"A bishop (right) standing behind an altar-rail, holds out both hands over the head of a kneeling clergyman. A demon kneels on the ground beside the latter; another has crept under his cassock, from which the tips of two wings project. Over the door is a picture of the Last Supper with Judas as a prominent figure. The lid of a large chest (left) is slightly raised, from it hangs a paper inscribed: "I Suit of Scarlet & Gold, I Suit White & Silver, I Suit Blue & Silver, i Suit Flower'd Silk, i Suit Black Silk, I Black Velvet Surtout." On the Chest is pasted a label: "Left to Messrs Panchauld & Fo . . ." Paris. On the ground is a book, 'A Course of Humanity on Miss S------rs'."--British Museum online catalogue
Description:
Title from text above image., One line of text below image: It is true I have suffered the infectious hand of a bishop to be wav'd over me, whose imposition like the sop given to Judas is only a signal for the devil to enter, &c., Temporary local subject terms: Benediction -- Parson -- Coffers., and Watermark: J Whatman.
Publisher:
Publish'd as the act directs, April 14, 1772, by W. Darling, engraver, Great Newport Street
"Satire on Lord Bute in the form of a reply to Henry Howard's bawdy ballad, "The Queen's Ass" (BM Satires 3870): the zebra kicks Howard, who has fallen to the ground, behind him a group of men comprising John Fielding, the three Cherokee chiefs who visited London in 1762, and another who may be identified as the man referred to in the verse below as "M-re [who] sally'd forth the fair Sex to relieve"; on the right, Bute, dressed in tartan and wearing a boot, riding a tamed British Lion; a Jewish stockbroker in the stocks; and George Whitfield looking into a mirror which reflects the image of an ass. In the background Charles Churchill, wielding a stick, chases off Bute's supporters, the journalists Arthur Murphy and Tobias Smollett, who raise their hands in surprise. Engraved inscriptions, title and verses in two columns by "Fartinando", to be sung to the tune of "The Ass in the Chaplet"."--British Museum online catalogue
Alternative Title:
Answer to Harry Howard's ass
Description:
Caption title below etching., Engraved broadside poem illustrated with etching at top of sheet (late mark 30.1 x 20 cm). Etching signed: J. Jones delin et sculpt., Harry H----d's = Henry Howard., Publication date from British Museum catalogue., The lion bears some resemblance to those designed by Jefferyes Hamett O'Neale for the Ladies Amusement (first published by Sayer in 1760), especially plate 108, and was perhaps copied from his work. Cf. British Museum online catalogue., Ten stanzas of verse below title: Permit me good people (a whimsical bard) and snarl not [the] critical class ..., and Mounted to 35 x 41 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Whitefield, George, 1714-1770, Fielding, John, Sir, 1721-1780, Murphy, Arthur, 1727-1805, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Cherokee Indians, Jews, Clergy, England, National emblems, British, Stocks (Punishment), and Zebras
A squel to the print "The Battle of Cornhill", showing an eastern view of Temple Bar and a view of Fleet Street showing the exterior of Nando's Coffee House and The Devil Tavern; the gates of Temple Bar are closed; at the top of the bar are the heads of Fletcher and Townely, the Jacobites executed for the part if the Scottish raid of 1745-1756 ...
Description:
Title etched above image., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : R. Baldwin, v. 38 (1769), p. 166., Temporary local subject terms: Edward Boehm., and Mounted to 16 x 24 cm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fletcher, George, -1745., Towneley, Francis, -1745., and Temple Bar (London, England)
Subject (Topic):
Jacobites, Bird's-eye views, Carriages & coaches, City & town life, Clergy, Crowds, Coffeehouses, Decapitations, Executions, Riots, and Taverns (Inns)
Leaf 31. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A kitchen scene. An ugly parson holding a small slice of meat speared on a fork, angrily berates his gardener (right), pointing behind him to a vast round of beef on the table (left). He bawls: 'Tis my Beef you rascal I'll swear to the Complexion of it--& my Bread too! & I'll have you hanged for stealing it. The gardener, a young man holding a spade, draws back in astonishment, saying, Lord love your Reverence my Aunt gave me that slice of Bread & Beef for my dinner to day!! The comely cook holds up her hands and turns up her eyes, exclaiming: O L--d O L--d what a x x x !!!!! it is no more like his Beef than I am--. A mouse scampers off, saying, Besides, if it was Cookee, what a d--d mean wretch to take notice of it-- 'tis time for me to be off! On the table are also a huge loaf, a slice of bread, and a knife. A leg of mutton is on a shelf; a large dresser with dishes, drawers, pots, &c, and a roller towel form a background."--British Museum online catalogue
Alternative Title:
Vialls of wrath!!
