Print with an image at the top and two columns of letterpress below: A middle-aged man in a robe sits in an upholstered armchair, his gouty foot resting on a footstool, and a pained look on his face; medicine and a bowl on the table beside his chair (left) and a crutch rests against a second stool (right). He reaches toward a younger woman in a cap and apron who is looking down and away from him. On the left is bed with curtains and on the wall, a framed picture of Cupid shooting an arrow. The letterpress text below, in two columns, provides a timeline for a man's life, starting at the age of 16 listed at the beginning of each line, tells the humorous tale of the consequences of a man putting off marriage for prideful reasons from age "16 - incipient palpitations towards the young ladies", through the ages of "29 - rails against the fair sex", "37 - indulge in every kind of dissipation", and "48 - thinks living alone quite irksome ...". Eventually, he resolves to have a prudent young woman as housekeeper and companion, gradually feeling some attachment to her and becoming completely under her influence. At age 60, as he begins to feel ill, and "grows rapidly worse, has his will made in her favour, and makes an exit."
Description:
Title from text below image., Date based on publishers' known dates of activity at this address: Samuel & Joseph Fuller are listed in the London Directories from 1809 to 1839 at this address., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Spinsters.
Publisher:
Published by S. and J. Fuller, 34, Rathbone-Place and Printed by L. Harrison, 373, Strand
Subject (Topic):
Bachelors, Life cycle, Human, Gout, Single women, Women domestics, Canopy beds, Chairs, Crutches, Cupids, Servants, Medicines, Cats, and Dogs
Print with an image at the top and two columns of letterpress below: A middle-aged man in a robe sits in an upholstered armchair, his gouty foot resting on a footstool, and a pained look on his face; medicine and a bowl on the table beside his chair (left) and a crutch rests against a second stool (right). He reaches toward a younger woman in a cap and apron who is looking down and away from him. On the left is bed with curtains and on the wall, a framed picture of Cupid shooting an arrow. The letterpress text below, in two columns, provides a timeline for a man's life, starting at the age of 16 listed at the beginning of each line, tells the humorous tale of the consequences of a man putting off marriage for prideful reasons from age "16 - incipient palpitations towards the young ladies", through the ages of "29 - rails against the fair sex", "37 - indulge in every kind of dissipation", and "48 - thinks living alone quite irksome ...". Eventually, he resolves to have a prudent young woman as housekeeper and companion, gradually feeling some attachment to her and becoming completely under her influence. At age 60, as he begins to feel ill, and "grows rapidly worse, has his will made in her favour, and makes an exit."
Description:
Title from text below image., Date based on publishers' known dates of activity at this address: Samuel & Joseph Fuller are listed in the London Directories from 1809 to 1839 at this address., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Spinsters., 1 print : lithograph with letterpress ; sheet 27.8 x 16.8 cm., and Imperfect. Lacking Old maid's thermometer portion.
Publisher:
Published by S. and J. Fuller, 34, Rathbone-Place and Printed by L. Harrison, 373, Strand
Subject (Topic):
Bachelors, Life cycle, Human, Gout, Single women, Women domestics, Canopy beds, Chairs, Crutches, Cupids, Servants, Medicines, Cats, and Dogs
A map with North-Pole and Ocean of Life at the top and South-Pole and Icebergs of Death at the bottom and in the middle, the Equinoctial Line of Love with the Ocean of Universal Love above and the Sea of Repentance below. The landmasses from Baby Land (top) to the larger Country of Bliss(middle) that forms the bulk of the image, are labeled with stages of life and virtues and vices of mankind, many around the experiences of courtship and marriage. In the cartouche is an image of Cupid looking into a chest
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With accompanying explanatory sheet entitled: Voyage of the ship Perseverance ; Description of the country.
Publisher:
Pubd. May 1826 by S.W. Fores, corner of Sackville St. Piccadilly
Subject (Topic):
Conjectural works, Courtship, Cupids, Emblem pictures, and Marriage
"The fat, moustached, Duchess of St. Albans and the slim Duke dance with vigour and agility, each poised on the left toe, arms interlaced, and hands meeting above their heads. From the Duchess's small coronet rise giant ostrich feathers which curve above the heads of both and above which a big ducal coronet is suspended. He sings: My Wife shall dance, And I will sing so merry we'll pass this day. She: For I hold it one of the wisest things to drive dull care away. The musicians are two cynical cupids; one (left) sits on large sacks of sovereigns inscribed Cash; coins pour from a slit in a sack and lie on the carpet with a banker's money-scoop. He fiddles: Money in both pockets. The other (right), seated on the apex of a huge melon from which a slice has been cut, plays bagpipes: And auld Robin Gray [Coutts] was a gued Old Man to me! with variations."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to/within plate mark., and A faint impression on the verso.
