The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4"--Lower right corner., and On page 70 in volume 1. Plate trimmed to: 34.5 x 39 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state, and imprint from Paulson., Added title from first two lines of the verse etched below image., State 2 with stormy, rainy sky etched in and a jagged bolt of lightening is aimed at the building with a sign that now reads "WHITE". For other changes see Paulson., After the painting now at Sir John Soane's Museum., "Plate 4"--Lower right corner., Ms. note in pencil in Steevens's hand to right of print: See Mr. Nicholls's Biographical anecdotes &c. p. 215. The variations throughout this set of Prints are numerous. Annotated in later (LWL hand): Paulson 135.2 unique., and On page 70 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., and On page 71 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Plate 14. Queen Charlotte's collection of Hogarth works. Leaf 14. Album of William Hogarth prints.
Image Count:
1
Abstract:
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
State 4 with added crosshatching: the wings on top of the bedstead, Sarah's dress, the ribbon on the cap of the woman slapping Sarah's hand, Rakewell's right shoe and sleeve, his old wife's shoulder, the lower part of the warder's coat, the bundle in the lower right corner, and the whole of the floor ... See Paulson for fuller description., Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 7"--Bottom left., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 35.1 x 40.7 cm, on sheet 46 x 59 cm., and Plate 14 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Plate 14. Queen Charlotte's collection of Hogarth works. Leaf 14. Album of William Hogarth prints.
Image Count:
1
Abstract:
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
State 4 with added crosshatching: the wings on top of the bedstead, Sarah's dress, the ribbon on the cap of the woman slapping Sarah's hand, Rakewell's right shoe and sleeve, his old wife's shoulder, the lower part of the warder's coat, the bundle in the lower right corner, and the whole of the floor ... See Paulson for fuller description., Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 7"--Bottom left., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 35.2 x 40.6 cm, on sheet 45 x 56 cm., and Leaf 14 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
Plate 14. Queen Charlotte's collection of Hogarth works. Leaf 14. Album of William Hogarth prints.
Image Count:
1
Abstract:
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
State 4 with added crosshatching: the wings on top of the bedstead, Sarah's dress, the ribbon on the cap of the woman slapping Sarah's hand, Rakewell's right shoe and sleeve, his old wife's shoulder, the lower part of the warder's coat, the bundle in the lower right corner, and the whole of the floor ... See Paulson for fuller description., Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 7"--Bottom left., Sheet trimmed within plate mark., and On page 75 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
Title, state, and imprint from Paulson., "Plate 7"--Added at the bottom left., Added title from first lines of verses below image., and Sheet torn at lower right edge with loss of some text and date in imprint.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
Title, state, and imprint from Paulson., "Plate 7"--Added at the bottom left., Added title from first lines of verses below image., and On page 75 in volume 1. Trimmed within plate 346 x 394 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
Title, state, and imprint from Paulson., "Plate 7"--Added at the bottom left., and Added title from first lines of verses below image.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