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 14407 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Plate originally published in 1822; see British Museum catalogue., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 714., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1059., and On leaf 31 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. by J. Fairburn, Broadway, Ludgate Hill and Field & Tuer
Subject (Name):
Vialls, Thomas, 1768?-1831 and Sharp, Joseph, active 1822
"A wild turmoil of men and women in court dress or uniform outside Buckingham House, which is indicated in the background, with a covered way or awning leading to the doorway from the right. Two beefeaters stand before the door and above the crowd, holding up their arms and yelling: Keep back, Keep back Put off postponed till the first of next April. Prominent figures in the foreground are (right), a field-marshal (? Prince Leopold) with a hussar officer (? Prince Esterházy). The former steps on and tears the train of a lady who looks round in angry dismay. She and an absurdly dandified Lancer officer are the central figures in the foreground. Women and men are prostrate, and there are many incidents. A barrister with (?) Brougham's profile drives his elbow savagely into the face of a bishop. Plumed shakoes, helmets, and cocked hats tower above the crowd. An arm holds up a lady's feathered wig and curls on the point of a sword. Complaints are inscribed along the upper margin: [1] Have I not borrowed the Duchess's last Birth Day suit & had it transmogrified to prevent its being known again, at the expence of 1.13.9 & and only to be hustled. [2] ever since four Oclock this morning, under two men & three maids suffering purgatory to be made an April Fool of. [3] I never looked so bewitching in all my life. [4] What a cut. [5] have I been up all night, Dressing, perfuming, painting, & plastering to be served thus. [6] What after hiring all these dashing Diamonds & Jewels at such an extravagant price & not to be suffered to shew them insulting, provoking. [7] was to have been Presented now I suppose shall be Represented [? caricatured]. The last speaker is a fat lady who tugs at a man's bag-wig"--British Museum onling catalogue
Alternative Title:
Birthday hoax and April fools
Description:
Title from item., Printmaker from British Museum online catalogue., and Sheet trimmed to plate mark on one side.
Publisher:
Pub. April 24th, 1823 by S.W. Fores 41 Picadilly[sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, Esterházy, Prince, 1786-1866 v Caricatures and cartoons., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Subject (Topic):
Celebrations, Clergy, Crowds, Dandies, Military officers, and Nobility
Surrendred March 22, 1770 and Surrendered March 22, 1770
Description:
Two designs within one plate, each titled separately., Description based on imperfect impression; sheet trimmed within plate mark resulting in loss of statement of responsibility., Publication place, date and statement of responsibility from British Museum catalogue., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 6 (1770), p. 309., Temporary local subject terms: Magna Charta -- Petitions: City Petition, March 14, 1770 -- Cross -- Male costume: king's robes., and Mounted to 20 x 14 cm.
Publisher:
publisher not identified
Subject (Name):
John, King of England, 1167-1216 and George III, King of Great Britain, 1738-1820
Plate [176] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; interior with James II rising from chair around table of councillors at right, pointing towards the clerics standing at left as he sentences them to execution."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [176] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Jones, Thomas Howell, active 1823-1848, printmaker
Published / Created:
[April 1829]
Call Number:
829.04.00.17+
Image Count:
1
Resource Type:
still image
Abstract:
"George IV, seated on the throne, watches a display of jovial fraternization between John Bull and Pat, who dance, holding hands, each holding up a hat decorated respectively by rose and shamrock. A lanky garland of (thornless) roses and giant shamrocks drapes the crown on the back of the throne; one end is held up by Wellington (right), on the King's left, the other by Peel on his right, so that the King is framed by it. John Bull is an obese and drink-blotched "cit", with a snuff-box inscribed 'Irish' in his waistcoat pocket. Pat is a ragged Irish peasant, his bare legs swathed by twisted straw; his shillelagh lies on the ground; he looks with a broad but appraising grin at J. B., who sings: "Together reared together grown, Oh! let us now unite in one, Let friendship rivet the decree, Nor bigots sever Pat and Me!!!" Two discomfited 'bigots' depart on the left; one is a gouty parson using a crutch, with a 'Petition against Concession' hanging from his pocket, cf. British Museum Satires No. 15661, &c. The other is a Catholic bishop in robe and mitre. They say: 'It's time for us to be off.' Above their heads flies a figure of Discord, her hair consisting of snakes which spit flame towards J. B. The King, with extended arm, says: 'No more let Bigotry distract the Nation, Nor Priestcraft nurture lawless passion, Henceforth let rage and tumult cease, As brothers live and die in peace!!!'"--British Museum online catalogue
Alternative Title:
Glorious march of intellect
Description:
Title etched below image. and Watermark: J. Budgen 1823.
Publisher:
Pubd. April 1829 by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Subject (Topic):
John Bull (Symbolic character), Anti-Catholicism, National characteristics, Irish, Irish question, Gout, Ethnic stereotypes, Thrones, Crowns, Dance, Obesity, Roses, Shamrocks, Crutches, Clergy, Petitions, Bishops, and Miters
publish'd according to act of Parliament, December 10, 1746.
Call Number:
746.12.10.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Orator Henley preaching in his chapel in Newport Market which crowded with listeners, male and female intermingled, some standing, some seated in pews, and others in a gallery; in the foreground stands a drover with his dog. Henley to the left wearing a wig standing in a pulpit hung with a cloth bearing three fleurs-de-lis, with a devil hovering above him holding a noose and a Jesuit cap. At the foot of the steps to the gallery an additional figure has been added in graphite; this appears as "Jack Ketch", the public hangman, in the finished print. The whole composition is placed within a scrolled and foliated border including rosary beads hanging on either side."--British Museum online catalogue
Alternative Title:
Popish incendiary, Brazen faced orator, and Temple of Rebellion
Description:
Title etched within banner above image., Ten lines of verse, entitled "The Temple of Rebellion," etched below image: H----y [i.e, Henley] exalts his voice, his arms extends, and blasphemy & treason madly blends ..., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: church -- Preacher -- Rosaries -- Emblems: fleur-de-lis on altar cloth -- Hats: cardinal's scarlet -- Tricornes hanging on pegs -- Male dress: surplice -- Trades: butchers -- Allusion to popery -- Expressions of speech: coup de grace -- Congregations -- Emblematic borders -- Allusion to Jacobites., Watermark: fleur-de-lis., and Window mounted to 27 x 31 cm.
