A half-length portrait of The Reverend Mr. Edward Hitchin, dissenting minister at Spitalfields, looking forward, with body turned to the left, in wig and bands; a curtain behind, open on the left to reveal two shelves of book with only one spine title legible, "Bible"; oval frame
Description:
Title from caption below image., "Carington Bowles excudit"--Centered below image., and Sheet trimmed within plate mark.
Publisher:
Printed for Carington Bowles at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Chisholm, Alexander, 1792 or 1793-1847, printmaker
Published / Created:
[between 1800 and 1830?]
Call Number:
Portraits P258 no. 5+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait; full-length seated with legs crossed facing front and looking away to left, wearing a soft velvet tasselled cap, left hand tucked into his waist-coat, right holding a pipe with the elbow resting on a table near an open book, ink-pot and another pipe, with books propped under the table-cloth to left."--British Museum online catalogue
Description:
Title from caption below image., Imprint and date supplied from British Museum online catalogue, registration numbers: 1868,0808.1873., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., and Mounted to sheet 55.4 x 38.1 cm.
Publisher:
Published by E. Chisholme, No. 3, Brook Street, New Road
Title from text above image., Print caption: Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Satire: a poor country curate at home, reading the Bible while peeling turnips for the evening meal, rocking a cradle on the right, and listening to his son's schooling; verses beneath record that his wife is "at washing" (perhaps for other families) and compares him with the lazy "proud Prelate"; on the wall hangs the popular image of 'Shon Ap Morgan' (see 1983,0625.9).""British Museum online catalogue
Description:
Title from item. and Eight lines of verse are inscribed in two columns on either side of title: "Tho' lazy, the proud prelate's fed... And rocks the cradle with his foot."
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Topic):
Cradles, Children, Families, Interiors, Clergy, and Welsh
"A ragged man, wearing clerical bands, stands full face. He wears a wide-brimmed hat, his toes protrude through one shoe. He looks downwards with a meditative grimace, one arm held out towards a church steeple among trees. Mountains form a background. Beneath is etched: '"------Best scene of all, "With which I close this reverend description, "Is your Welch Parson, with his noble living, "Sans shoes, Sans hose, sans breeches, sans every thing.'"--British Museum online catalogue
Description:
Title from item., Original design attributed to Woodward. See British Museum catalogue., Four lines of verse below title, beginning: Best scene of all ..., and Temporary local subject terms: Literature: parody of Shakespeare's As You Like It, ii, 7, 163.
Publisher:
Pubd. Decr. 1st, 1790, by W. Holland, No. 50 Oxford St.
"A satire on Thomas Herring, Archbishop of York, and the enthusiastic part he played in raising volunteer troops to resist the Jacobite rising. He is shown dressed partly as a bishop and partly as a military officer his episcopal gown tucked up over a lace-edged military coat and waistcoat beneath, he has lawn sleeves but wears gaiters and a gorget, on his back is a knapsack with his mitre on top. He shoulders a gun from the trigger of which is a ribbon lettered O Lord open thou my Lips & my Mouth shall show forth thy Praise. He says 'My [mitre] My Lands My Gold, Church'. A fish is shown above his lace cocked hat in allusion to his name. Behind him are a group of less keen volunteers, on the left lay men march with armed clergy, one saying 'May [he] Starve with us' another carries a standard (large flag?) a cleric says 'I'm a Canon', another claims 'I’ll be Vicar of Bray still', two clerical soldiers on the right complain one saying 'I've 12 Children but no Lands' the other 'Fight I have but 20£ a Year'."--British Museum online catalogue
Alternative Title:
Church militant
Description:
Title from text below image., Publication date from British Museum catalogue., The following words within title are represented by a rebus: 'mitred' by a bishop's mitre, 'church' by an image of a church building., Temporary local subject terms: Clergymen -- Emblems: crowned herring for Bishop Herring -- Literature: reference to the song The Vicar of Bray -- Knapsacks -- Church buildings -- Portrayal of a church militant., and Watermark: countermark IV.
A satire on the British response to the Lisbon earthquake
Alternative Title:
Britannia's maternal call to her children to deep humiliation
Description:
Title from caption etched below image., Sheet trimmed within plate mark., Following imprint: Price 6d., Publisher's statement following price: Where may be had a print on the earthquake., Four columns of verse below image: [The] offspring of my favour'd isle attend, hear in my voice the parent & the friend ..., Temporary local subject terms: Allusion to general fast, 1756 -- Enumeration of sins -- Repentance for sins -- Magistrates -- Britannia's shield -- Destiny of English citizens --Britannia's prophecy., and Watermark.
