A design resembling a high-relief depicts three amoretti attend the toilet of an old hag. The cestus of Venus is a huge pad which one of the attendants ties round the old woman's waist as another attendant holds up a mirror. A third cupid ties the girdle as the arrows fall from the quiver on his back. Behind him, the altar of Venus has tipped over, the fire still burning. A copy of Ovid's Art of love protrudes from the old woman's pocket
Alternative Title:
Vestal of 1793 trying on the cestus of Venus
Description:
Title etched below image., Subtitle transposed from below lines of verse., Early state, with printmaker's name present., Three lines of quoted verse below title: "Upon her fragrant breast the zone was brac'd ..., A satire on the 'pads' which became fashionable in 1793., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 29th, 1793, by H. Humphrey, No. 18 Old Bond Street
A design resembling a high-relief depicts three amoretti attending the toilet of an old hag. The cestus of Venus is a huge pad which one of the attendants ties round the old woman's waist as another attendant holds up a mirror. A third cupid ties the girdle as the arrows fall from the quiver on his back. Behind him, the altar of Venus has tipped over, the fire still burning. A copy of Ovid's Art of love protrudes from the old woman's pocket
Alternative Title:
Vestal of 1793 trying on the cestus of Venus
Description:
Title from text below image., Sheet trimmed within plate mark., Three lines of verse below title: Upon her fragrant breast the zone was brac'd ..., Subtitle transposed from below lines of verse., and Later state, with corrections to plate. Cf. No. 8389 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. April 29th 1793 by H. Humphrey, No. 18 Old Bond Street
A design resembling a high-relief depicts three amoretti attending the toilet of an old hag. The cestus of Venus is a huge pad which one of the attendants ties round the old woman's waist as another attendant holds up a mirror. A third cupid ties the girdle as the arrows fall from the quiver on his back. Behind him, the altar of Venus has tipped over, the fire still burning. A copy of Ovid's Art of love protrudes from the old woman's pocket
Alternative Title:
Vestal of 1793 trying on the cestus of Venus
Description:
Title from text below image., Sheet trimmed within plate mark., Three lines of verse below title: Upon her fragrant breast the zone was brac'd ..., Subtitle transposed from below lines of verse., Later state, with corrections to plate. Cf. No. 8389 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., 1 print : etching with stipple engraving and aquatint ; sheet 31 x 37.5 cm (trimmed to plate mark)., and Printed on wove paper, hand-colored. With pencil annotation above title identifying the figure as "Lady Cecilia Johnston".
Publisher:
Pubd. April 29th 1793 by H. Humphrey, No. 18 Old Bond Street
publish'd according to act of Parliament June 15, 1775.
Call Number:
775.06.15.01 Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
A couple stand side by side before a rectangular tomb. The male figure is a skeleton wearing a feathered hat, a coat, and a sword; the lady wears a cloak. The tomb is decorated with the skull and crossbones and inscribed with the words "Requiescas in pace'. They stand on a road which leads to a Palladian portico, decorated with a baron's coronet. Above the couple a cupid hides his face in his hands as he turns away
Description:
Title etched above image., Attributed to Gillray in Catalogue of prints and drawings in the British Museum. Also attributed to "Miss Hartley, daughter of Dr. Hartley" by Horace Walpole in his Collection of prints engraved by various persons of quality., Inscribed below image in two rows, a quote from Lord Hervey's Reply to Hammond's Verses to Miss Dashwood: ... no smiles for us the God head wears! His torch inverted & his face in tears!, Sheet trimmed within plate mark., and 1 print : etching with stipple, on laid paper ; sheet 234 x 204 mm.
Leaf 56. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A lady (half length) in profile to the left with an enormous pyramid of hair in the fashion of the day. On the broad summit of the pyramid lies a miniature cupid fitting an arrow to his bow and about to aim in the direction in which the lady is looking. She wears the fashionable 'full-dress' of the period."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Two lines of verse below title: Fair tresses Man's imperial race ensnare, and beauty draws us with a single hair., and First of two plates on leaf 56.
A copy based on Hogarth's Satire on flase perspective: A view of a tower, staircase, bridge over a river
Alternative Title:
Satire on false perspective
Description:
Title etched below image., Printmaker and artist statemetns inscribed in reverse on print., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 239., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, page 333., and On page 168 in volume 2.
First in a series of prints published by Fores that parodies the infamous Mulready stationery released by the British Post Office in 1840. Each of the prints is numbered and centers on a different theme, e.g. Fores's military envelope, Fores's hunting envelope, Fores's comic envelopes, Fores's alderman envelopes, Fores's dancing envelope, etc
Description:
Title from text above image., "No. 1.", and Sheet trimmed to design.
Publisher:
Published by Messrs. Fores at their Sporting & fine print repository & frame manufactory, 41 Piccadilly, corner of Sackville Street
Subject (Name):
Mulready, William, 1786-1863.
Subject (Topic):
Couples, Courtship, Cupids, Love letters, and Postal stationery
Copy of the frontispiece to Joshua Kirby's 'Perspective of Architecture' (1761); landscape, with river, domed temple and city, in foreground the upper part of a column, its capital bearing emblems of the Prince of Wales, a cupid with a book, a paper with geometrical figures struck by a ray from the rising sun
Alternative Title:
Frontispiece to Kirby's Perspective of architecture
Description:
Paulson's title for the print on which this is based: Frontispiece to Kirby's Perspective of architecture, "Page 179"--Top right., Original drawing in the British Museum., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 235., and On page 185 in volume 2.
Surugue, Louis, approximately 1686 -1762, printmaker, publisher
Published / Created:
[1745]
Call Number:
Folio 75 H67 800 v.1 (Oversize)
Image Count:
1
Abstract:
Allegorical scene with Decrepitude as an old woman in extravagant costume putting another beauty spot on her face and looking at her reflection in a mirror on a washstand, while Madness personified by young woman with fool's bauble hanging from a sash is helping her getting dressed; above them, Cupid flying with arrow in his hand."--British Museum online catalogue
Description:
Title engraved below image., Sheet trimmed within plate mark., See no. 2211 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and On page 72 in volume 1.
Publisher:
Chez L. Surugue graveur du roy ruë des Noyers, attenant le Magazin de Papier vis-a-vis St. Yves, A.P.D.R.
Subject (Geographic):
France
Subject (Name):
Ward, John, 1678-1758
Subject (Topic):
Death and burial, Aging, Clothing & dress, Cupids, Cosmetics, Dressing tables, Mirrors, and Women domestics
