Charles James Fox, standing on a pedestal in a posture of a fighting gladiator, strikes the royal arms with his outstretched left arm. In his right hand he holds a dagger hidden under a sheet of paper. Under his feet is a large volume inscribed "Good Ground of Opposi[tion] Subscription Book." On it stands a collection box
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., Fifth of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Royal arms -- Subscriptions: Subscription for Fox -- Boxes: Money box., and Mounted on page 79 with one other print.
Charles James Fox, standing on a pedestal in a posture of a fighting gladiator, strikes the royal arms with his outstretched left arm. In his right hand he holds a dagger hidden under a sheet of paper. Under his feet is a large volume inscribed "Good Ground of Opposi[tion] Subscription Book." On it stands a collection box
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., Fifth of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Royal arms -- Subscriptions: Subscription for Fox -- Boxes: Money box., and Mounted to 45 x 35 cm.
"The gateway of St. James's Palace. On its flagstaff is a standard bearing Bute's arms with the motto 'Avito viret honore' (cf. British Museum Satires No. 4423). Under the archway a Scotsman in kilt and plaid holds a prancing horse by the tail. Another Scot stands by flourishing a whip and holding in his left hand a saddle with stirrups."--British Museum online catalogue
Alternative Title:
He rules as absolutely and with as much indignity ...
Description:
Title from text below image., Sheet trimmed within plate mark., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 10 (1772), page 265., and Temporary local subject terms: Buildings: St. James's Palace gateway -- Flagstaffs -- Arms: Earl of Bute's arms -- Scotsmen -- The White Horse of Hanover? -- Allusion to the Earl of Chatham's speech on secret influence.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Saint James's Palace (London, England),
A burlesque coat of arms of the city of Preston, evidently relating to a contested election of that city's parliamentary representative, probably John Burgoyne. A mayor with staff of office is on the left and a woman holding a chamber pot on the right. She stands behind an older horned man (a cuckold). The central escutcheon depicts a lamb, with Folly in a fools-cap as the crest
Description:
Title from item., Possibly by Isaac Cruikshank. See British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
Preston (Lancashire, England) and England
Subject (Name):
Burgoyne, John, 1722-1792., Great Britain. Parliament, and Great Britain. Parliament, 1783-1784.
"Princess Caroline (left) sits in an ornate oval bath in a small boarded room. Bergami stands in the bath (right), draping himself in a towel from the waist down, and splashing water at his companion, who extends her arms towards him, with an encouraging smile. A man and woman, evidently Majocchi and Demont, peep from behind the door (right). On the bath is a Maltese cross (see British Museum Satires No. 13810), placed hatchment-wise between supporters, the Lion and Unicorn, who lie with closed and averted eyes. The Princess's feathered hat and the miniature of Bergami (cf. British Museum Satires No. 14103) hang on the wall (left). Beside her on a camp-stool are a bottle of 'Brandy' [see British Museum Satires No. 14175] and a decanter of 'Essence of Bergami'. His postilion's boots and cap are on the floor."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Four lines of verse below title: While she received the copious shower, he got a step in honor's path, and grew from that auspicious hour, a K-night Companion of the Bath.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
Subject (Topic):
Adultery, Bathing, Bathtubs & showers, Disgrace, Coats of arms, Miniatures (Paintings), and Unicorns
"Large palace yard lined with porticos, with draped people engaged in activities representing sciences and arts, and royal coat of arms with crown, fleur-de-lys and insignia of the Order of the Saint-Esprit in the lower part."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum online catalogue, registration no.: R,8.85., Dedication etched beneath title: Dediée au Roy par son tres humble tres obeïssant et tres fidéle serviteur et sujet Seb. le Clerc., and With two unidentified (collector?) stamps.
Portrait of Lord Sheffield within an ornamental oval border
Alternative Title:
Lord Sheffield and the commerce of Great Britain
Description:
Title from item., Another [earlier?] state published with the imprint: John Str. Bristol, 1790., and Temporary local subject terms: Cap and staff of liberty -- Emblems: Commerce -- Literature: Sheffield on commerce -- British commerce -- Cargo.
Publisher:
publisher not identified
Subject (Name):
Sheffield, John Holroyd, Earl of, 1735-1821,
Subject (Topic):
Liberty cap, Commerce, Coats of arms, Shipping, and Sailing ships
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
Caroline and Bergami sit together in an opera-box, frowning angrily at the occupants of the pit, all men, who look up at the box disapprovingly. Bergami holds a bottle labelled 'Essence of Bergamot' and wears a braided hussar uniform. Caroline is very décolletée, with loose black curls and a four-cornered headdress. The Arms of the Republic of Genoa are on the wall beside them with a harp and musical score below. The front of the box is decorated with two cupids holding a ribbon
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of quoted verse below title: "Her modest looks a cottage might adorn, sweet as the primroase peeps beneath the thorn.", and An enlarged version of a design, one of four on a single plate, etched by George Cruikshank and published 15 June 1820. Cf. No. 13731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"Portrait of an innkeeper known as 'Mother Louse'; an old woman with pointed chin, smiling, almost three-quarter length, directed to left, wearing bonnet, tall conical hat, ruff and apron, a jug in her left hand by her side, a tankard in her right, held out; landscape in the distance beyond, at left, her inn, lettered 'Louse Hall', a famous establishment outside the city of Oxford; fanciful coat of arms below image: three lice surmounted by a tankard, motto on banner underneath, 'Three lice passant'. Reversed copy after Loggan."--British Museum online catalogue
Description:
Title etched below image., Plate from: Wonderful magazine, v. 1 (1793), page 303., Sheet trimmed within plate mark., Temporary local subject terms: Old women -- Costume: women's costume, 17th-century -- Buildings: ale house -- Dishes: mugs -- Flagons -- Mottoes: Three lice passant -- Satirical coats of arms., and Mounted to 34 x 46 cm.
Publisher:
Pubd. by C. Johnson
Subject (Topic):
Older people, Taverns (Inns), Drinking vessels, and Coats of arms
