"A satire on King Louis XV of France accusing him of treachery showing him sitting on a throne under a canopy, his crown is held over his head by Pride on his left, a peacock in front of her, and two-faced Treachery on his right, behind whom the devil flies waving a firebrand and a Jesuit stands holding up a candle and scroll lettered “Persecution”. The king wears a black mask and the costume of a Roman general, a cloth adorned with fleur-de-lis round his legs and his sandaled feet rest on two books lettered “T[reatie]s”, a paper with the same lettering lies beside these and an open book. An obsequious courtier, a chain round his ankle attached to a book, kneels at the king’s feet as the king hands him a yoke. On the king’s other side another elegant courtier, his ankle chained to a log, exclaims “Oh! Wh(a)t a great Monarch”, a scene of “The [St Bartholomew's Day] massacre of Paris” hangs on the curtain behind the king. To the left of the canopy is an obelisk bearing the image of a weeping “Europa” with her bull and above this a medallion of the “Cat & monkey”. Around the obelisk are a Spaniard holding a rosary and kneeling in prayer before a statue, a Genoese man and a Bavarian (identified in the verses below); at their feet are the words “Here we stand for ye Glory of France”. In the sky above the Eye of Providence looks down on a pair of scales in which the British lion outweighs the French fleur-de-lis. On the right demon is about to hang Justice as a Cardinal (Tencin?) holds up a cross; beside this a man wearing a wig wooden shoes sits astride a braying donkey waves his hat and cries “Vive le Roy”. At the bottom are three scenes: [at left] three men “Burning of Treaties” and the “Pr[agmati]c S[anctio]n”; ... ; [at right] scenes of executions, torture, a village burning and a monk leading a band of troops while another holding up a cross says “one K[in]g one R[e]l[igio]n”). "--British Museum online catalogue, description of an earlier state of similar composition
Alternative Title:
Funiral ticket for Lord Lovet and Funeral ticket for Lord Lovat
Description:
Title from item., Publisher identified from address., 'Price 6d.'--Following imprint., An earlier state of the plate was used by D. Fournier on Feb. 14, 1747 to illustrate a broadside entitled "The glory of France"; see no. 2849 in the Catalogue of prints and drawings in the British Museum, v. 3. In addition to the added title and altered imprint statement, this later state also differs in the replacement the previous image of a custom house and ships in the bottom center with a new image of Simon Lord Lovat in a chair, with women to the left of him and severed heads to the right., Temporary local subject terms: France: Louis XV masked and dressed as a Roman -- Burning of treaties -- Literature: Jean de la Fontaine, Fables, ii, 143: The monkey and the cat -- Hand of Justice -- Personifications: Persecution -- Pride as a peacock -- Winged Death -- Two-faced Deceipt -- Europa -- Pictures amplifying subject: massacre of Paris -- Beheaded heads -- Eye of Providence -- Torch-bearing demon -- Animals: ass -- Yoke -- Whip -- Torture rack -- Reference to Leaden Hall -- Reference to Westminster Hall -- Wooden shoes -- Emblems: lion -- Balance -- French crown -- Tickets: invitation to an execution., and Watermark: Strasburg lily with initials LVG below.
Publisher:
Publish'd in May's Buildings
Subject (Name):
Lovat, Simon Fraser, Lord, 1667?-1747, James, Prince of Wales, 1688-1766, and Louis XV, King of France, 1710-1774
"King, Archbishop, Ministers, &c., and Green Bag are overturned or put to flight by the Queen mounted on a savage bull (J.B.). An 'Italian' dagger, a 'horse Leech', &c., &c., fall from the Bag."--British Museum catalogue
Description:
Title etched below image., Questionably attributed to Elmes in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pubd. Augt. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834
"King, Archbishop, Ministers, &c., and Green Bag are overturned or put to flight by the Queen mounted on a savage bull (J.B.). An 'Italian' dagger, a 'horse Leech', &c., &c., fall from the Bag."--British Museum catalogue
Description:
Title etched below image., Questionably attributed to Elmes in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 30.1 x 40.2 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark at top and bottom., Mounted to 39 x 58 cm., Mounted on leaf 61 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," and "Eldon" identified in ink below image; date "Aug. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. Augt. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834
"George IV sits on a small stone among tall bulrushes at the water's edge in profile to the left, fishing, his rod being a sceptre. Leaning forward, he looks anxiously at his tautening line. On his head is poised a small but massive crown, a creel hangs at his back; he wears quasi-military dress, white gauntlet gloves, and breeches with jack-boots (cf. British Museum Satires No. 14220). In the foreground, looking up at him, is a kingfisher. In the background, at the water's edge, is a small thatched peasant's cottage behind which is Windsor Castle, on its wooded hill, flying the Royal Standard (cottage and castle being mere symbols). Below the title is a circular garter inscribed Honi. Soit. Qui. Mal. Y. Pense."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Fairburn published a similar print two months later (13 July 1826) entitled "A king-fisher, and a water-wag-tail," which depicts the king fishing alongside Lady Conynham; see Lewis Walpole Library call no.: 826.07.13.01. This later Fairburn print, in turn, was likely a copy of a print of the same scene published by S.W. Fores in June 1826; see no. 15137 in the Catalogue of prints and drawings in the British Museum, v. 10., and Removed from a blue paper mount leaving residue on verso.
