"View inside the grand conservatory; plants growing to either side of a central paved walkway, pillars supporting roof, a fountain at far end by entrance."--British Museum online catalogue
Description:
Title etched below image., Plate from: La Belle assemblée, new series v. 4 (August 1811)., Text preceding imprint: Engraved exclusively for La Belle assemblee., Sheet trimmed within plate mark., Folded to 25.8 x 16 cm; mounted to 27.1 x 20.9 cm., and Mounted opposite page 268 in volume 4 part 1 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
Published by John Bell, Southampton Str. Strand, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Carlton House (London, England),
Subject (Topic):
Homes and haunts, Greenhouses, Plants, Fountains, Ceilings, Columns, and Windows
"Queen Caroline reaches the top step of a flimsy double-ladder, pushed by the foremost of a train of gnome-like Jacobins who scramble up behind her or wait (right) to ascend. She holds a blazing firebrand (cf. British Museum Satires No. 14145) emitting clouds of smoke, with which she tries to reach the royal crown (irradiated), which rests on a cushion and Bible, on the summit of a pillar representing the Constitution. A mitre and crosier are carved on the pillar which is spiralled with a band inscribed (reading upwards) 'Commons', 'Lords', 'King'. On the square base are the equally balanced scales of Justice. The Queen wears a feathered hat and an enormously long cloak, under which the Radicals on the ladder are sheltering. These wear caps of Liberty (or Folly) with tricolour cockades; one has a dagger, one a pike, one (Hunt) a bludgeon, one holds the shaft of a banner, inscribed 'Democracy Republic', topped by a cap of Liberty. The rungs of the ladder are: 'Spa Fields Riot'; 'Smithfield', Hunt climbs from one to the other; 'Hunts Procession'; 'Peter[loo]'; 'Cato Stre[et', see No. 13707, &c.]; 'Queens Arrival' [see No. 13730, &c.]; 'Radical Address' [see British Museum Satires No. 13934, &c.]; 'Mob Government' [the top]. The back of the ladder (reading downwards): 'Revolution'; 'Anarchy'; 'Ruin'."--British Museum online catalogue
Description:
Title etched below image., State from British Museum catalogue. For an earlier state published October 1820 as a plate to The Loyalist's magazine, see no. 13895 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark on right and left sides., Companion print to: The funeral pile., and Mounted on page 4 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Cato Street Conspiracy, 1820, Spa Fields Riot, London, England, 1816, Ladders, Columns, Torches, Crowns, Bibles, Capes (Clothing), and Liberty cap
"Queen Caroline reaches the top step of a flimsy double-ladder, pushed by the foremost of a train of gnome-like Jacobins who scramble up behind her or wait (right) to ascend. She holds a blazing firebrand (cf. British Museum Satires No. 14145) emitting clouds of smoke, with which she tries to reach the royal crown (irradiated), which rests on a cushion and Bible, on the summit of a pillar representing the Constitution. A mitre and crosier are carved on the pillar which is spiralled with a band inscribed (reading upwards) 'Commons', 'Lords', 'King'. On the square base are the equally balanced scales of Justice. The Queen wears a feathered hat and an enormously long cloak, under which the Radicals on the ladder are sheltering. These wear caps of Liberty (or Folly) with tricolour cockades; one has a dagger, one a pike, one (Hunt) a bludgeon, one holds the shaft of a banner, inscribed 'Democracy Republic', topped by a cap of Liberty. The rungs of the ladder are: 'Spa Fields Riot'; 'Smithfield', Hunt climbs from one to the other; 'Hunts Procession'; 'Peter[loo]'; 'Cato Stre[et', see No. 13707, &c.]; 'Queens Arrival' [see No. 13730, &c.]; 'Radical Address' [see British Museum Satires No. 13934, &c.]; 'Mob Government' [the top]. The back of the ladder (reading downwards): 'Revolution'; 'Anarchy'; 'Ruin'."--British Museum online catalogue, description of a smaller version of the same design
Description:
Title etched below image., A smaller version of this design, signed "G. Cruikshank fect.", was published October 1820 as a plate to The Loyalist's magazine; see no. 13895 in the Catalogue of prints and drawings in the British Museum, v. 10. This larger version is briefly mentioned at the end of the above catalogue entry: "An enlarged version was published by Humphrey, 12 Aug. 1821 ...", Sheet trimmed within plate mark., Temporary local subject terms: Jacobins -- Firebrands -- Royal crowns -- Constitution -- Mitre and crosier -- Scales of justice -- Cap of folly -- Daggers -- Weapons: pike, bludgeon -- Sticks: bludgeon., 1 print : etching ; plate mark 39.1 x 23.9 cm, on sheet 40 x 25 cm., Printed on wove paper; hand-colored., Imperfect; digit "1" in the day of publication "12" in imprint has been erased from sheet., and Manuscript "61" in upper center of plate.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., and Hunt, Henry, 1773-1835
Subject (Topic):
Cato Street Conspiracy, 1820, Spa Fields Riot, London, England, 1816, Ladders, Columns, Torches, Crowns, Bibles, Capes (Clothing), Liberty cap, Daggers, and Scales
"The King (left), plainly dressed, sits on a chair on a dais, a pillar and curtain indicating the throne. He angrily addresses a band of Ministers (and others) who are encircled by a ribbon inscribed The Bond of Union; the end of this is held by the Pope (right). Raising a document inscribed Coronation Oath he exclaims: Is that your only Bond of Union? Is that the flimsey Thread that Ties this hetrogenous [sic] Mass. What? have ye hid your base designs beneath the Cloak of Secrecy? Think ye to Catch your Sovereign off his guard? to tempt him to forget his Solemn Oath? and by one desperate Stroke, destroy the Church & Constitution too?!! begone, and instantly give place to honest Men. Lady Conyngham peeps from behind his chair, saying, I do exceedingly Fear & Tremble. The nine Ministers, closely tied together, advance menacingly, each raising a cross in the right hand. The Pope, triumphant and sinister, also holding a cross, says: Strike My Son's Now or never!! The four nearest the picture plane are (left to right) Canning, Brougham, Burdett, and Lansdowne with Scarlett just behind him; the other four are partly hidden and poorly characterized. Lansdowne is copied from satires of 1806-7, when he was Chancellor of the Exchequer: he is dwarfish, and held up by the 'Bond', his legs dangling. Three say respectively: No bolting when you come to the Scratch; Nine to one will certainly be more--than a Match for him; Stick together. Above them flies a demon holding the firebrand of Discord, while Harmony, a winged child (right) holding a lyre, flies off discomfited."--British Museum online catalogue
Alternative Title:
Symptoms of dictating, cabaling, conspiring, overawing &c. &c.
