A satire set in an assembly room: Two well-dressed older men with caricatured faces, one with gloves and a large belly, bow to a old woman equally caricatured. The other members of the party are also caricatured in the background, some dancing. Musicians play in the balcony above on the right
Description:
Title etched below image., Probably a reissue; date following Rowlandson's signature has most likely been altered from "1802." See Grego., Text below title: Graces, the Graces, remember the Graces., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and 1 print : etching on wove paper, hand-colored ; plate mark 21.3 x 25.2 cm, on sheet 22.8 x 28.3 cm.
Publisher:
publisher not identified
Subject (Topic):
Balls (Parties), Couples, Dance, Manners & customs, and Musicians
In the upper left a group of three musicians play instruments as a black man in livery dances at the center of a well-dressed group revelers in a servants' hall decorated for the Christmas holidays. The masters of the house and their guests look on. The chandelier and long case clocks are decorated with holly and mistletoe hangs from the ceiling. One man kisses a large, buxom woman who recoils in surprise. Another couple flirt on the right at a table opposite a man who has passed out, playing cards strewn on the floor at his feet. The back wall is dominated by a large cupboard filled with dishes and platters
Description:
Title from caption below image., Sheet trimmed within plate mark., Companion print to: Blind man's buff., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by G. Tregear 136 Drury Lane
Subject (Topic):
Christmas decorations, Couples, Cupboards, Dance, Kissing, Longcase clocks, Musicians, Playing cards, Servants, and Servants' quarters
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons -- Costume: female child's costume -- Furniture -- Trades: dancing masters -- Expressions of speech: tol lol de rol., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed.
Publisher:
Publish'd by W. Fores, 1 April 1791, No. 3 Piccadilly
"Caricature on the trial of Queen Caroline: John Bull dances holding a card with the Queen of Hearts, while other hearts dance around his feet."--British Museum online catalogue
Alternative Title:
John Bull's trump
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Published August 1820 by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
John Bull (Symbolic character), Playing cards, Hearts (Symbols), and Dance
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos
"Two yokels stand outside a rustic inn, with a sign of fighting cocks; peasants are dancing. The verses relate comic incidents of low life in London: quarrelling, drinking, and fightng. They end: 'Then God bless our noble King George, May his reign be ever so long, And grant, as the Parliament's met, That nothing whatever goes wrong'."--British Museum online catalogue
Alternative Title:
Knibs' Pound
Description:
Title from broadside printed on the same sheet., From the Laurie & Whittle series of Drolls., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Broadside portion contains three columns of verse constituting the lyrics of a whimsical ballad., and Plate numbered '441' in upper left corner.
Publisher:
Publish'd Septr. 22, 1806, by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Country life, Dance, Peasants, Taverns (Inns), Whips, Carts & wagons, and Pipes (Smoking)
"Eight groups or couples display different dances, the names of which are in the lower margin. On the extreme left stands [1] a 'Dancing Master', thin, dandified, stooping, arms dropped, fiddle and bow in left hand, feet turned out. [2] 'Country Dance'. Three couples, 'hands across'. [3] 'Scots Reel' A man in Highland dress dances between two women in a six-hand reel. [4] 'Irish Jig'. Three bandy-legged peasants jig: man (holding up a 'Whiskey' bottle), woman, and small boy who drinks from a glass and holds a large shillelagh. [5] The centre-piece: 'La Minuet'. A very slim man in court-dress, with powdered queue, dances with a lady who holds up the train of a limp gown. Behind them is the musicians' gallery supported on two palm-tree pillars, round which serpents are twined from whose mouths gas-flames issue. A life-like 'Terpsichore' supports the drapery of the box, which is inscribed 'On the light fantastic toe'. The front of the box is decorated with fantastic dancing figures, including a Red Indian, a Harlequin, a Punch; some are in lines and dots (cf. No. 12955). The instruments are flutes, bagpipes, harp, violins, 'cello, oboe, French horn. On the right: [6] 'German Waltz', an ugly couple, her hands on his shoulders, his on her waist. [7] 'French Quadrille'. One man and three ladies face three men and one lady. [8] 'Spanish Boliero'. A couple dance, clicking castanets, the man wears slashed doublet with knee-breeches. [9] 'Ballet Italienne'. Two dancers, each poised on a toe, leg extended, holding between them a long garland of roses. Beside them dances a little Italian greyhound. The wall which forms a background is covered with pictures, flanking the gallery. 'Dancing Dogs': a man with a whip directs five dressed-up dogs on their hind-legs. 'Dancing Bear'. A man holds the muzzled bear on a chain; a dressed-up monkey capers on the bear's head; a boy plays pipe and tabor. 'Dancing Horse'. On the stage of an equestrian theatre a man in light horse uniform, a clown behind him, directs the movements of a horse. 'Rope Dancing'. A woman ascends a slanting tight-rope, while rockets explode around her. 'St Vitus's Dance'. A fat doctor, smelling his cane, holds the pulse of a capering and emaciated invalid. 'Dancing Mad'. Two men leap or prance frantically in rage or despair, while a third capers at the end of a rope by which he hangs from a gibbet."--British Museum online catalogue
Alternative Title:
Sketches of characteristic dancing
Description:
Title from caption below image. and Watermark: John Hall 1814.
Publisher:
Pubd. August 31st, 1817, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Balls (Parties), Couples, Dance, Musical instruments, Orchestras, and Trained animals
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Text above image: Quadrille. Evening fashions. Dedicated to the heads of the nation., Two lines of verse on both sides of title: "Nature, I thought, perform'd too mean a parte, Forming her movements to the rules of art, And Vex'd I found the dandy barbers hand, Had o'er the dancers heads too great command. Prior"., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Beards, Couples, Dandies, and Dance
Title from item., First part of title etched above image, the second half below., Date transcribed from card catalog., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on 29 x 38 cm.
Publisher:
Depose a la Bibliot. Nat. Rue Montmartre No. 132 et a Londres chez H. Humphrey St. James Street No. 27
"Copy of a French print. Two fantastically dressed couples dance, but in different manners. One pair (left) dance side by side, the man's right arm on his partner's waist, her left arm on his shoulder. The other couple face each other, the lady leaning outwards, hands on her partner's shoulders, while his left hand touches the back of her shoulder."--British Museum online catalogue
Alternative Title:
Bon genre, 1810
Description:
Title from text above and below image., Printmaker from British Museum catalogue., and Matted to 47 x 62 cm.
Publisher:
Dépose à la Bibliot. Nat., Rue Montmartre, No. 132, et à Londres, chéz H. Humphrey, St. James Street, No. 27