Publisher:
publisher not identified
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837 and St. Albans, William Beauclerk, Duke of, 1801-1849
Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to "Keep joging, I'le be your Pilot, don't fear his Wakeing - I have Composed his Highness, I warrant you." George IV pours out the contents of a bottle labeled "opium" and on the ground next to the chair is a broken bottle also labeled "opium." and "Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., "Price one shilling coloured"--Lower right corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Imperfect; selected text erased from sheet, including publication date and some dialogue within speech bubble in upper right.
Publisher:
Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Spouses, Sedan chairs, Mistresses, Judges, Scepters, Wigs, Bottles, Opium, Cupids, Infants, and Bagpipes
A large cotton handkerchief printed with red ink (madder); the drop head title is printed on a ribbon suspended between two trumpets and is divided after the word 'valentine' by a portrait of Pope. The central cartouche shows three scenes of courtship and is encircled by a knotted ribbon, every other loop in a heart-shape, and contains the lines beginning: I liked you best for true love it is a precious pleasure of a value more than rich mens treasure ... The lines of a love song telling the story of the courtship and marriage of Johnny and Mary are printed in the ribbons flowing on either side of the title ribbon. Along the bottom are two more scenes -- one of the betrothal, the other the wedding -- with two love birds in a small cartouche dividing the two scenes
Alternative Title:
14th Febry, 14th February, and Fourteenth February
Description:
Title from item., 'N's printed backwards in title., Date of printing based on date embroidered on The Lewis Walpole Library copy., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Pope, Alexander, 1688-1744
Subject (Topic):
Influence (Literary, artistic, etc.), Couples, Courtship, Cupids, Marriage, and Valentines
"The Prince and Mrs. Fitzherbert, dancing to the fiddle of George Hanger (right), advance towards an open door (left) through which is seen a large bed, the curtains raised; above the pillows are a crown and triple plume. The feathers are repeated on a chamber-pot under the raised valance of the bed. They are more elaborately dressed than in BMSat 6924; their arms are round each other's waists, the Prince holds with his right hand the left hand of Mrs. Fitzherbert. She wears a small crown, with flowers and ribbons, and triple ostrich plume. George Hanger is dressed as in BMSat 6924; he stands in profile to the left, watching the couple fixedly; a bludgeon hangs from his wrist. An open music-book at his feet shows that he is playing the 'Black Joke'. On the floor (left) are an open book, 'Matrimony', and a torn paper, 'Cirtificate'. Over the door is a picture of Cupid with his bow turning away from Danaë receiving the shower of gold."--British Museum online catalogue
Alternative Title:
Wedding night, or, The fashionable frolic, Fashonable frolic, and Fashionable frolic
Description:
Title etched below image., In lower right corner: Price 2 sh. 6., Temporary local subject terms: Morganatic marriages -- Pictures amplify subject -- Emblem: Ostrich feathers for Prince of Wales -- Music books -- Song: 'The Black Joke' -- Furniture -- Colonel's uniform, Light Infantry -- Violin -- Danae -- Mythological characters -- Lighting: Chandelier -- Sticks: Bludgeon., and On verso in pencil: George T. Stubbs attrib. by J. Riely, 7-29-83.
Publisher:
Publish'd by J. Phillips, No. 164 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Hanger, George, 1751?-1824
Subject (Topic):
Beds, Chamber pots, Crowns, Cupids, Dancers, Military uniforms, British, and Musical instruments
Plate 27. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., Companion print to Hogarth's Before, published on the same date., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and engraving on laid paper ; plate mark 40.9 x 32.9 cm, on sheet 59 x 46 cm., and Plate 27 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Following the seduction, the young man pulls up his breeches while the young woman clings to his arm with an adoring, pleading look on her face. On the wall are two pictures one entitled "Before" and the other "After"; in the first Cupid is lighting a firework, in the second he is pointing to a spent firework. The dresser is turned over, the mirror and chamber pot broken; the curtain rod around the bed has been pulled down. The dog is curled asleep under the chair on which her corset sits. The woman's head is framed by the shell on the head
Description:
Title and state from Paulson., Companion print to Hogarth's Before, published on the same date., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