Publisher:
Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Windsor Castle,
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., Watermark: (partial) crown on top of shield with fleur-de-lis., and On verso in contemporary hand: A horse being the arms of Hanover, the horse stands for the P[rince] of W[ales], 1789. Fox, Sheridan make the P[rince] of W[ales] their stalking horse to fire at the rights of the Crown & the people.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 23.9 x 26.3 cm, on sheet 25.2 x 27.5 cm., and Mounted on leaf 47 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 65 with one other print.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"An allegorical design. Britannia, holding her shield and a cap of Liberty on a staff, rushes (right to left) with a calm expression to the edge of a cliff, urged on by Wellington and five other Ministers (scarcely characterized). On her right a man snatches the drapery from a small cloud-borne figure of Fortune with her wheel, who is directed towards an oval portrait of Queen Caroline supported by an angel. Fame holds a laurel wreath above the portrait. Below the cliff or rock from which Britannia steps so heedlessly is a patch of ground surrounded by sea. On this stands Burdett, holding out a scroll inscribed 'Magna Char[ta] Liberty of Napoleon' and holding out his left arm to prevent Britannia from falling. Justice stands behind him, holding evenly balanced scales. Four other men stand close behind him, one holding out a scroll inscribed 'Reform', and supporting the arm which holds the scales. A man in shirt-sleeves kneels at Burdett's feet, making a gesture of urgent entreaty. On a rock (right), symbolizing St. Helena but merging with Britannia's cliff, sits a spotted, sub-human Caliban-like creature, who holds a small image of Napoleon, which he is about to cover with an extinguisher. At the base of the rock, but in the background, are two tiny officers in military uniform, seated together at the edge of the sea, directed to the right. In the foreground (left) sits a woman (? France) in classical draperies, holding a sceptre, with a (? Bourbon) crown falling from her head, and with a second (? imperial) crown in her lap. She gazes towards St. Helena. Inset in the title and enclosed within a border inscribed 'Honi soit qui mal y pense': 'Wilson sçut délivrer une Noble victime Burdett, Hobhouse, Holland, sauvez Napoléon, Arrachez-le aux tourmens de l'exécrable Hudson, Vengez l'honneur Anglais flétri par un grand Crime Et sauvez Albion sur le Bord de l'Abême [sic]!!!'."--British Museum online catalogue, description of a later state
Alternative Title:
Nation and her m-n-t-r's and Nation and her ministers
Description:
Title etched below image., Early state, before border and imprint statement added. For a later state with border present and the imprint "Pubd. by Milleville, Hampstead" etched in lower left, see no. 14050 in the Catalogue of prints and drawings in the British Museum, v. 10., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of twenty-nine lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
John Milleville?
Subject (Geographic):
Saint Helena,
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Wellington, Arthur Wellesley, Duke of, 1769-1852, Burdett, Francis, 1770-1844, Napoleon I, Emperor of the French, 1769-1821., Broughton, John Cam Hobhouse, Baron, 1786-1869., Wilson, Robert, Sir, 1777-1849., Holland, Henry Richard Vassall, Baron, 1773-1840., Lowe, Hudson, Sir, 1769-1844., and La Valette, Antoine-Marie Chamans, comte de, 1769-1830.
Subject (Topic):
Britannia (Symbolic character), Cliffs, Shields, Liberty cap, Angels, Justice, Scales, Military officers, and Crowns
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
