Depicts a well-dressed lady approaching a table where a striped chair is being held for her by a young black serving boy. At the table are seated a bald and bearded man, and on his left, seated on a sofa, a lady wearing an ermine trimmed robe. The table holds a silver urn and various dishes on a tray. On the walls are two paintings of what appear to be seduction scenes and a wall sconce with mirror
Alternative Title:
One of the tribe of Levi, going to breakfast with a young Christian
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street
Subject (Geographic):
England. and England
Subject (Topic):
Jews, Judaism, Relations, Christianity, Sofas, Furniture, Sconces, Paintings, Tableware, Black people, Servants, Interiors, and Clothing & dress
Manuscript on parchment of Ambrose, 1) De virginibus. 2) De virginitate. 3) (Incorrectly attributed) De lapsu virginis consecratae. 4) De viduis. 5) De institutione virginis. 6) De Helia et ieiunio. 7) De penitentia
Description:
In Latin., Script: Written in bold humansitic cursive script that slopes toward the right by a single scribe, above top line., Illuminated title page, severely rubbed and stained, with full border, white vine-stem ornament on red, blue, green and gold ground with white dots, in inner border with ribbon interlace. In lower border wreathed medallion within narrow gold bands, supported by two haloed angels, one dressed in green, the other in red; central shield of medallion blank. Included in border are a standing and a seated putto. Historiated initial, 6-line, gold, with a portrait of St. Ambrose seated at a lectern and reading, against a blue sky. 8 illuminated initials, 5-line, in gold against blue, green and red grounds with white dots and white vine-stem ornament extending into the margins to form partial borders. Headings, running titles and foliation (Roman numerals), in red., Many pages stained with some loss of text; f. 220r-v mostly illegible., and Binding: Nineteenth century, France. Brown goatskin with the arms of comte Chandon de Briailles gold-tooled on both sides. Edges, headcaps, and doublures also gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ambrose, Saint, Bishop of Milan, -397.
Subject (Topic):
Celibacy, Christianity, Christian literature, Latin, Fathers of the church, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 191 in volume 2.
Publisher:
Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
Manuscript on parchment (hair side quite yellow) of Paulus de Sancta Maria (of Burgos; 1353-1435), Scrutinium Scripturarum. With Passages concerning the conversion of Jews to Christianity; (a) unidentified; (b) Letter of Pope Gregory I to Pascasius, bishop of Naples
Description:
In Latin., Script: Arts. 1 and 3 written below top line in fere-humanistic script by a single scribe who frequently erased and rewrote the text; art. 2 added in another hand. Some later marginalia., Crudely executed initial and full border on f. 9r: gold initial, 11-line, on blue rectangular ground, with white vine-stem ornamentation highlighted in green; border in gold, blue, pale pink, mauve and green, consisting of swirling acanthus leaves, flowers, birds, gold dots and leaves around bar border in upper and outer margin, and with putti supporting laurel wreath (arms effaced) in lower margin. One penwork initial of pathetic quality, 8-line, red and blue divided body accompanied by red and blue penwork designs, on f. 125v. Table of contents (art. 1) and headings throughout, in bright red. Remains of notes to rubricator., and Binding: 18th-19th centuries. Red goatskin, with green, gold-tooled labels. Yellow edges.
Subject (Geographic):
Connecticut, New Haven., and Naples (Italy)
Subject (Name):
Paulus de Sancta Maria.
