"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 23 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 26 x 27.5 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 12 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Clarence," "D. York," "Caroline," "Liverpool," "Wellington," "Geo. IV," "Leach," "Eldon," "Brougham," and "Majocchi" identified in ink at the bottom of their respective panels in the design.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
"George III (left), seated in a chair, is being shown by the ghost of Chatham a procession of figures walking towards a pit (right) inscribed "Chaos". Chatham wears pseudo-classical draperies, a tie-wig crowned with a laurel wreath, and is surrounded by a glory of rays. He holds up a circular glass to the king, who looks through it with an expression of alarm. On the back of the king's chair is a crown surmounted by a weathercock which points to the South, probably to indicate that North's power is over, cf. BMSat 5659. Under his feet are torn county petitions, and an open book, "Lock on Government". The petitions are those of York, Westminster, Middlesex, Hampshire, Surrey. There is also the design of the façade of a building inscribed, "The Elevation of [a] Baby House". The leaders of the procession, who are on the brink of the pit, are the kings of France and Spain. A devil (right) with wings, horns, and a long barbed tail, points into the pit. Behind the two kings come North and Sandwich. North holds a rolled document inscribed "Taxes". Under his arm is a large money-bag with a gaping hole in it, by which is an open book or paper inscribed "New Way to pay old Debts, A Farce by Boreas" (Massinger's comedy had recently been revived at Drury Lane). On his right Sandwich walks with his arms folded, a paper under his arm is inscribed "Catches & Glees Mr Arne" (Arne (1710-78), the musical composer, is generally styled Dr; Sandwich was "the soul of the Catch Club", see BMSat 5342). From his pocket protrude papers, one inscribed "Greenwich Hospital", in allusion to the scandal caused by Captain Baillie's exposure of abuses there, see BMSat 5548. The other is inscribed "Love & Madness"; this is the title of a series of fictitious letters recently published purporting to be the correspondence of Hackman and Martha Ray, Sandwich's mistress, see BMSat 5540, &c, but really by Herbert Croft. See Walpole, 'Letters', xi. 139-40,13 Mar. 1780. Behind come Mansfield, in judge's wig and robes, and Bute in Highland dress, both with expressions of despair; they are being hurried along by a man with the face of a fiend who has seized Mansfield by the arm and Bute by the shoulders. Beside them walks a Dutchman, his hands in his breeches pockets, being propelled from behind by a devil, significant of the unpopularity of the Dutch Republic,"--British Museum online catalogue
Alternative Title:
Peep into futurity
Description:
Title from item. and Trimmed within plate line.
Publisher:
Published as the act directs May 16, 1780, by W. Wells, No. 132 opposite Salisbury Court Fleet Street London
Subject (Geographic):
Netherlands.
Subject (Name):
George III, King of Great Britain, 1738-1820., Pitt, William, Earl of Chatham, 1708-1778., Bute, John Stuart, Earl of, 1713-1792., Mansfield, William Murray, Earl of, 1705-1793., Sandwich, John Montagu, Earl of, 1718-1792., North, Frederick, Lord, 1732-1792., Charles III, King of Spain, 1716-1788., and Louis XVI, King of France, 1754-1793.
"Satire against England: Pitt strides forward holding a flag next to a crown, while chained figures cringe at his feet, and a scaffold and executioner occupy the background."--British Museum online catalogue
Description:
Title etched below image., Title continues: ... ou le triomphe du ministre Pitt, foulant aux pieds la couronne d'Angleterre, d'une main il tient une hache et les chaines dont il a su charger la Nation et le Roi, de l'autre il porte le drapeau de l'esclavage; les impots et les echafauds sont les moyens qu'il employe pour soutenir son pouvoir chancelant., French original, later copied by Gillray, dated 1789 by the Bibliotheque Nationale presumably based on its place in a collection by an artist who gathered prints at the time, Michel Hennin., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Geographic):
France and Great Britain
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
History, Public opinion, Foreign relations, Axes, Calumets, Chains, Crowns, Gallows, Punishment devices, and Shackles
"A pugilistic contest between George III (left) and Charles IV of Spain (right), standing waist-deep in the sea. Each wears a crown, but that of Charles falls from his head. George III says, "Another thump in the bread basket will do your business, Whiskerando!" Each has a backer: behind George is Neptune, holding his trident and crowned with sea-weed; he extends his left arm, saying, "Bravo! my Son, make him feel the dominion of the Seas is thine and shall be so for ever." That of Spain is the Pope wearing his robes and triple crown, and holding his crozier to which two keys are attached. Fame emerges from clouds above Neptune, blowing her trumpet and holding a laurel wreath above George III's head. The two kings and Neptune are nude."--British Museum online catalogue
Description:
Title etched below image., Attributed in the British Museum catalogue to H.W.: possibly either Henry Wigstead or William Holland., Sheet trimmed within plate mark., Publisher's advertisement above the image: In Holland's exhibition rooms may be seen the largest collection of humorous prints. Admittance one shilling., and Watermark: fleur-de-lis on crowned shield with a monogram WC below.
