Caption title., "Price 1d.", Two poems, the first signed: Dr. Barbon., The first poem (left column) begins: "When glorious Anna's happy reign began ...", The second poem (beginning in lower portion of middle column) entitled "The te deum": "To thee, O lord, we chearful praises sing ...", and Sheet trimmed to 44 x 33. For further information, consult library staff.
Publisher:
Printed and are to be sold by E. Mallet next the King's Arms Tavern on the ditch-side near Fleet-Street
Subject (Geographic):
England.
Subject (Name):
Anne, Queen of Great Britain, 1665-1714 and Westminster Abbey,
Subject (Topic):
Coronation, Coronations, Queens, and English poetry
Plate [69] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; young king Henry VI kneeling in centre, receiving crown, his train held by a stopping attendant at right, two clerics behind at left and women at right."--British Museum online catalogue
Alternative Title:
Coronation of Henry the Sixth
Description:
Title from text below image. and Plate [69] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., Imperfect; sheet mutilated in lower right corner with loss of text. Missing text added in ink to repaired corner, in a modern hand., and Mounted on modern backing.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., 1 print : etching ; sheet 29.4 x 43 cm., Printed on wove paper with watermark "J. Whatman 1821"; hand-colored., Sheet trimmed within plate mark on top and bottom edges., Mounted to 39 x 58 cm., Mounted on leaf 98 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Denman," "Brougham," "Bergami," "Lady Anne Hamilton," "Caroline," and "Lieut. Hownam & Flinn" identified in ink below title; date "19 July 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
"Napoleon and Josephine are in the centre of an elaborate processional design. Individuals and groups are identified by eleven captions in the lower margin. The background is formed of close ranks of French soldiers, with a forest of caps, spears, pikes, and banners receding in perspective. The front row, facing the procession, are grenadiers at attention with bayoneted muskets, the letter 'N' in front of their bearskins. They are in shadow; those behind Napoleon are obscured by dense clouds of smoke from a censer; next them (l.) grenadiers blow trumpets and French horns. The procession is led, as by a drum-major, by the posturing and theatrical figure of 'His Imperial Highness Prince Louis-Buonaparte Marbœuf - High Constable of the Empire' [Marbeuf was his godfather] on the extreme right. He wears tight-fitting archaic dress, with a feathered coronet, a cloak trailing from one shoulder, buskins, and sabre. He carries a tall staff surmounted by a fleur-de-lis. Next come 'The Three Imperial Graces, viz. Thier Imp. Highs Princess Borghese [Pauline], Princess. Louis (cher amie of ye Emperor) & Princess Joseph-Bonaparte' [Hortense and Julie] - three slim young women, very scantily draped, scatter roses. All wear feathered coronets with long snaky curls on their shoulders; they resemble the sisters of Napoleon in BMSat 10072. The ground (l. to r.) is strewn with the flowers they have scattered. Next walks 'Madame Talleyrand (ci devant Mrs Halhead the Prophetess conducting the Heir Apparent in ye Path of Glory'. A grossly fat woman leads by the hand the little Napoleon-Charles, son of Louis (b. 10 Oct. 1802). The child goose-steps arrogantly, holding out a sceptre in his left hand. He is dressed much like his father, but with the addition of a ribbon and star. Mme Talleyrand wears a feathered coronet and an enormous nosegay; she holds a fan on which is a goat. This, and her patched face, indicate her dissolute past. Slightly behind her, and on her right., hobbles 'Talleyrand-Perigord. - Prime Minister & King at Arms bearing the Emperor's Geneology.' He is burlesqued, with a 'cheese-cutter' shin, and a r. foot supported by blocks under the shoe. On his left. shoulder he carries a framed genealogical tree, and hung to his person are crests and symbols in rectangular frames. Napoleon's family tree issues from 'Buone Butcher' and, passing through 'Buone Cuckold', terminates in 'Napoleone Emperor', which is crowned. The collateral branches are illegible, but one is followed by 'Hang'd'. ..."--British Museum online catalogue
Description:
Title etched above image. and 1 print : etching on wove paper, hand-colored ; plate mark 23.7 x 77 cm, on sheet 26.3 x 79.3 cm.
Publisher:
Publish'd Jany. 1st, 1805, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
France.
