Manuscript on paper of Domenico Cavalca OP (c. 1270-1342), Esposizione del Credo
Description:
In Italian., Script: written in many different hands., Unevenly spread decoration., Parchment stays in the center and at the outer side of the quires; the fold of many bifolios is repaired by means of strips of parchment. The top, outer and lower margins water-stained, the upper outer corners of the leaves defective. Many lower margins repaired by means of strips of paper., and Binding: 19th century. Quarter binding, brown paper over cardboard, the spine in brown leather with five raised bands, the second compartment gold-tooled with the title “CAVALCA / ESPOSIZIONE / DEL CREDO”. Marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cavalca, Domenico, -1342. and Dominicans.
Subject (Topic):
Creeds, Italian literature, and Manuscripts, Medieval
Manuscript on paper (usually thin and white; watermarks vary) of texts on the faith of the Orthodox Church, specifically as it compares to Protestant doctrine. Includes prayers, sermons, commentaries, creeds, poems and glossaries
Description:
In Greek. and Script: Composed of 22 parts, written by different hands, mostly in Greek minuscule. The individual parts were perhaps collected and organized by Constantine Raphael Byzantinus, 18th century, whose notes are scattered throughout.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dositheos, Patriarch of Jerusalem, 1641-1707. and Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Creeds, Devotional literature, Greek poetry, Manuscripts, Medieval, and Sermons, Greek
Manuscript on paper of 1) Pseudo-Augustine, Soliloquia, translated into Greek by Demetrius Cydonius; first leaf missing. 2) Creed of St. Athanasius. 3) Various prayers and hymns, some by John of Damascus and Macarius, but most anonymous
Description:
In Greek., Watermarks: Harlfinger Chapeau 74., Script: Written by a single scribe in tall, upright minuscule., Decorative initials, 6- to 5-line, in red with simple floral designs; rubrics throughout., and Binding: 16th-17th centuries. Three original chain-stitched supports, the thread laced into square-edged, flush, wooden boards grooved on the edges. The beaded, colored endbands are sewn on cords which are attached in holes in the edges of the boards. The edges are painted with a red and black interlace design, the spine smooth and round. Covered in brown goatskin, blind-tooled with concentric borders, different on each board, the central panels filled with flowers and small diamonds. One pin hole in the edge of the upper board, three holes for a strap in the lower. Rebacked. According to A. R. A. Hobson, the binding originated in Crete.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Creeds, Hymns, Manuscripts, Medieval, Mysticism, and Prayers