Publisher:
Pubd. by William Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charles IV, King of Spain, 1748-1819, and Pius VI, Pope, 1717-1799
Subject (Topic):
Neptune, Clergy, Popes, Crowns, Trumpets, Angels, and Fights
"Caricature with Caroline appearing before George IV and the Cabinet."--British Museum online catalogue
Alternative Title:
Coronation arrangements aukwardly interupted, Coronation arrangements awkwardly interrupted, and Injured innocence demanding her rights!!
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 14 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV," "Liverpool," "Eldon," and "Sidmouth" identified in pencil in lower margin. Date "2 June 1820" written in ink in lower right.
Publisher:
Pub. June 1st, 1820, by J. Fairburn, 2, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Eldon, John Scott, Earl of, 1751-1838, and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
Subject (Topic):
Politicians, Adultery, Scandals, Crowns, Scepters, and Dogs
Title from caption below image., Probably after a design by Rowlandson; Cf. British Museum online catalogue, registration no.: 1948,0214.796., Publication date from unverified data in local card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Death (Personification), Intoxication, Skeletons, Crowns, and Fireplaces
"Duchess of Kent sits regally on the throne, holding the orb, and turning her head to watch Princess Victoria, who sits (left) on Prince Leopold's knee, holding the sceptre (in the form of a hand of Justice, cf. BM Satires No. 12247) and with the crown half-extinguishing her little head. He wears uniform, sits on a lower seat, but with his right foot on a footstool. He holds out twin cherries to the child, saying, 'Now we'll play at Bob Cherry--open your mouth'. On a table (left) are Sweet Meats and Sugar Candy, on the floor a (mature) doll. On the right, framed by pillars, is the Council Chamber. Wellington presides, in the royal chair, turning arrogantly to say: 'As president of the Council--who shall gainsay me--' [Bathurst was Lord President of the Council]. Behind him Grenadier Guards with fixed bayonets stand at attention. Inconspicuously at his right hand, and below the dais, sits William IV. Peel stands at a side-table (right), his back to Wellington, looking conspiratorial. The (?) Archbishop is among those seated on Wellington's left."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 123.
Publisher:
Pub. July 8, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Victoria Mary Louisa, Duchess of Kent, 1786-1861, Victoria, Queen of Great Britain, 1819-1901, Léopold I, King of the Belgians, 1790-1865, Wellington, Arthur Wellesley, Duke of, 1769-1852, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Ceremonial objects, Crowns, Dolls, Military uniforms, British, and Thrones
"A parody of British Museum Satires No. 9752, Gillray's 'Dido in Despair!' The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed 'BB' (for Bergami), the other 'MW' (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed 'MW' on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: 'Mr Trifle's Love to the Q[ueen]'. A huge round of beef is ticketed 'With Mr Suets Love to the Q--n'; with this is a roll of 'Cat's Meat'. A model of a pair of stays enclosed in a glass case stands on two papers: 'Glass-blower's Delight' and 'O stay my love my Cary dear'. A pair of breeches of metal is 'For Bat [Bergami] or Cat ad libitum from the Brazier[s]'. Caricatures lie near a pair of slippers inscribed 'BB'; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is 'Catalogue of Fancy Men'. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled 'Brandy' [see British Museum Satires No. 14175], glass, pill-box, and boxes of 'Rouge', 'Brick dust', and 'Court Plaister'. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray's open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below the title: Ah! where, and ah where, does my gallant courier lie, for me does he oft on his downy pillow sigh, I left him on the Continent, to claim my half-a-crown, and I wish to my heart, I could have him here in town., Sheet trimmed within plate mark., and Mounted on page 36 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Wood, Matthew, Sir, 1768-1843., and Dido (Legendary character)
"A parody of British Museum Satires No. 9752, Gillray's 'Dido in Despair!' The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed 'BB' (for Bergami), the other 'MW' (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed 'MW' on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: 'Mr Trifle's Love to the Q[ueen]'. A huge round of beef is ticketed 'With Mr Suets Love to the Q--n'; with this is a roll of 'Cat's Meat'. A model of a pair of stays enclosed in a glass case stands on two papers: 'Glass-blower's Delight' and 'O stay my love my Cary dear'. A pair of breeches of metal is 'For Bat [Bergami] or Cat ad libitum from the Brazier[s]'. Caricatures lie near a pair of slippers inscribed 'BB'; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is 'Catalogue of Fancy Men'. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled 'Brandy' [see British Museum Satires No. 14175], glass, pill-box, and boxes of 'Rouge', 'Brick dust', and 'Court Plaister'. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray's open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Four lines of verse below the title: Ah! where, and ah where, does my gallant courier lie, for me does he oft on his downy pillow sigh, I left him on the Continent, to claim my half-a-crown, and I wish to my heart, I could have him here in town., Sheet trimmed within plate mark., and 1 print : etching with stipple on wove paper, hand-colored ; sheet 26.8 x 21.7 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Wood, Matthew, Sir, 1768-1843., and Dido (Legendary character)
