Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 51 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 38.9 cm, on sheet 28 x 40.9 cm., and With identifications of "George IV" and "Q. Caroline" written in pencil below image, as well as the explanation "the green bags with reference to their divorce were ordered to lie on the table" written in pencil below title.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image. and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
"Prince Leopold sits enthroned, flanked by his new subjects; he wears uniform with a crown, and sits on a two-tiered circular dais in a chair of state, the seat of which is covered with giant thorns. Punctured and frightened, he grasps the arms of his chair with crisped fingers; his toes are drawn back, touching the ground, and he looks towards a savage-looking Greek (right) who kneels before him with a long knife held behind his back. A similar ruffian kneels on the left; others approach menacingly from the left, one smoking a long pipe and grasping a knife. They wear Greek costume with embroidered jackets and full white breeches. On the right are long-robed ecclesiastics, headed by a bearded patriarch with a cross in one hand, a knife in the other."--British Museum online catalogue
Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
"The Queen sits in profile to the right on a huge crown, her left foot on a footstool. She partly hides her face ... behind a fan inscribed C; in her right hand is a handkerchief. She is fat, very décolletée ..., with monstrous ostrich feathers in her hair."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Early state of a print published 21 July 1821 by G. Humphrey with the expanded title "A coronation stool, of repentance"; in addition to having a shorter title, this early state lacks the grimace on the Queen's face, the jewelry around her neck and on her hands, and the patterns on her dress and on the carpet beneath her. For the published state, see no. 14197 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Mounted on page 51 of: George Humphrey shop album.
Publisher:
G. Humphrey
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Crowns, Fans (Accessories), Feathers, Handkerchiefs, Obesity, Sitting, and Stools
"The Queen sits in profile to the right on a huge crown, her left foot on a footstool. She partly hides her face and an ambiguous grimace behind a fan inscribed C; in her right hand is a handkerchief. She is fat, very décolletée, and bejewelled, with monstrous ostrich feathers in her hair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed leaving thread margins.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Crowns, Fans (Accessories), Feathers, Handkerchiefs, Obesity, Sitting, and Stools
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Napoleon's defeat, abdication and retirement to Elba. in a makeshift-looking room, a huge, hairy devil approaches Napoleon at right, holding a trident and proffering a noose, saying, 'Master Boney the favour of your company is requested -'; Napoleon, at left, hurriedly rising from his 'Camp stool' and pulling on his breeches, replies, 'I'll be with you in a crack'; a skeleton looms up behind him, at the same time holding back Joseph Bonaparte who tries to escape through an open door at left, his crown falling off, the skeleton apprehending him, 'Stop thief'. By the side of Napoleon's throne-like stool, a stoppered bottle labelled 'Composing draught', a glass and a crown, at his feet his hat and sword; on a table beside the devil are other suggested measures for suicide: pistols, a dagger, a smaller demon holding out a cup labelled 'Genuine Jaffa poison', a dish of 'Opium', an axe, a paper lettered 'Perhaps you would prefer drowning'; underneath the table are trunks lettered 'Military chest / Hospital chest / Diamonds'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Plate numbered "327" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Weapons: Pistols -- Hatchet -- Genuine Jaffa poisons -- Composing draught -- Hanging -- Furniture: Glass decanters -- Wine glasses -- Campstools., Temporary local Medical Library subject terms: Jaffa., 1 print : etching with stipple, hand-colored ; sheet 234 x 333 mm., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 16th, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Napoleon's defeat, abdication and retirement to Elba. in a makeshift-looking room, a huge, hairy devil approaches Napoleon at right, holding a trident and proffering a noose, saying, 'Master Boney the favour of your company is requested -'; Napoleon, at left, hurriedly rising from his 'Camp stool' and pulling on his breeches, replies, 'I'll be with you in a crack'; a skeleton looms up behind him, at the same time holding back Joseph Bonaparte who tries to escape through an open door at left, his crown falling off, the skeleton apprehending him, 'Stop thief'. By the side of Napoleon's throne-like stool, a stoppered bottle labelled 'Composing draught', a glass and a crown, at his feet his hat and sword; on a table beside the devil are other suggested measures for suicide: pistols, a dagger, a smaller demon holding out a cup labelled 'Genuine Jaffa poison', a dish of 'Opium', an axe, a paper lettered 'Perhaps you would prefer drowning'; underneath the table are trunks lettered 'Military chest / Hospital chest / Diamonds'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Plate numbered "327" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Weapons: Pistols -- Hatchet -- Genuine Jaffa poisons -- Composing draught -- Hanging -- Furniture: Glass decanters -- Wine glasses -- Campstools., Temporary local Medical Library subject terms: Jaffa., Watermark: 1817., and Leaf 27 in volume 5.
