globes are the heads of an ass, and of a man wearing a fool's cap; to their jaws are attached reins which are held by the Frenchman whose right hand is extended in the attitude of an orator. On the third globe is a monkey's head, which more resembles that of a sheep; the fourth globe is blank. The intention of the satire is explained by the inscription beneath the title, 'A F------t ------An Ass------ A Fool------A Monkey------A Nothing'. On the large globe on which the aeronaut sits is a cannon, its muzzle projecting upwards and to the left beyond the contour of the globe. In the centre is the winged head of a bald and bearded man in profile to the left. Below is the stern and part of the side of a man-of-war, with cannon projecting from port-holes."--British Museum online catalogue
Alternative Title:
Montgolsier, a first rate of the French aerial navy and Montgolfier, a first rate of the French aerial navy
Description:
Title etched below image., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 28 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub by E. Dachery, N. 11 St. James's Street [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
Restrike. For original issue of the plate, see no. 6333 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Satirical arms with a donkey as the crest, an owl wearing a cap on its back. The donkey stands upon a "Log" which rests upon a "Bible", a paper marked "Address", and a "Liturgy Petition" with a cross on it. The shield contains various images, including three warships, a tankard of beer, military tents next to cannons, and a ram. Hops and barley (or another grain) are present on either side of shield, akin to supporters. Latin mottos are contained within ribbons at the bottom, and read "furiis in censa feror" and "vir tutis sub umbra viti um."
Description:
Title from text below image., Sometimes found as a tailpiece to, and perhaps issued with, the following work: The attorney-general's charges against the late queen, brought forward in the House of Peers, on Saturday, August 19th, 1820 ... London : G. Humphrey, [1820?]., Not in the Catalogue of prints and drawings in the British Museum., Watermark: 1819., Mounted to 58 x 39 cm., Mounted (with one other item) on leaf 13 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With pencil annotation "Log-Wood, Brewers Drey[...?]" in upper right margin, in reference to elements of the image.
Publisher:
G. Humphrey?
Subject (Topic):
Coats of arms, Donkeys, Owls, Warships, Sheep, Drinking vessels, Beer, Tents, and Cannons
Title from item., Page number in upper right corner burnished from plate., Reissue of an illustration to v. 2 of Baron Munchausen, with page number removed, imprint present and alterations within design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Baron Munchausen - Flying ships.
Publisher:
Published for H.D. Symonds, Pater-noster Row, London
"Heading to a printed broadside. Four Ministers, summoned by the King, sit at a table bending over a crown broken into two pieces. Sidmouth (right), tilting forward his seat, which is a commode, holds his clyster-pipe; in his pocket is a bottle labelled 'Strong Mixture'. He says: "There seems to have been a flaw in it for some years it only required a slight tap to do all the mischief." Liverpool, next him, says: "Some Foreign Cement or a decoction of steel lozenges [see British Museum Satires No. 13513] properly applied may stick them together for the present, but I'm afraid it won't last long, the parts seem of opposite compositions." Castlereagh says, with a sinister smile: "By the Ghost of my Father I will hold it together by a Tringular [sic] Proceeding. & whip it all round" [see British Museum Satires No. 14135]. Wellington, dressed as a field-marshal, and wearing cavalry boots with huge spurs, sits in a chair decorated with military emblems; he says: "Steel filings and leaded paste is the only Composition to be depended on." At his feet are bayonets and cannon-balls, with (left) a cannon, and a huge ball inscribed 'Bolus'. Behind Sidmouth stands George IV (right) in consultation with Eldon; he weeps, holding his handkerchief to his eye, and says, pointing to his Ministers: "Cant Sid my Tool and L--r--pl, Some how contrive to mend it." Eldon, in Chancellor's wig and gown, holds the lower end of the mace against his chin with a puzzled scowl. He answers: "Dash my Wig if I know what to do! my head's in Chancery." Beside him are two 'Old Green Bags done with' [see British Museum Satires Nos. 13735, 13986]. At the King's feet is a paper: 'Straight Jacket'. By Sidmouth's chair are papers: 'A Blister for the Radicals if they Kick up a Row'; 'A Gagging Bandage', with a pot of 'Poison for the Q . . .' [cf. British Museum Satires No. 13868]. Also the words 'Filth', 'Dirt'. On the extreme left, John Bull, a stout and formidable 'cit', is seated on a bale inscribed 'Knowledge is Power' [see British Museum Satires No. 14005]. One hand is on his hip, the other on a bludgeon of 'English Oak'. He says, frowning at the Ministers: "I think the following prescription would be the best Cement, a handful of reformation; a large portion of the abolition of Sinicures [sic], a ladle full of the reduction of Taxes, with a plentiful solution of the Oil of Just Claims, and attention to the wants of an industrious part of the Community, would more safely ensure a permanent union with the separate pieces than all the cement or steel lozengers [sic] in the world." The Queen looks in through a small window, Wood looking over her shoulder; they watch the proceedings, tense and indignant. Above the King's head is a shelf of 'Chinese Toys from Hot Creek': a little pagoda flanked by figures of (left) a fat lady and a thin man (the Conynghams) and (right) a squatting obese man (the King). The last two of seven verses (of a 'New Version'): "She claims a share "To all (I swear!) "That I possess;--but mind her "Good C--tl--gh, "Look sharp--d'y' see "There's Radicals behind her. "A stronger pill "'S required still "Than G--ff--d's famous lotion; "Your brains well shake, "The corners rake, To give the jade a motion."--British Museum online catalogue
Alternative Title:
Disasters of a green-bag chief!!!
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., "Price one shilling"--Below imprint., 1 print : etching ; sheet 38 x 26 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and price statement from bottom edge., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Conyngham, Henry, Marquess, 1766-1832.
Subject (Topic):
John Bull (Symbolic character), Politicians, Tables, Crowns, Medical equipment & supplies, Bayonets, Cannons, Cannon balls, Crying, Ceremonial maces, Bags, and Windows
