Plate 26. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., "Price two shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and engraving on laid paper ; plate mark 42.5 x 32.6 cm, on sheet 59 x 46 cm., and Plate 26 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., "Price two Shillings & 6 pence."--Below design, on the right corner mostly burnished out., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Plate 26. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., "Price two shillings & 6 pence"--Below design, on the right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Companion print to Hogarth's After, published on the same date., "Price two Shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; plate mark 42.4 x 32.7 cm, on sheet 56 x 45 cm., and Leaf 26 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Companion print to Hogarth's After, published on the same date., "Price two Shillings & 6 pence"--Below design, on the right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Companion print to Hogarth's After, published on the same date., "Price two Shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 80 in volume 1. Sheet trimmed to: 395 x 309 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Cupid on a makeshift raft, using his bow as an oar and an arrow for a mast
Description:
Title devised by cataloger. and Artist and date from ink annotation in lower margin of Lewis Walpole Library impression: Done by Miss Fanny Corbaux 14 years of age.
A volume of drawings mostly by Vertue in various medium and some engravings, with the drawings mounted or laid in, including twenty-two portraits; eighteen other drawings of allegorical figures, scenes from mythology, and a scene from Richard Steele's Spectator (1711), in which Yarico is drawn as a Native American Indian maiden. Some of the drawings are copies of engravings including those by Pierre Berchet, Claude Lorrain, and other unidentified sources. A few portraits are unidentified but most have been annotated with the name of the subject, some with additional annotations in Horace Walpole's hand: Sr. R. Walpole from Wotton; W. Caxton, printer; Sr. Is. Watts; Coverd[?]; Henry Howard Earl of Surrey; Junus; Dr. Clarke; Dr. Swift; Milton; Joseph Bowles, with a note indicating that the sketch took 55 minutes; Scarpu(?); T. Hearne; Tho. Tristram, dated 20 April 1723; Mich. Bergers; Chr. Mazard(?); Dr. Tudway, with a portrait of the Earl of Oxenford on verso; unidentified portrait with a portrait of Vertue on the verso; unidentified scholar, dated July 1729 Cambridge. Also tipped in are: an engraved portrait of Darcy Wentworth by Willem de Passe; an engraved portrait of William Parsons by Simon Gribelin, after Pierre Berchet; an engraved portrait of Robert Dudley, Earl of Leicester, by Goltzius; Hatchard, a gentleman of Berkshire who "was so very fat that he could not get into a hackney coach", S.G. sculp. Also included is a drawing of a pearl said to have been "taken out of the ear of my grandfather after his head was cutt off and given to the princess Royal. This the attestation of Queen Mary .. now in the possession of the Duke of Portland ... trans. by G. June 1735", later used for his engraving 1749? Also included is a portrait sketch identified as "Grimaldi" on wove paper and laid in (at a later date?) a sketch of a man on a sleigh pulled by a horse, also on wove paper
Alternative Title:
Drawings by Vertue
Description:
In English, some Latin., Title from Hazen., Leaves 14, 15 lacking images?, Binding: red morocco, now rebacked., Note on first blank in Horace Walpole's hand: "This was Mr. Vertue's, & most of the Drawings are by Him." Followed by a note in another hand: "Knowley Inner Library B.e. S.4. No. 21.", On front pastedown: Horace Walpole's bookplate (BP1)., Also on front pastedown: Armorial bookplate of Lord Derby on front pastedown, with his shelf mark "3.B"., and Red morocco, now rebacked. Bookplate 1. Not in Manuscript Catalogue of 1763.
Subject (Name):
Burgers, Michael, -1726,, Bowles, Joseph, 1692 or 1693-1729,, Caxton, William, approximately 1422-1491 or 1492,, Clarke, Alured, 1696-1742,, Hearne, Thomas, 1678-1735,, Junius, Franciscus, 1589-1677,, Milton, John, 1608-1674,, Oxford, Edward De Vere, Earl of, 1550-1604,, Parsons, William, 1658-1725?,, Surrey, Henry Howard, Earl of, 1517?-1547,, Swift, Jonathan, 1667-1745,, Tristram, Thomas,, Tudway, Thomas, 1655 or 1656-1726,, Walpole, Robert, Earl of Orford, 1676-1745,, Watts, Isaac, 1674-1748,, and Wentworth, Darcy, 1592-1667,
Frontispiece to Joshua Kirby's 'Perspective of Architecture' (1761); landscape, with river, domed temple and city, in foreground the upper part of a column, its capital bearing emblems of the Prince of Wales, a cupid with a book inscribed " Palladio's Architect[ure]", a paper with geometrical figures struck by a ray from the rising sun
Alternative Title:
Frontispiece
Description:
Paulson's title: Frontispiece to Kirby's Perspective of architecture., State and publication information from Paulson., Original drawing in the British Museum., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above print: Original., Ms. note in pencil in Steevens's hand below print: Brook Taylor's Perspective. See Nichols's book, 3d edit. p. 371., and On page 185 in volume 2.
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title from Paulson, A copy after Hogarth of Paulson no. 26 from: Ireland, S. Graphic illustrations of Hogarth (London, 1794)., Cf. Paulson, R. Hogarth's graphic works, no. 26., and On page 4 in volume 1.
