Leaf 41. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
In a well furnished room, a stout man in a queue wig starts up from his chair to fire from a blunderbuss at the portrait of a French Field Marshall on the left. His companion seeks cover under the table, his legs tangled in the chair he has overthrown. In the foreground lie a sheathed sword and a map. A drum stands next to the shooter
Alternative Title:
Captain Bounce and Colonel Fearful
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark on top edge., Plate numbered "V. 2" in upper left corner and "15" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Furniture: Chippendale-style chair -- Military: Drums -- Paintings amplifying subject: A man on a rearing horse -- Weapons -- Guns: Blunderbusses -- Glass: Wine bottle and glass., and Watermark: countermark I V.
Publisher:
Pubd. as the act directs, Sepr. 9, 1773, by MDarly, 39 Strand
Title from item., Attributed to Ansell in the British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Temporary local subject terms: 'Cits' -- Beverages: port -- Console table -- Spying glass -- Game: farm animals, dog and rats.
Publisher:
Pubd. Decr. 8th, 1800, by S.W. Fores, 50 Piccadilly
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
An old hag sits in a carved chair with a gothic back by a vast open fire-place (right), with sticks blazing on the hearth. She uses a large knife to slice at one of her distorted toes. Beside her are a tub and scrubbing-brush and a large cat. She wears spectacles and a shawl around her head
Description:
Title etched below image., Close copy, with plate number on border, of a print with the same title by James Gillray published by Hannah Humphrey on February 6, 1800., Publication date based on that of the original print by Gillray from which this copy was made., Sheet trimmed to plate mark., and Plate numbered '134' in upper right corner.
Publisher:
publisher not identified
Subject (Topic):
Cats, Chairs, Eyeglasses, Feet, Fireplaces, Medical procedures & techniques, Older people, Slippers, and Wash tubs
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
An old hag sits in a carved chair with a gothic back by a vast open fire-place (right), with sticks blazing on the hearth. She uses a large knife to slice at one of her distorted toes. Beside her are a tub and scrubbing-brush and a large cat. She wears spectacles and a shawl around her head
Description:
Title etched below image., Close copy, with plate number on border, of a print with the same title by James Gillray published by Hannah Humphrey on February 6, 1800., Publication date based on that of the original print by Gillray from which this copy was made., Sheet trimmed to plate mark., Plate numbered '134' in upper right corner., 1 print : etching on wove paper, hand-colored ; plate mark 28.1 x 21.9 cm, on sheet 41.8 x 25.6 cm., and Leaf 95 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Cats, Chairs, Eyeglasses, Feet, Fireplaces, Medical procedures & techniques, Older people, Slippers, and Wash tubs
Title from text below image., Printmaker from plate no. 1., Series title from plate no. 1., No. 2 from the Dighton's series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy., Plate is numbered "2" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Corporals' uniforms -- Male costume, ca. 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Crutches, Screens, Furniture, Tables, Chairs, Stools, Interiors, Military uniforms, British, Staffs (Sticks), and Smoking
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
"A parody of British Museum Satires No. 10979 by Gillray. Queen Caroline and her supporters, realistically depicted, sleep round the dinner-table after dessert (at Brandenburgh House), their dreams are supported on clouds which hide the upper part of the wall. The Queen (left), dressed much as in British Museum Satires No. 14103, but with trailing draperies, lies back in an arm-chair, arms extended, her knees crossed and shoes kicked off. She wears the accustomed miniature of Bergami, see British Museum Satires No. 13858; her bracelets are inscribed 'C B'. Lieut. Flinn leans on the back of her chair, looking down at her protectingly, the only one awake. At her right hand sleeps Joseph Hume, identified by a paper in his pocket: 'Humes motion upon Queenboro'. Facing him and on the Queen's left sits Lady Anne Hamilton, wearing a feathered (Scots) bonnet. In an arm-chair facing the Queen Alderman Wood (right) leans back, one thin leg on the table. On his right is Dr. Parr; on his left Hownam, in naval uniform, bestrides his chair with his back to the table, his head buried in his hands which are folded on the back of his chair (inscribed 'C R'). Decanters are labelled 'C BR'; a (gold) centrepiece for fruit is supported by three naked nymphs. On the floor are glasses and many more decanters: 'Brandy' (by the Queen); 'Rum', 'Madeira', 'Port' by Wood. The carpet is patterned with hearts and arrows. In the centre of the wall is a large fireplace flanked by fire-screens, each with a half length portrait surmounted by a crescent. On the chimneypiece are three dancing figurines: the Queen apparently as Columbine (see British Museum Satires No. 14120) between