A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: ending in a round game". In the second row: "In love I perceive", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Unidentified artist., Date conjectured from that of the published print of the same design., Similar to a print, published by G. Blackman in 1817, and attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: proceeding to a round game". In the second row: "In love I pereceive [sic]", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of all women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Similar prints, also published by G. Blackman in 1817, are attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b, Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 30, 1817, by G. Blackman Junr., 362 Oxford Strt
Two men, both in elaborate wigs, sit on opposite sides of a table playing cribbage while a young woman seated between them at the end of the table, watches the game. The player on the left looks delightedly at his loosing opponent and puts another peg in the board. He has a large quantity of coins while his adversary has only one coin left. The table holds only one wine glass and one bottle only. On the wall behind them is a hanging bookshelf with feather pen in an inkwell and an oval painting (print?) of a mother and child (a Madonna and Child?)
Description:
Title from caption etched below image., Sheet trimmed to plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Window mounted to 41 x 29 cm.
Publisher:
Pubd. Jany. 4th, 1773, by W. Humphrey, St. Martins Lane
Subject (Topic):
Bookcases, Eating & drinking, Card games, Gambling, Games, and Wigs
Two men sit on benches at a low table playing cards (putt) as a third person looks on.
Alternative Title:
Game of putt
Description:
Title engraved below image., Publication date inferred from the date of partnership formed by Henry Carington Bowles and Carver after Carington Bowles's death in 1792. See: Plomer, H.R. Dictionaries of the printers and booksellers, page 31., Plate numbered '148' in lower left corner., Original or copy in reverse of: Playing at putt., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Bowles & Carver, No. 69 in St. Paul's Church Yard, London
A macaroni in a monk's robe walks to the right holding a bouquet of flowers; his belt is made up of playing cards and a dice box. The title is a reference to the social club Almack's.
Alternative Title:
Macaroni's downfall, or, The pious dove's lamentation : to the tune of The babies in the wood
Description:
Title etched above image., Text below image: The Macaroni's downfall, or, The pious dove's lamentation, to the tune of The babies in the wood., Variant state without numbering; Cf. No. 4642 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark., and Watermark: Strasburg bend with initials LVG below.
"The fat and florid Lady Buckinghamshire, seated at the head of her faro-table, throws up her arms in dismay, turning towards her husband, who enters through a door (left), saying, "The Bank's stole! - we're ruin'd my Lady! - but I'll run to Bow Street & fix the Saddle upon the right horse, my Lady!" She exclaims: "The Bank stole, my Lord? - why I secur'd it in the Housekeepers-room myself! - this comes of admitting Jacobins into the house! - Ah! the Cheats! Seven Hundred gone smack; - without a single Cock of the Cards!" She fills the centre of the design, and is much larger than her husband. Her guests are crowded together on the right. A pretty young woman, Mrs. Concannon, seated on her left, clasps her hands, exclaiming, "Bank stole! - why I had a Gold snuffbox stole last night from my Table in Grafton Street." Lady Archer, on the extreme right, on the nearer side of the table, turns a corvine and angry profile towards Lord Buckinghamshire, saying, "Stole! - bless me why a Lady had her Pocket pick'd at my House last Monday." Opposite her sits Fox, wearing a hat and putting his hand over his mouth, saying, "Zounds! I hope they dont Smoke me." Sheridan looks over his shoulder, saying, "nor me". Behind Fox, Hanger stands in profile to the left, wearing a hat and holding his bludgeon; he says: "O! if they come to the Mount, if I don't tip them Shelalee" (see BMSat 8889). ... The door (left) resembles that of a strongroom, with two heavy locks and three bolts."--British Museum online catalogue
Alternative Title:
Rook's pigeon'd and Rook's pigeoned
Description:
Title etched below image., One line of quoted text following title: "When Greek meets Greek, then comes the tug of war!", Sheet trimmed within plate mark on bottom edge., and Literature: Quotation from Nathaniel Lee's The Rival Queens, iv. ii.