Publisher:
Publish'd according to act of Parliamt., Jany 17th, 1756, by T. Kitchin at the Star opposite Ely House, Holborn Hill, London
Subject (Topic):
Lisbon Earthquake, Portugal, 1755, Britannia (Symbolic character), and Clergy
George III sharing a cannibal feast with an Indian chief. Under a palm-tree (left) are three American Indians; one, standing, holds the dismembered body of an infant, so that its blood pours into a cup formed of a skull held by a kneeling Indian (left). The third (right), whose feathers and bracelets show that he is a chief, sits on the ground holding a tomahawk in one hand, a long bone which he is gnawing in the other. On his left, and in the centre of the design, sits George III on the ground, gnawing the other end of the Indian's bone, while he holds a smoking bowl made of a skull. He is wearing the ribbon and star of the Garter. On the ground in front are the head and limbs of an infant, and a dog vomiting. On the king's left is a flag-staff, surmounted by a cross, from it hangs a ragged flag on which is inscribed "GEO . . . E the T[hird] by the Grace of. . . . of. . . . King [Def]ender of the Faith &c.” Beneath it, a 'Holy Bible' stands upside down. Two figures hasten towards the feast from the right. A very fat bishop wearing a mitre holds in his right hand a crozier, in the left a paper inscribed “Form of Prayer 4th Febry General Fast.” He is saying “That thy Ways may be known upon Earth, thy saving Health among all Nations.” Behind him is a sailor carrying on his head a packing-case inscribed “Scalping Knives, Crucifixes, Tomahawks, Presents to Indians 96,000”; he says, “D------n my dear Eyes, but we are hellish good Christians.” Beneath the design is engraved, “Qui facit per alium, facit per se. Princ. Leg. Ang.” In the upper right corner of the print is engraved on a scroll, “The Party of Savages [The original here adds “under Le Mote”] went out with Orders not to spare Man, Woman, or Child. To this cruel Mandate even some of the Savages made an Objection, respecting the butchering the Women & Children; but they were told the Children would make Soldiers, & the Women would keep up the Stock. Remembrancer, Vol. 8. p. 77”--British Museum online catalogue
Alternative Title:
Par nobile fratrum
Description:
Title from item., Sheet trimmed within plate mark., and First state, with imprint present.
Publisher:
Pub'd as the act directs Febry. 3, 1780 by I. Almon, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820. and Markham, William, 1719-1807.
Subject (Topic):
Indians of North America, Cannibalism, Clergy, and Clothing & dress
"The seven men ride (right to left) on asses, a signpost (right) pointing 'To Dublin'; they carry 'Regency cakes' in place of potatoes. On the extreme left three men lean eagerly forward, one shouts: "What news, What News the tidings tell make haste and tell us all, Say why are Thus mounted Is Regent come and all." St. Patrick, whose galloping donkey has a head-dress of the Prince of Wales's feathers, answers, "By Jasus I'll tell you all in no time why you must know the K-----g is better than the Reg------t that is all". Next comes Charlemont, identified by his earl's coronet; his donkey kicks violently ..."--British Museum online catalogue
Alternative Title:
Ambassadors extraordinry return on bulls without horns and Ambassadors extraordinary return on bulls without horns
Description:
Title from item., Tentatively attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Irish ambassadors extraordinary!!!, Temporary local subject terms: Irish Commissioners -- Irish Commissioners' address, 1784 -- Clubs: Shillelaghs -- Coronets -- Regency crisis -- Signposts: "To Dublin" -- Emblems: Regency cakes -- Irish asses -- Food: potato cakes -- Allusion to George III -- Allusion to George IV -- Allusion to Louis Weltje, 1745-1810 -- Allusion to Francis Willis, 1718-1807 -- James Stuart, fl. 1789 -- Thomas Connolly, ca. 1738-1803 -- William Brabazon Ponsonby, 1744-1806, John O'Neill, 1st Viscount, 1740-1798., and Watermark.
Publisher:
Pubd. March 16th, 1789, by S. Fores, No. 3 Piccaddilly [sic]
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804, Charlemont, James Caulfeild, Earl of, 1728-1799, and Patrick, Saint, 373?-463?