Subject (Topic):
Conversion, Christianity, Illumination of books and manuscripts, Medieval, Judaism, and Manuscripts, Medieval
Title from caption above woodcut. Text begins with a quote from Heb 12.6: "When I am scourged with affliction's rod ...", Each word or short phrase of the Apostles’ Creed is paired with two biblical quotations paraphrasing it., Text in two columns, divided by a single rule; the title and illustration span both columns., Mounted on leaf 3. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
"A clumsy lumbering diligence, with four horses, leaves the porte-cochère of an inn, part of whose ornate façade is on the left. The sign, 'Le Qoque [sic] en Pate', hangs from a wrought-iron bracket. Two postilions ride the near horses, flourishing their whips. The coach is full inside and out with typical French characters, humorously drawn, soldiers, monks, and women, with couples absorbed in conversation. An old couple beg from the passengers. A lean sow with small pigs scampers beside the coach. In the background (left) is the west end of a small church with a Calvary beside it at which nuns kneel in prayer; a group of monks approaches holding a cross. Down the hill leading from inn and church a post-chaise and pair and a post-boy on a horse are galloping, the latter wearing the huge 'milk-churn' boots which astonished visitors to France. A row of very ancient gabled houses forms part of the background, while on the extreme right is a large building of more recent date."--British Museum online catalogue
Alternative Title:
Paris diligence
Description:
Title from caption below item. and For a later state with imprint and plate number, see no. 11624 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Beggars, Carriages & coaches, Cities & town life, Christianity, Crucifixions, Signs (Notices), Taverns (Inns), Passengers, Pigs, and Stagecoaches
Print with twelve panels relating to the affair of Mary Toft, "the rabbit breeder": from top left, she is held aloft by two men and a Harlequin or Merry Andrew, she has a rabbit in either hand; she pursues a rabbit while working in a field; she dreams of being impregnated by rabbit, Cupid is shown on a cloud beside her bed holding a rabbit in either hand; she is seated in a chair attended by two women while the two men and Harlequin discuss the monstrous birth; Harlequin demonstrates that he can express milk from her breast; Harlequin feels "the rabbets leapin in her belly" while two men look on; she sits on the edge of a bed and Harlequin kneels to seize a rabbit that emerges from her skirts while a doctor raises his hands in surprise, wishing to anatomize the animal; Harlequin stands behind a table holding a balance in which he weighs dung removed from the rabbit explaining to two men that this will allow him to judge whether the animal had "breath'd in air"; doctors and midwives discuss the phenomenon around a table and Harlequin enters claiming that the birth must be "praeternatural"; a crowd of gentlemen are welcomed to the bagnio in Leicester Square where Toft is housed; two men spy from the door to Toft's room as another hands her a dead rabbit; Toft, weeping, is led away to Bridewell by two constables while Harlequin "sits upon Repenting stool, Cursing his fate in being made a Fool. See British Museum online catalogue
Alternative Title:
New whim wham from Guildford
Description:
Title etched above images. and Trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Births, Brothels, Cupids, Fools & jesters, Fraud, Law enforcement, Physicians, Pregnant women, and Rabbits
Sudden call from an earthly glory to the cold grave
Description:
Verse begins: "Thou wealthy man of large possessions here,"., Dated from the address; see David Stoker, "John Marshall, John Evans, and the Cheap Repository tracts, 1793-1800", PBSA 107:1 (2013), 81-118., Printed in four columns with two woodcuts and the title above the first two; imprint at foot of the fourth column, below a single rule; the columns are not separated by rules., Mounted on leaf 6. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sol by J. Evans, 41 Long-Lane
Subject (Topic):
Death, Religious aspects, Christianity, Songs, English, Ballads, English, Dialogues, English, Skeletons, Hourglasses, and Arrows
Caption title., Printed in two columns with a woodcut at the head of each column, and playing cards surrounding text., Text begins: The serjeant commanded his party to the church, and when the parson had ended his prayer, he took his text; and all of them that had a Bible pulled it out to find the text, but this soldier had neither Bible, almanack, nor common prayer book, but he put his hand in his pocket and pulled out a pack of cards, and spread them before him as he sat, and while the parson was preaching he first kept looking at one card and then at another., Undated; James Catnach was active at this address from 1813 until his retirement in 1838; see Hindley, C. The history of the Catnach Press ..., 1886. Queen Victoria is mentioned in the text: "And also of Queen Victoria, to pray for her.", so the printing date must be after her accession in 1837., and For further information, consult library staff.
Publisher:
J. Catnach, printer, 2 & 3, Monmouth-Court, 7 Dials
Subject (Geographic):
Great Britain.
Subject (Name):
Middleton, Richard, Private in the 66th Regiment of Foot.
Subject (Topic):
Gambling, Prayer, Christianity, Soldiers, Religious life, Almanacs, Playing cards, Religious services, Soliders, and British
