"L'Inde des Rajas. Thandla. Chapelle votive de N.-D. de Lourdes." A votive Chapel of Our Lady of Lourdes. It is a small church in the middle of a field. There is a handwritten note on the back.
Title below image., Date supplied by curator., In reverse at top: L'Hopital du St. Esprit à Rome, Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
à Paris ches Huquier fils Graveur, rue St. Jacques, au dessus de celle des Mathurins, au Ga. St. Remy
A perspective view, or vues d'optique, of the Covent Garden Market, looking towards Inigo Jones's St. Paul's Church, which is situated slightly to the right of center; in the foreground are shown vendors, carriages, pedestrians and other street life. The image is reversed for viewing through the lens of a Zograscope and designed to give the illusion of a deeper perspective, enhanced by the deep vanishing point and bright colour of the print
Alternative Title:
Vue perspective du Covent Garden, Vue du Couvent Garden, and Vue du Convent Garden
Description:
Title etched below image; alternative title etched in reverse above image: Vue du Couvent Garden., Date of publication from dealer's description., and "No. 92"--Upper right, above image.
Publisher:
Chez J. Chereau, rue St. Jacques au desses de la Fontaine St. Severin aux a Colonnes no. 257
"Interior view of the north transept of Westminster Abbey; a group of figures stand with a guide admiring the monuments; a couple stand in left foreground, the man gesturing upwards."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 93., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 229.
Publisher:
Pub. Decr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"The interior of a large church or cathedral. Burke, dressed as a Jesuit, standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted ... On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Title etched below image., Printmaker from British Museum catalogue., Companion print to: The morning after marriage, or, A scene on the Continent., and Watermark: Strasburg bend & lily / W and J Whatman.
Publisher:
Publish'd by Willm. Holland, No. 66 Drury Lane, London
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, and Weltje, Louis, 1745-1810
Subject (Topic):
Marriage, Churches, Clergy, Monks, Royal weddings, and Sleeping
Emblematic funeral ticket for Isaac Watts, Congregational minister, hymn writer, theologian, and logician who died 25 November 1748. In the center is a mausoleum decorated with pillars and scrolls with three small Cherub heads along the top and the lid decorated with two full-figure Cherubs holding torches on either side of an urn at the top of the structure. The center has been left blank to allow for the letterpress printing (used as the title). On the left, standing on a low block, is the allegorical figure of Time, shown as an old, bearded man with wings, scythe, and hourglass. On the right Death stands on a coffin, shown as a skeleton with an arrow in his left and his right hand resting on one of the small heads decorating the base of the mausoleum. Along the base of the mausoleum hangs a cloth with an image of a funeral procession in a graveyard. On the hills in the background are churches and on the right, a ruins overgrown with vines. In the sky centered above the mausoleum is the symbol of the Holy Ghost and above it the Sun and on either edge two Cherub heads
Description:
Title from letterpress text in a compartment left blank in an elaborately engraved pictorial sheet. and Plate mark: 23 x 27 cm.
Publisher:
publisher not identified
Subject (Name):
Watts, Isaac, 1674-1748
Subject (Topic):
Death and burial, Cherubs, Churches, Coffins, Death, Funeral processions, Sun, Skeletons, and Tombs & sepulchral monuments
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A road-side scene; two horsemen stand by their horses outside a farrier's shed (left). One horse is held by a youth, the farrier stands beside it arguing with the rider who stands with his whip under his arm. The second (right) stands behind, beside his horse's head (its body being cut off by the right margin of the print), looking gloomily down at his watch. The shed is an open stone building with a pent-house roof; a farrier's hand and arm are just visible within it. Behind is a church tower among trees, its clock pointing to 8 o'clock. A sign-post (right) points 'To Liverpool xv Miles'. In the foreground (left) lies a dog."--British Museum online catalogue
Description:
Title from British Museum catalogue., Artist's signature within lower right portion of image: H. Bunbury del. 84., Imperfect; sheet trimmed within plate mark with loss of statements of responsibility and imprint statement from lower edge. Missing text supplied from impression in the British Museum, registration no.: J,6.75., and Mounted on page 9 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
A coffin is carried down the stairs of a gothic church by a procession of monks, lit by the light of the full moon and the flames of the torches that some of the monks carry. They walk toward an open crypt in the foreground. The light from the crypt illuminates the monument on the wall opposite (a knight in armor) as well as two monks kneeling at the opening of the crypt and a third monk holding a thurible. A man with a red cloak stands in the shadows on the left, looking down at the scene at the crypt. The image is intended to be backlit. The light sources in the image -- the moon, the glow shining out of the gothic crypt, and the torch-bearing friars -- are enhanced when the image is held up to a light
Description:
Title and approximate date of production from dealer's description., Unsigned; artist unidentified., Drawn in the style of the painter and etcher Franz Joseph Manskirch (1768-1840), who worked in London between 1793 and 1819., and On paper watermarked "J. Whatman Turkey Mill".
Subject (Topic):
Churches, Funeral processions, Incense, Monks, Moonlight, Pointed arches, and Torches
Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
New to [the] school of hard mishap, driven from [the] ease of Fortune's lap ..., New to the school of hard mishap, driven from the ease of Fortune's lap, and New to ye school of hard mishap, driven from ye ease of Fortune's lap
Description:
Title, state and imprint from Paulson., Added title from first line of verses below image., Brevigraphs in title sometimes incorrectly rendered "ye" expanded as [the]., Added title and state from Paulson., "Plate 5"--Lower right corner., After the painting at Sir John Soane's Museum., and Trimmed to image: sheet 324 x 403 mm. Engraved caption and imprint mounted separately below image: sheet 30 x 404 mm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
Plate 12. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a large crack down the center of the slab with the numbered commandments on the wall behind the clergyman
Alternative Title:
New to [ye] school of hard mishap, driven from [the] ease of Fortune's lap ... and New to ye school of hard mishap, driven from ye ease of Fortune's lap
Description:
Title, state, and imprint from Paulson., Added title from first line of verses below image on 1st state., Third state with the bridesmaid's hat replaced with a smaller one and her faced changed so it is less like Sarah's. Shadows on her apron and the clergyman's eyelid, nose and forehead have been darkened. For other changes see Paulson., After the painting at Sir John Soane's Museum., 1 print : etching and engraving on laid paper ; plate mark 35.6 x 40.9 cm, on sheet 46 x 59 cm., and Plate 12 in the album: Queen Charlotte's collection of Hogarth works.