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 32 x 46 cm.
Publisher:
Pub. May 16, 1827, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Canning, George, 1770-1827, Broughton, John Cam Hobhouse, Baron, 1786-1869, Burdett, Francis, 1770-1844, Scarlett, James, Sir, 1769-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Leo XII, Pope, 1760-1829
Subject (Topic):
Thrones, Columns, Draperies, Ribbons, Crosses, and Demons
Engraved trade card advertising the services of the Ipswich architect and surveyor William Brown (1778-1851). A classical ruined building with Doric columns, similar to the Temple of Poseidon at Paestum, is depicted; Brown's credentials are inscribed on a chunk of masonry in the foreground
Alternative Title:
W. Brown, architect and surveyor, Ipswich
Description:
Title engraved within lower left portion of image. and Date of publication from dealer's description.
Publisher:
publisher not identified
Subject (Geographic):
England and Ipswich.
Subject (Name):
Brown, William, 1778-1851.
Subject (Topic):
Architects, Surveyors, Architecture, Ruins, and Columns
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1780]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 37. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Two women playing chess, seated at opposite sides of a square table, a young man standing behind watching as the player at left makes her move, all three dressed in turbans, [two] dogs in the foreground ...; oval design after Bunbury, proof before letters or wall at left and large dog added."--British Museum online catalogue
Description:
Title from later state., Artist and printmaker from statements of responsibility on later state: Mr. Bunbury del. ; Js. Bretherton fec., For lettered state with additions to the design, published 1 March 1780 by J. Bretherton, see British Museum online catalogue, registration no.: 1878,0511.821., Sheet trimmed to / within plate mark., and Mounted on page 37 of: Bunbury album.
Van der Gucht, Gerard, 1696-1776, printmaker, artist
Published / Created:
[1740]
Call Number:
724 791K
Collection Title:
Volume 3, opposite page 466. Epistles, elegant, familiar, & instructive, selected from the best
Image Count:
1
Resource Type:
still image
Abstract:
"Frontispiece to the catalogue of the sale of Charles Jervas' studio (1739/40); an allegorical female figure holding a palette and brushes standing on the right, who lays an oval bas-relief portrait of Jervas on a plinth attached to a pyramid, while a cherub cuts the inscription on the plinth below: 'The Collection of Charles Jarvis Esq Consisiting of Paintings, Prints, Drawings, Basso Relievo, &c &c'; with classical artistic fragments to left and classical buildings in the background, including Trajan's column, and a fragment on the right inscribed 'Heath Auctioneer'."--British Museum online catalogue
Description:
Title, artist, and printmaker from the Catalogue of engraved British portraits., Frontispiece to: A catalogue of the most valuable collection of pictures, prints, and drawings late of Charles Jarvis Esq; deceased. [London] : [publisher not identified], [1740]., Sheet trimmed within plate mark., Folded to 20.3 x 12.2 cm; mounted on leaf 24 x 14 cm., and Bound in opposite page 466 in volume 3 of an extra-illustrated copy of: Knox, V. Epistles, elegant, familiar, & instructive, selected from the best writers ... London : Rivington [etc.], 1791.
Publisher:
publisher not identified
Subject (Name):
Jervas, Charles, approximately 1675-1739,
Subject (Topic):
Artists' materials, Columns, Pyramids, Sculpture, and Portraits
M. Vitrvvivs per Iocvndvm solito castigatior factvs cvm figvris et tabvla vt iam legi et intelligi
Image Count:
1
Description:
Liber primus.
Subject (Topic):
Architecture --Early works to 1800, Caryatids, and Columns
Collection Created:
[Colophon: Impressum Venetiis : ac magis q¯unquam aliquo alio tempore emendatum: sumptu mira[?]q diligentia Ioannis de Tridino alias Tacuino, anno Domini M.D.XI, die XXII. maii ...
