"Ritson stands at a desk in profile to the Ieft, writing in a large book, both pages headed 'Common Place'. His finger- and toe-nails are talons; he dips his pen in an ink-stand inscribed 'Gall', and has written: 'Moses an Impostor the prophets old Cloaths Men of Judæa Warburton a fool Dr Percy a Liar Warton an infamous Liar a pipeer [Ritson adopted a system of spelling chiefly characterized by a duplication of the letter e. 'D.N.B.'] better than a parson'. He wears a tightly buttoned overcoat and a top-hat; his toes project through broken shoes. From his pocket projects a pamphlet: 'The Atheist's pocket Companion.' He stands on a slab of (damaged) papers headed 'Dr Percy's Antient Balla[ds]'. his feet is a large open book; on one page is a half length portrait of Thomas Warton stabbed through with a knife and fork; on the other, 'History of English Poetry'. The room is filled with heavy folio volumes and vegetable products; there is a small window with cracked panes. A cow (head only visible) munches at a basket of large leaves beside a paper: 'Bill of Fare \ Nettle Soup \ Sour Crout \ Horse Beans \ Onions Leeks'. On a top shelf an emaciated cat, heavily chained, strains in vain towards two rats who nibble a bunch of candles; beside it is an open book: 'Abstinence from animal Food a moral duty'. Below, 'The Bible' slants across a gap in the book-shelf labelled 'Old Romances'. On Ritson's desk (left) is a pile of books on which squats a frog; on it vegetables are heaped."--British Museum online catalogue
Alternative Title:
Impiger iracundus, inexorabilis acer
Description:
Title from British Museum catalogue., Signed with the initials of James Sayers., One line of Latin verse below image: Impiger iracundus, inexorabilis acer [Horace, Ars Poetica]., One line of Greek text below Latin verse., Four lines of English text above imprint: Fierce meagre pale no commentator's friend. Purs. Lit. Let his portion be with the beasts in the grass of the Earth ..., Temporary local subject terms: Ink well -- 'Common Place' -- Iron gall ink., 1 print : etching and aquatint on wove paper ; plate mark 26.6 x 20.5 cm, on sheet 28.3 x 21.3 cm., and Mounted on leaf 80 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published by H. Humphrey
Subject (Name):
Ritson, Joseph, 1752-1803
Subject (Topic):
Desks, Writing materials, Books, Vegetables, Cows, Cats, Rats, Frogs, Vegetarians, and British
Title and publisher supplied by curator/translator., Poster includes an image of Elsie the Cow, the mascot of the Borden Dairy Company, who first appeared in 1936., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Nutrition Education Committee, Ministry of Education
Subject (Topic):
Milk consumption, Milk in human nutrition, Public health, Health education, Eating & drinking, Cows, Families, and Milk
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title from caption engraved below image., State, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., Etched above image: "Frontispiece.", Sheet trimmed to: 22.5 x 18 cm., and Formerly on page 168 in volume 2. Removed in 2012 by LWL conservator.
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title from caption engraved below image., State, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., Etched above image: "Frontispiece.", Sheet trimmed to: 22.5 x 18 cm., and Formerly on page 168 in volume 2. Removed in 2012 by LWL conservator.
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title from caption engraved below image., State, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., and Etched above image: "Frontispiece."
"Frontispiece to Joshua Kirby, Dr Brooke Taylor's Method of Perspective made easy; a rural scene with a number of absurdities caused by perspectival errors, for instance, an angler in the foreground catches a fish in the middle distance, an inn sign is partly obscured by trees that are growing on the other side of a river, a woman leans from a window to light the pipe of a man on a distant hill."--British Museum online catalogue
Alternative Title:
Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are shown in this frontispiece
Description:
Title, state, publisher, and date from Paulson., Imperfect: 'W. Hogarth inv. et delin' erased from this impression. Sheet trimmed to plate mark., State with "Frontispiece" burnished from above image., and Mounted to sheet 255 x 205 mm, with single red line border.
Men, horses, and (mongrel) dogs in wild but spirited confusion in a forest glade pursue a cow (left); the stag is in the background running in the opposite direction, followed by one man on foot. One horse and rider struggle in a ditch while a second horse, which has kicked off its rider, leaps on top of them. A bald John Gilpin clasps his mount round the neck. In the foreground four men over-weight a two-wheeled cart drawn by a wretched but galloping jade. See British Museum catalogue
Alternative Title:
Cockney comicalities in full chace and Cockney comicalities in full chase
Description:
Title and imprint from published state., Sheet trimmed within plate mark., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No.15206 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 84, Vol. 2.
Title and date supplied by curator., In upper right: fol. 69., Sheet trimmed., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and In pencil verso: Dr. Searle print.
Publisher:
publisher not identified
Subject (Topic):
Veterinary medicine, Men, Bandages, Goats, Cows, Peafowl, Chickens, Camels, Medicines, Medical equipment & supplies, and Turbans