Charles Fox vomits into his turban as he sits cross-legged on a mangy-looking ass with Lord North's face. The ass is being led by a female figure symbolizing the City of London and followed by Burke, dressed as a Jesuit, barefoot and bald, reading the "Sinners Guide." On the right, the King is leaning out of an open window of the India House waving the cap of liberty on a stick. A paper with the words 'India Bill' crossed out, hangs from the window, below which the wall is inscribed, "Business done as usual." A large sun in a royal crown rises above the roof
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Publish'd by E. Hedges, No. 92 Cornhill
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and East India Company.
Subject (Topic):
Donkeys, Vomiting, Clergy, and Cobblestone streets
"An illustration to the Oxford Magazine, July 1768: satire on unequal marriage, showing the interior of a church in which an old man and a much younger woman stand before the altar; a clergyman stands behind the communion rail holding open a large book and saying “Thy Wife shall be as the fruitful Vine” . The man says “With my Body I thee Worship”. The tops of two bottles protrude from his pocket, one labelled “T[incture] of Cantharides” and the other “Viper Drops”, both reputed aphrodisiacs. Behind the couple stand a woman holding up a bottle of “Mrs Gibson’s Blessed Medicine” and a lawyer carrying under one arm a “Deed of Settlement Provision for Younger Children”, behind him two young men snigger, one pointing towards the bottles in the bridegroom’s pocket. On the wall at the back of the church is a tablet lettered “Near this Place lies the Body of Thos Steril, Esq Aged 92, who died of a Broken Heart a few Days after his Marriage with a Young Lady”."--British Museum online catalogue
Description:
Title from item., Publication place and date inferred from that of the magazine for which this plate was engraved., One of text below image: Last Saturday was married at Horn-church, Thos. Feeble, Esqr. aged 90, to Miss Frisky, aged 16. -- Daily adv., Plate from: The Oxford magazine, or, Universal museum ... London : Printed for the authors, v. 1 (1768), p. 37., and Watermark.
Publisher:
Oxford magazine
Subject (Topic):
Altars, Churches, Clergy, Couples, Lawyers, Marriage, and Medicines
Opposite page 106. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on prostitution and foolish clergy; two courtesans tease a fat and smiling clergyman in a well-furnished room. The costume of the women appears to be c. 1792-3."--British Museum online catalogue
Description:
Title etched below image., "Probably published by Carington Bowles. This print was included in BM Satires twice. Dorothy George correctly placed it c.1792 (no. 8235), Stephens c.1770 (no. 4588). Thomas Holcroft's popular 'Road to Ruin' was first played at Covent Garden on 18 February 1792."--Curator's comments, British Museum online catalogue, registration no.: 1935,0522.2.17, Sheet trimmed within plate mark on lower edge., Temporary local subject terms: Parsons -- Prostitutes., Folded to 30.6 x 26 cm., and Bound in opposite page 106 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Carington Bowles?
Subject (Topic):
Clergy, Courtesans, Interiors, Sofas, Mirrors, and Draperies
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Mongolfier with the shape like a sausage; Queen sitting on the top of it; politicians, King and Clergy on the back."--British Museum online catalogue
Alternative Title:
Adelaide aerial ship
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Text below title: Being a voyage volante to the land of rags and rubbish for the express purpose of engaging fresh German troops ..., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "97" in brown ink in lower left corner of design., Mounted on green paper backing., and No. 97.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849, William IV, King of Great Britain, 1765-1837, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Title from item., Printmaker and artist from unverified data from local card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 25, 1805 by R. Ackermann, No. 101 Strand
Satirical view of London life, with a riotous wedding party at the Tavern at Rederiff: for full description see Catalogue of prints and drawings in the British Museum
Description:
Title from item., John June identified as the printmaker in the British Museum catalogue,, Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., and Temporary local subject terms: Officer's uniform -- Sailor's uniform -- Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Pictures: portraits -- Creditors.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Title from item., Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., Temporary local subject terms: Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Creditors., and Loose impression removed from the Kinnaird Coll.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Subject (Topic):
Amputees, Bailiffs, Black people, Bowls (Tableware), Candlesticks, Clergy, Dance, Military uniforms, British, Mirrors, Musical instruments, Pipes (Smoking), Portratis, Prostitutes, Sconces, Servants, Tables, Violins, and Weddings
A view of the interior of a church where the congregation (right) sleeps as the clergyman in his pulpit reads from the gospel; he uses a magnifying glass to read the text; an hour glass extends from the side of the pulpit. Below the clergyman sits the clerk who holds his eyeglasses in his hand and eyes the exposed bosom of a young woman asleep on the left rather than the volume before him. The young woman's holds in her hands a fan and book open to the word "matrimony". Above the stained-glass windows a cupid hovers with his bow
Alternative Title:
Congregation tout endormi
Description:
Title from caption below image., Copy of the print by William Hogarth., and Mounted to 285 x 219 mm.
Publisher:
publisher not identified
Subject (Topic):
Caricatures, Clergy, Churches, Pews, Preaching, Religious services, and Sleeping
Purcell, Richard, approximately 1736-approximately 1765, printmaker
Published / Created:
[between 1746 and 1766]
Call Number:
Hogarth 765.00.00.38+ Box 200
Image Count:
1
Resource Type:
still image
Abstract:
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers
Description:
Title from caption below image., Charles Corbet is one of the many pseudonyms of Richard Purcell. See Union List of Artists Names., Copy of No. 2285. See v. 3 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 140.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
