Wellington stands full-length in profile to the left, dressed as the driver of a mail-coach, holding his whip in his left hand. His (gloved) right hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect. The speech-balloon above his head reads, "While I hold the Reins (your Honnor) I'll drive against all Opposition!!!"
Description:
Title etched below image., Date of publication based on other prints with the same title and of similar composition. Cf. Nos. 15731 and 15731A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., Sheet trimmed within plate mark., and Mounted to: 23.4 x 17.1 cm.
Publisher:
Pubd. by J.L. Marks, Artillery St., Bishopsgate, London
Wellington drives a large new coach pulled by three horses with human heads. He is dressed in a a triple-caped greatcoat and broad brimmed hat and flicks the long whip with skill on the backs of the horses depicted with the heads of John Bull and on either side, stock characters of an Irishman and Scotsman wearing traditional hats. They ride on a road labelled "national debt' as the horses hoves sink in the mud labelled "sinking fund." Peel rides behind in the conductor's seat. One of the four curtains on the windows of the omnibus is pulled aside to reveal George IV about to kiss Lady Conyngham. The splash board of the new omnibus is painted with the gold initials 'GR' and a crown
Alternative Title:
Omnibus
Description:
Title etched below image., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: sole publisher of WH's etchings.
Publisher:
Pub. Oct. 15th, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholics, Catholic emancipation, Debts, public, John Bull (Symbolic character), Economic conditions, Buses, and British
"Canning and Eldon, both in shirt-sleeves and about equally matched, face each other in a small boat: Cabinet. Cock Boat. The very ornate boat resembles a Canadian canoe in general shape; the paddles go through big apertures encircled by the points of a star; that of Canning is Deplomatic Sagacity; Eldon uses the mace, which is inscribed Pelf Patronage Parsimony [see British Museum Satires No. 15139]. At each end of the boat is a figure-head, one of the supporters of the Royal Arms, each with a flag-staff set in its head. Behind Canning (left) is the Unicorn; his flag Catholic Supremacy. The Lion is behind Eldon (right), with the flag of Protestant Ascendancy. Canning: I shall be too much for you you are too slow in your Motions. Eldon : I doubt it! The Purse of the Great Seal hangs over the boat beside Eldon, who wears wig and bands. On the extreme right the sun rises (or sets)--it irradiates the sky behind Eldon."--British Museum online catalogue
Alternative Title:
Long pull, a strong pull, and a pull all'togather
Description:
Title etched below image. and Text below title: When two row in the same boat, they may pull different ways; but when two ride on one horse, one must ride behind. A House divided against itself can not stand!!!
Publisher:
Pubd. March 16, 1827, by S.W. Fores - Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Canning, George, 1770-1827 and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Rowboats, Ceremonial maces, Flags, Ship figureheads, Unicorns, Lions, National emblems, and Sunrises & sunsets
A man with raised arms stands over a fire. Notes by the artist throughout the image and on verso
Description:
Title devised by cataloger., Signed lower left in ink: James Gillray., Illegible jottings throughout the sketch with notes; sketch accompanied by a separate manuscript with details about the sketch., Preliminary sketch, possibly for his print End of the Irish farce of Catholic emancipation, published by H. Humphrey 17 May 1805., and James Gillray, English caricaturist, 1756-1815.