Publisher:
Pubd. Feby 2d, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, Fox, Charles James, 1749-1806, Hobart, Robert, Earl of Buckinghamshire, 1760-1816, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Sheridan, Richard Brinsley, 1751-1816, and Hanger, George, 1751?-1824
Subject (Topic):
Jacobins, Card games, Floor coverings, Gambling, Robberies, and Tables
"The fat and florid Lady Buckinghamshire, seated at the head of her faro-table, throws up her arms in dismay, turning towards her husband, who enters through a door (left), saying, "The Bank's stole! - we're ruin'd my Lady! - but I'll run to Bow Street & fix the Saddle upon the right horse, my Lady!" She exclaims: "The Bank stole, my Lord? - why I secur'd it in the Housekeepers-room myself! - this comes of admitting Jacobins into the house! - Ah! the Cheats! Seven Hundred gone smack; - without a single Cock of the Cards!" She fills the centre of the design, and is much larger than her husband. Her guests are crowded together on the right. A pretty young woman, Mrs. Concannon, seated on her left, clasps her hands, exclaiming, "Bank stole! - why I had a Gold snuffbox stole last night from my Table in Grafton Street." Lady Archer, on the extreme right, on the nearer side of the table, turns a corvine and angry profile towards Lord Buckinghamshire, saying, "Stole! - bless me why a Lady had her Pocket pick'd at my House last Monday." Opposite her sits Fox, wearing a hat and putting his hand over his mouth, saying, "Zounds! I hope they dont Smoke me." Sheridan looks over his shoulder, saying, "nor me". Behind Fox, Hanger stands in profile to the left, wearing a hat and holding his bludgeon; he says: "O! if they come to the Mount, if I don't tip them Shelalee" (see BMSat 8889). ... The door (left) resembles that of a strongroom, with two heavy locks and three bolts."--British Museum online catalogue
Alternative Title:
Rook's pigeon'd and Rook's pigeoned
Description:
Title etched below image., One line of quoted text following title: "When Greek meets Greek, then comes the tug of war!", Sheet trimmed within plate mark on bottom edge., Literature: Quotation from Nathaniel Lee's The Rival Queens, iv. ii., 1 print : etching on laid paper, hand-colored ; plate mark 25.6 x 35.8 cm, on sheet 27.9 x 39.6 cm., and Mounted on leaf 34 of volume 9 of 12.
Publisher:
Pubd. Feby 2d, 1797, by H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, Fox, Charles James, 1749-1806, Hobart, Robert, Earl of Buckinghamshire, 1760-1816, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Sheridan, Richard Brinsley, 1751-1816, and Hanger, George, 1751?-1824
Subject (Topic):
Jacobins, Card games, Floor coverings, Gambling, Robberies, and Tables
Plate 41. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"A rural scene with a hustings where ailing men are being brought to vote and the able-bodied are amusing themselves with a drawing of one of the candidates, an execution broadside and a gin bottle; in the middle ground a coach bearing the sign of the Union Flag has collapsed, but its female passenger (Britannia) is unable to gain the attention of her coachmen who are absorbed in a card game; beyond, a bridge across a river is crowded with a riotous procession."--British Museum online catalogue
Description:
Title engraved above image., Third state with the words 'Milicia Bill' on the coat pocket of the crippled voter in the left foreground., Third in a series Four prints of an election., and Dedication engraved below image: To the Honble. Sr. Edward Walpole, Knight of the Bath. This plate is most humbly Inscrib'd by his most obedient humble servant Willm. Hogarth.
Publisher:
Wm. Hogarth.
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Card games, Carriages & coaches, Crowds, Political elections, and Riots
Plate 41. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"A rural scene with a hustings where ailing men are being brought to vote and the able-bodied are amusing themselves with a drawing of one of the candidates, an execution broadside and a gin bottle; in the middle ground a coach bearing the sign of the Union Flag has collapsed, but its female passenger (Britannia) is unable to gain the attention of her coachmen who are absorbed in a card game; beyond, a bridge across a river is crowded with a riotous procession."--British Museum online catalogue
Description:
Title engraved above image., Third state with the words 'Milicia Bill' on the coat pocket of the crippled voter in the left foreground., Third in a series Four prints of an election., Dedication engraved below image: To the Honble. Sr. Edward Walpole, Knight of the Bath. This plate is most humbly Inscrib'd by his most obedient humble servant Willm. Hogarth., 1 print : etching and engraving on laid paper ; plate mark 43.6 x 55.9 cm, on sheet 46 x 59 cm., and Plate 41 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth.
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Card games, Carriages & coaches, Crowds, Political elections, and Riots
Plate 41. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"A rural scene with a hustings where ailing men are being brought to vote and the able-bodied are amusing themselves with a drawing of one of the candidates, an execution broadside and a gin bottle; in the middle ground a coach bearing the sign of the Union Flag has collapsed, but its female passenger (Britannia) is unable to gain the attention of her coachmen who are absorbed in a card game; beyond, a bridge across a river is crowded with a riotous procession."--British Museum online catalogue
Description:
Title engraved above image., Third state with the words 'Milicia Bill' on the coat pocket of the crippled voter in the left foreground., Third in a series Four prints of an election., Dedication engraved below image: To the Honble. Sr. Edward Walpole, Knight of the Bath. This plate is most humbly Inscrib'd by his most obedient humble servant Willm. Hogarth., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 175 in volume 2. Sheet trimmed to: 43.5 x 55.7 cm.
Publisher:
Wm. Hogarth.
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Card games, Carriages & coaches, Crowds, Political elections, and Riots
