A doctor trying to sell youthfulness potions to an elderly lawyer
Description:
Title from text below image., Plate from: New readings of old authors : Shakespeare / designed and drawn on stone by the late Robert Seymour. London : Tilt and Bogue, 86, Fleet Street, [1841]., and Temporary local Medical Library subject terms: Restoratives -- Theater.
BEIN PLAYING CARDS GEN 133: Title label on case shaved with place of publication wanting. Formerly owned by Julia Parker Wightman. From the Cary Collection of Playing Cards., Title from slipcase., and Date inferred from reference to the re-establishment of a "legitimate monarchy" in France.
Publisher:
publisher not identified
Subject (Geographic):
England, Asia, Europe, Africa, and America
Subject (Topic):
Playing Cards, Manners and customs, Costume, and Description and travel
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
"A phrenologist, De Ville, in his consulting room, feels the forehead of a loutish gaping youth who kneels on a cushion at his feet. Behind the boy stands his stupid-looking mother, grinning with delight at her son. De Ville, who wears plain old-fashioned dress, has a grotesquely shaped skull fringed with scanty hair; his left hand rests on an open book on his table on which is a skull, numbered phrenologically and resting on a paper: Thurtell [murderer] shown to be Craniologically an Excellent Character. Behind him stands an assistant with a porcine profile writing in a note-book: Very large Wit N° 32. A large book-case covers much of the wall (right). There are also portrait heads illustrating grotesque misshapen features, and a bust on a pedestal with a satyr-like profile."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Sheet trimmed within plate mark., Four lines of quoted text below title: "Pores o'er the cranial map with learned eyes, Each rising hill and bumpy knoll descries, Here secret fires, and there deep mines of sense, His touch detects beneath each prominence.", and For an earlier state before aquatint added, see no. 15157 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. Feby. 24th, 1826, by G. Humphrey, 24 St. James's Strt., London
Subject (Geographic):
England.
Subject (Name):
De Ville, J. and Thurtell, John, 1794-1824.
Subject (Topic):
Phrenology, Costume, Caricatures and cartoons, Bookcases, and Muffs
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Description:
Title engraved below image., Date of publication from watermark., Sheet trimmed to plate mark., Plate numbered "138" in lower left corner., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 144., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2299., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1817.
Publisher:
Printed for Bowles & Carver, No. 69 in St. Pauls Church Yard, London
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Alternative Title:
Company of undertakers
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 144., Copy of an engraving by Hogarth that was published in 1736. Cf. No. 2299 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 144., and Temporary local Medical Library subject terms: Criticism of the medical profession -- Dod, Pierce (1683-1754) -- Bamber, Dr.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
Great Britain
Subject (Name):
Mapp, Sarah, -1737,, Taylor, John, 1703-1772,, and Ward, Joshua, 1685-1761,
Subject (Topic):
Physicians, Quacks and quackery, Costume, Medical equipment & supplies, Staffs (Sticks), and Wigs
All engraved including title page on verso of first leaf., Date from publication based on known date of Thomas Hope's commission for the work by Henry Moses. Cf. Designs of modern costume, engraved for Thomas Hope of Deepdene. London : Costume Society, 1973., Plates signed: H. Moses del. et sc., and Bound in contemporary straight-grain red morocco, bordered in blind on covers, spine gilt in compartments; with a bold autograph on the recto of front free marbled end-paper: Edward Bell.For further information, consult library staff.
Publisher:
Pubd. by Henry Setchel & Son 23 King Strt. Covt. Garedn
An obese man and a tall lean woman, symbolical figures of 'dropsy' and 'consumption', flirting outside a mausoleum; another couple promenade before a statue of Hercules in the background and "A grotesquely obese man (his hat placed under his plump knees) kneels at the feet of an ugly and bedizened woman, fantastically lean and tall. She holds up a fan, and looks down alluringly at her lover to whom she gives her left hand. They are in the circular portico of a 'Mausoleum' (right). In the background is an avenue and a statue of Hercules, towards which a fat woman and a lean parson of the Dr. Syntax type are walking arm-in-arm. The muscular Hercules is contrasted with the four other types of physique represented."--British Museum online catalogue
Description:
Title etched below image., "Price one shilling coloured.", and Temporary local Medical Library subject terms: Dropsy -- Consumption.
Publisher:
Pubd. October 25th, 1810, by Thos. Tegg, No 111 Cheapside