Subject (Name):
Bonaparte, Paolina, 1780-1825, Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837, María-Julia, Queen, consort of Joseph Bonaparte, King of Spain, 1771-1845, Talleyrand-Périgord, Catherine Noël, princesse de Bénévent, 1762-1835, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, Pius VII, Pope, 1742-1823, Fesch, Joseph, 1763-1839, Napoleon I, Emperor of the French, 1769-1821, Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814, Berthier, Louis-Alexandre, 1753-1815, Augereau, Pierre, 1757-1816, and Fouché, Joseph, duc d'Otrante, 1759-1820
"James II and Mary of Modena enthroned in Westminster Abbey during the king's coronation."--British Museum online catalogue and "One of series of four prints, all based on the large plates in Sandford's 'History of the Coronation', first published by Bowles in the series 'London Described' (see Adams 29.8), this state published later. The print in Sandford's book had a shorter title, no text in lower margin, and was inscribed 'W Sherwin sculp'."--Curator's comments, British Museum online catalogue
Alternative Title:
Enthronization of Their Majesties
Description:
Title engraved above image., Reissue of a plate first published ca. 1723 by John Bowles., Publisher from imprint statements on the first and fourth plates of the series. Date of publication based on "John Bowles & Son", a partnership that lasted from 1752 to 1764. See British Museum online catalogue., Sheet trimmed within plate mark., Key to the illustration engraved below image., and Plate numbered "2" in upper right corner.
Publisher:
T. Bowles and John Bowles & Son
Subject (Geographic):
England, London., and England.
Subject (Name):
James II, King of England, 1633-1701, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Westminster Abbey,
"A brandy-faced Archbishop places a large crown on the head of George IV, who sits in profile to the right on a double coronation chair, the seats back to back; the seat on the left is filled with a huge bottle of Brandy (here pertaining to the King not the Queen as in British Museum Satires No. 14175, &c). The coronation is described as 'One-eyed' (as in British Museum Satires No. 14193) because of the Queen's exclusion, see British Museum Satires No. 14196, &c. See British Museum No. 14199, &c."--British Museum online catalogue
Alternative Title:
Frontispiece to The one-eyed coronation, or, A peep into Westminster Abbey
Description:
Title etched below image., Tentative attribution to J.L. Marks and date of publication from the British Museum catalogue., Frontispiece to a satirical pamphlet entitled: The one-eyed coronation, or, A peep into Westminster Abbey., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 95 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "George IV" identified in pencil below image; date "July 1821" written in ink in lower right corner. Typed extract of one line from the British Museum catalogue description is pasted below print.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Coronations, Chairs, Crowns, Bishops, Bottles, and Alcoholic beverages
Plate showing the crowning of the Sultan Achmet in the Mosque of Yup
Description:
Title, state, publisher, and date from Paulson., "Tom. I. No. XXI"--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed to plate mark., and On page 16 in volume 1. Plate trimmed to: 25.6 x 18 cm.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey and Istanbul.
Subject (Name):
Ahmed III, Sultan of the Turks, 1673-1736. and La Mottraye, Aubry de, approximately 1674-1743.
Plate showing the crowning of the Sultan Achmet in the Mosque of Yup
Description:
Title, state, publisher, and date from Paulson., "Tom. I. No. XXI"--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and Sheet trimmed to plate mark.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey and Istanbul.
Subject (Name):
Ahmed III, Sultan of the Turks, 1673-1736. and La Mottraye, Aubry de, approximately 1674-1743.
"The King's champion challenges anyone opposing the King's authority; the King standing underneath a large drapery in a room of his palace on the left; courtiers surround him; his champion standing in the centre; three knights on horseback approach from the right; spectators in the back."--British Museum online catalogue
Description:
Title devised by cataloger., Date range for publication from the British Museum online catalogue, registration no.: 1849,0210.500., Series title given in the British Museum online catalogue: Engelants Schoutonneel., Two lines of text in Dutch on the left below image: S. Konings voorvegter daagt aldie geen die Koning William de III ..., Two lines of text in French on the right below image: Le champion du Roy fait un défi á tous ceux ..., and Temporary local subject terms: Joint coronation of William III and Mary II, April 11, 1689 -- Coronation challenge -- Coronation cups: silver-gilt chalice -- Champion of the King -- Yeomen of the Guard -- Royal canopies -- Constable's staff -- Royal arms upon shield -- Coronation banquet in the Westminster Hall -- Corner chairs -- Heralds -- Corinthian columns -- Westminster Hall -- Wall decoration -- Halberds -- Gloves: gauntlets -- Lion & unicorn -- Coronation costume.
Publisher:
Adriaan Schoonebeek
Subject (Geographic):
Great Britain
Subject (Name):
William III, King of England, 1650-1702, Mary II, Queen of England, 1662-1694, and Westminster Hall (London, England),
