In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Sheet trimmed within plate mark., Companion print to Hogarth's After, published on the same date., "Price two Shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 80 in volume 1. Sheet trimmed to: 395 x 309 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
Cupid on a makeshift raft, using his bow as an oar and an arrow for a mast
Description:
Title devised by cataloger. and Artist and date from ink annotation in lower margin of Lewis Walpole Library impression: Done by Miss Fanny Corbaux 14 years of age.
A volume of drawings mostly by Vertue in various medium and some engravings, with the drawings mounted or laid in, including twenty-two portraits; eighteen other drawings of allegorical figures, scenes from mythology, and a scene from Richard Steele's Spectator (1711), in which Yarico is drawn as a Native American Indian maiden. Some of the drawings are copies of engravings including those by Pierre Berchet, Claude Lorrain, and other unidentified sources. A few portraits are unidentified but most have been annotated with the name of the subject, some with additional annotations in Horace Walpole's hand: Sr. R. Walpole from Wotton; W. Caxton, printer; Sr. Is. Watts; Coverd[?]; Henry Howard Earl of Surrey; Junus; Dr. Clarke; Dr. Swift; Milton; Joseph Bowles, with a note indicating that the sketch took 55 minutes; Scarpu(?); T. Hearne; Tho. Tristram, dated 20 April 1723; Mich. Bergers; Chr. Mazard(?); Dr. Tudway, with a portrait of the Earl of Oxenford on verso; unidentified portrait with a portrait of Vertue on the verso; unidentified scholar, dated July 1729 Cambridge. Also tipped in are: an engraved portrait of Darcy Wentworth by Willem de Passe; an engraved portrait of William Parsons by Simon Gribelin, after Pierre Berchet; an engraved portrait of Robert Dudley, Earl of Leicester, by Goltzius; Hatchard, a gentleman of Berkshire who "was so very fat that he could not get into a hackney coach", S.G. sculp. Also included is a drawing of a pearl said to have been "taken out of the ear of my grandfather after his head was cutt off and given to the princess Royal. This the attestation of Queen Mary .. now in the possession of the Duke of Portland ... trans. by G. June 1735", later used for his engraving 1749? Also included is a portrait sketch identified as "Grimaldi" on wove paper and laid in (at a later date?) a sketch of a man on a sleigh pulled by a horse, also on wove paper
Alternative Title:
Drawings by Vertue
Description:
In English, some Latin., Title from Hazen., Leaves 14, 15 lacking images?, Binding: red morocco, now rebacked., Note on first blank in Horace Walpole's hand: "This was Mr. Vertue's, & most of the Drawings are by Him." Followed by a note in another hand: "Knowley Inner Library B.e. S.4. No. 21.", On front pastedown: Horace Walpole's bookplate (BP1)., Also on front pastedown: Armorial bookplate of Lord Derby on front pastedown, with his shelf mark "3.B"., and Red morocco, now rebacked. Bookplate 1. Not in Manuscript Catalogue of 1763.
Subject (Name):
Burgers, Michael, -1726,, Bowles, Joseph, 1692 or 1693-1729,, Caxton, William, approximately 1422-1491 or 1492,, Clarke, Alured, 1696-1742,, Hearne, Thomas, 1678-1735,, Junius, Franciscus, 1589-1677,, Milton, John, 1608-1674,, Oxford, Edward De Vere, Earl of, 1550-1604,, Parsons, William, 1658-1725?,, Surrey, Henry Howard, Earl of, 1517?-1547,, Swift, Jonathan, 1667-1745,, Tristram, Thomas,, Tudway, Thomas, 1655 or 1656-1726,, Walpole, Robert, Earl of Orford, 1676-1745,, Watts, Isaac, 1674-1748,, and Wentworth, Darcy, 1592-1667,
Frontispiece to Joshua Kirby's 'Perspective of Architecture' (1761); landscape, with river, domed temple and city, in foreground the upper part of a column, its capital bearing emblems of the Prince of Wales, a cupid with a book inscribed " Palladio's Architect[ure]", a paper with geometrical figures struck by a ray from the rising sun
Alternative Title:
Frontispiece
Description:
Paulson's title: Frontispiece to Kirby's Perspective of architecture., State and publication information from Paulson., Original drawing in the British Museum., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above print: Original., Ms. note in pencil in Steevens's hand below print: Brook Taylor's Perspective. See Nichols's book, 3d edit. p. 371., and On page 185 in volume 2.
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title from Paulson, A copy after Hogarth of Paulson no. 26 from: Ireland, S. Graphic illustrations of Hogarth (London, 1794)., Cf. Paulson, R. Hogarth's graphic works, no. 26., and On page 4 in volume 1.
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title from Paulson., An impression from an engraved plate., and On page 4 in volume 1.
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title from Paulson., An impression from an engraved plate., Top right corner inscribed: 4B., Ms. note in Steevens's hand below: Kendal Arms. Ms, notes in pencil above: Sold at Gulston's Auction for £10.10.0. Ms. note in Steevens's hand below: Copy., and On page 4 in volume 1.
Coat of arms of the admiral Lord Matthew Aylmer, with motto STEADY etched in reverse and four Cornish choughs, ducal coronet, two sailors on either side, one holding a lead line and the other a cross staff
Description:
Title from ms. note in Steevens's hand., Formerly attributed to Hogarth., Inscribed: 4D., Ms. note in Steevens's hand below: Lord Aylmer's Arms. Ms. note in pencil below: Sold at Gulston's Auction for £7.10.0., and On page 4 in volume 1.
A young woman, viewed in profile, sits on a stool reading a book as Cupid, with his bow in hand, reaches to touch her with his arrow turning to smile at the viewer as he does so. In front of the woman is a table with more books, paper, and a feather pen in an ink well as well as an oil lamp. To the left on the ground is a large urn
Description:
Title and publication date assigned by curator.
Publisher:
publisher not identified
Subject (Topic):
Books, Cupids, Lamps, Reading, Women, Vases, and Writing materials