Grenier de Saint-Martin, Francisque-Martin-François, 1793-1867, printmaker
Published / Created:
[not after 1867]
Call Number:
Print10098
Image Count:
1
Resource Type:
still image
Description:
Title printed below image center., Date derived from printmaker's date of death., Place of publication derived from printmaker's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Blind Stamp: FG.
Publisher:
publisher not identified
Subject (Name):
Thumb, Tom, 1838-1883.
Subject (Topic):
Dwarfism, Dwarfs, Carriages & coaches, and Coach drivers
"A stage-coachman (left) holds open the door of his coach, showing that it is overcrowded with five fat passengers. He speaks to a fat woman who stands in profile to the right, holding a fan, a dog tucked under her left arm. A flagged pavement and cobbled roadway show that they are in a London street. Beneath the title is engraved: '"Just room for one Madam," - "Vell I wow I have run all the way like a Lamp-lighter, till I am all over in such a Heat you can't think."'"--British Museum online catalogue
Description:
Title engraved below image., Printmaker identified from original drawing in the Huntington Library., Plate numbered '198' in lower right corner., From the Laurie & Whittle series of Drolls., and One line of text below title: Just room for one Madam, -- vel [sic] I vow I have run all theway like a lamp-lighter ...
Publisher:
Published 1st September 1797 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Dogs, Carriages & coaches, Coach drivers, Obesity, Streets, Travelers, and Women
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 27.5 x 41.9 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 71 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," " Dr. Parr," "G. Noel[?]," "Brougham," "Sir. R.[?] Wilson," "Times Paper," and "Caroline" identified in ink below image; date "12 May 1821" written in ink in lower right corner. Typed extract of thirty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
Margaret Nicholson is restrained by two Beefeaters after her attempted assassination of King George IV as he stands next to his Royal carriage at the garden entrance of St. James's Palace
Alternative Title:
Attentat de Marguerite Nicholson contre Son Majesté le roi George III
Description:
Title etched below image, English on the left, French on the right., Date conjectured from date of the event depicted., Plate numbered: 576., Sheet trimmed within plate mark., and Mounted to 37.3 x 29.7 cm.
Publisher:
Printed for & sold by Carington Bowles No. 69, St. Paul's Church Yard, London
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, George III, King of Great Britain, 1738-1820,, and Nicholson, Margaret, 1750?-1828,
The collision of several coaches results in a scene of mayhem on a city street as the coachmen brandish their whips, much to the horror of their well-dressed passengers. As a result of the collisions, two vendors and their wares are thrown on a third vendor, all tumbling onto the sidewalk in front of the corner shop "Peter Thump Gold Beater". A workman carrying bricks up a ladder is also in peril. Gold beaters in the corner shop look on while continuing their work. On the right two dancing dogs continue their performance
Description:
Sheet trimmed within plate mark., Four lines of text below title: In going out to dinner (already too late) your carriage delayed by a jam of coaches ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman., and Mounted to 31 x 40 cm.
Publisher:
Pubd. Feby. 1st, 1807 by R. Ackeman [sic], No. 101 Strand
Subject (Topic):
Coach drivers, Carriages & coaches, City & town life, Dogs, Passengers, Street vendors, Trained animals, Traffic accidents, and Metalworkers
"A stout and disappointed coachman standing outside a house at night, holding out his hand in which there is a single coin; at left, a smartly dressed but uncouth looking couple standing in their doorway making jeering faces, the man with his hand in his pocket, a maid with a candle behind; the coach behind at right."--British Museum online catalogue
Alternative Title:
Surly saucy Hackney coachman
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 38 x 28 cm., and Watermark: IW[?]
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Coach drivers, Light fixtures, and Passengers
Leaf 56. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A stout and disappointed coachman standing outside a house at night, holding out his hand in which there is a single coin; at left, a smartly dressed but uncouth looking couple standing in their doorway making jeering faces, the man with his hand in his pocket, a maid with a candle behind; the coach behind at right."--British Museum online catalogue
Alternative Title:
Surly saucy Hackney coachman
Description:
Title etched below image., Restrike. For original issue of the plate, see British Museum online catalogue, registration no.: 1948,0214.797., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 284., and On leaf 56 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Carriages & coaches, Coach drivers, Light fixtures, and Passengers
Bretherton, James, approximately 1730-1806, printmaker, publisher
Published / Created:
[6 March 1772]
Call Number:
Bunbury 772.03.06.02
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on French pretensions: a coachman standing in profile to left; he has a curled moustache, laced coat and a large bag wig, and holds a long whip and taking snuff."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of artist's name in signature form a monogram., and Watermark, partially trimmed: J. Whatman.
Publisher:
Publish'd as the act directs 6th March 1772 by I. Bretherton, No. 134 New Bond Street
Leaf 10. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A lady with an enormous coiffure surmounted by hat with huge ostrich feathers brandishes a long whip as she drives her phaeton behind a pair of diminutive horses. The carriage is elevated on very high springs, and on its side bears a ducal coronet (a possible allusion to the Duchess of Devonshire) and the motto "Swift".
Alternative Title:
Phaetona, or, Modern female taste and Modern female taste
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark., and Sheet mounted to 27 x 37 cm.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Name):
Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824.
Subject (Topic):
Carriages and carts, Women, Social life and customs, Social conditions, Horses, Clothing & dress, Hats, Hairstyles, Carriages & coaches, and Coach drivers