a Turk (Mahomet, see British Museum Satires No. 13929) and a Harlequin (Bergami as in British Museum Satires No. 14120). Two bell-pulls terminate in satyrs' heads; similar heads decorate the chairs. The pictures are (left) a half length of Bergami as a courier above two smaller pictures: a tent on a ship, see British Museum Satires No. 13818, and the Queen walking with Wood. On the right a half length of Bergami after his promotion above a picture of Bergami and the Queen walking together, and one of Bergami rowing her in a boat (on Como). A globe enclosing a lamp mounted with rams' heads hangs from the ceiling. On the cloud, behind the lamp, is a vision of loaves and fishes, above, an open book inscribed 'Bless the [Qu]een'. The topmost dream is a coronation, realistically depicted: the King, crowned, and Queen kneel face to face, the Archbishop about to place a crown on her head. Peeresses stand behind the Queen, peers behind the King. On the right and left are two disks of light, which illuminate the scenes below. One is 'R I G H T S' (the letters in a circle) above a view of Buckingham House ('the Queen's House'). The other is 'P R I V I LE G E S': the Queen, wearing a crown, stands on a dais, a lady kisses her hand, other ladies stand on the left and right. Below the title: 'Thus Queen Mab Gallops Night by Night Thro' Lover's brains, & then they dream of Love; Sometimes she gallops oe'r a Courtiers Nose, And then dreams he of smelling out a Place, And sometimes comes she as a tythe pigs tail Tickling the parson as he lies asleep; But, 'tis the baseless fabric of a Vision, that leaves not a rack behind. Altered from Shakespeare.' ['Romeo and Juliet', I. iv; 'Tempest', IV. i.]."--British Museum online catalogue
Alternative Title:
Castles in the air! Glorious prospects!
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple ; sheet 40.4 x 29.4 cm., Printed on wove paper; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 68 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Q. Caroline," "Lady Anne Hamilton," and "Ald. Wood" identified in ink below image; date "Ap. 30, 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830, Hume, Joseph, 1777-1855, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Parr, Samuel, 1747-1825, and Brandenburgh House (London, England),
A drawing of a Gothic bench (center) and to the left a Gothic chair with a detail to the right of a drain?
Alternative Title:
Designs for Gothic benches and chairs at Strawberry Hill by Mr. Bentley
Description:
Title from ms. note on verso in Horace Walpole's hand in ink., Date based on a 27 July 1754 note to Bentley: "In the first place, my chairs! If you had taken a quarter of the time to draw what they might be, that you have employed to describe what they must not be, I might possibly have had some begun by this time. Would not one think that it was I who make charming drawings and designs and not you? I shall have very little satisfaction in them, if I am to invent them! ...", and Formerly mounted on leaf 44 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Roberts, P. (Piercy), active 1785-1824, printmaker, publisher
Published / Created:
[1803?]
Call Number:
803.00.00.53+
Image Count:
1
Resource Type:
still image
Abstract:
"The Lord Mayor sits (right) in profile to the left in a chair of state facing a city officer in a long gown holding a wand who leads in a file of five amused 'cits', three men and two women. The officer says: "Here are a number of People brought before your Honor, by your Honor's Order, for not keeping the pavement clean before their Houses in Frosty Weather - according to the Act of Parliament for that purpose; but the worst of all is - here is a Worthy Alderman, lays information, that the pavement before your Honor's Door is as much neglected as any of the rest - and moreover says that he himself had a fall there in the late Frost, which shook him so much, that he has been unable to digest Turtle or Venison ever since - A material injury to one of the Body Corporate." The alderman, who heads the file, clasps an enormous paunch. The Mayor answers, proffering a coin: "Well, Well, if that is the case, take my five Shillings, and say no more about the Business." The Mayor wears spectacles and a chain of office; he has not the plebeian appearance of the alderman and his companions. (Charles Price was Lord Mayor 1802-3.)"--British Museum online catalogue
Alternative Title:
Whimsical information
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark.
Publisher:
Pubd. by P. Roberts, 28 Middle Row, Holborn
Subject (Geographic):
England and London.
Subject (Name):
Price, Charles, Sir, 1748-1818
Subject (Topic):
Mayors, Municipal officials, Queues, Chairs, Robes, Staffs (Sticks), Coins, and Eyeglasses
"Social satire; two seated women, one on a wooden chair, dressed simply with a bonnet tied with a ribbon round her chin and holding a letter, the other on a sofa, more fashionably dressed, with jewellery and holding a fan."--British Museum online catalogue
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female costume, 1794.
Publisher:
Published 24th Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Clothing & dress, Women, Chairs, Sofas, and Fans (Accessories)