Publisher:
Pubd. April 16th, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
"A satire on King Louis XV of France accusing him of treachery showing him sitting on a throne under a canopy, his crown is held over his head by Pride on his left, a peacock in front of her, and two-faced Treachery on his right, behind whom the devil flies waving a firebrand and a Jesuit stands holding up a candle and scroll lettered “Persecution”. The king wears a black mask and the costume of a Roman general, a cloth adorned with fleur-de-lis round his legs and his sandaled feet rest on two books lettered “T[reatie]s”, a paper with the same lettering lies beside these and an open book. An obsequious courtier, a chain round his ankle attached to a book, kneels at the king’s feet as the king hands him a yoke. On the king’s other side another elegant courtier, his ankle chained to a log, exclaims “Oh! Wh(a)t a great Monarch”, a scene of “The [St Bartholomew's Day] massacre of Paris” hangs on the curtain behind the king. To the left of the canopy is an obelisk bearing the image of a weeping “Europa” with her bull and above this a medallion of the “Cat & monkey”. Around the obelisk are a Spaniard holding a rosary and kneeling in prayer before a statue, a Genoese man and a Bavarian (identified in the verses below); at their feet are the words “Here we stand for ye Glory of France”. In the sky above the Eye of Providence looks down on a pair of scales in which the British lion outweighs the French fleur-de-lis. On the right demon is about to hang Justice as a Cardinal (Tencin?) holds up a cross; beside this a man wearing a wig wooden shoes sits astride a braying donkey waves his hat and cries “Vive le Roy”. At the bottom are three scenes: [at left] three men “Burning of Treaties” and the “Pr[agmati]c S[anctio]n”; ... ; [at right] scenes of executions, torture, a village burning and a monk leading a band of troops while another holding up a cross says “one K[in]g one R[e]l[igio]n”). "--British Museum online catalogue, description of an earlier state of similar composition
Alternative Title:
Funiral ticket for Lord Lovet and Funeral ticket for Lord Lovat
Description:
Title from item., Publisher identified from address., 'Price 6d.'--Following imprint., An earlier state of the plate was used by D. Fournier on Feb. 14, 1747 to illustrate a broadside entitled "The glory of France"; see no. 2849 in the Catalogue of prints and drawings in the British Museum, v. 3. In addition to the added title and altered imprint statement, this later state also differs in the replacement the previous image of a custom house and ships in the bottom center with a new image of Simon Lord Lovat in a chair, with women to the left of him and severed heads to the right., Temporary local subject terms: France: Louis XV masked and dressed as a Roman -- Burning of treaties -- Literature: Jean de la Fontaine, Fables, ii, 143: The monkey and the cat -- Hand of Justice -- Personifications: Persecution -- Pride as a peacock -- Winged Death -- Two-faced Deceipt -- Europa -- Pictures amplifying subject: massacre of Paris -- Beheaded heads -- Eye of Providence -- Torch-bearing demon -- Animals: ass -- Yoke -- Whip -- Torture rack -- Reference to Leaden Hall -- Reference to Westminster Hall -- Wooden shoes -- Emblems: lion -- Balance -- French crown -- Tickets: invitation to an execution., and Watermark: Strasburg lily with initials LVG below.
Publisher:
Publish'd in May's Buildings
Subject (Name):
Lovat, Simon Fraser, Lord, 1667?-1747, James, Prince of Wales, 1688-1766, and Louis XV, King of France, 1710-1774
"King, Archbishop, Ministers, &c., and Green Bag are overturned or put to flight by the Queen mounted on a savage bull (J.B.). An 'Italian' dagger, a 'horse Leech', &c., &c., fall from the Bag."--British Museum catalogue
Description:
Title etched below image., Questionably attributed to Elmes in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pubd. Augt. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834
