"One of a set (coloured) by Williams, all with the same imprint (British Museum Satires Nos. 12933-6). An adaptation of British Museum Satires No. 12925. The stout man dancing between two ladies is in military uniform with a large sabre. The room is altered by the addition of a side wall (left) to which the fireplace is transferred. In its place is the square piano under a large mirror. All the figures are altered; a lady in an arm-chair with a man leaning over her has been added. Elaborate gas or oil lighting replaces candles: a hanging chandelier with a circle of globes with chimneys, with similar lamps in brackets on a glass over the chimney-piece, which is surmounted by a standing lamp. There are three whole length portraits of dancers striking attitudes, two being 'Mde H[i]llisburgh' and 'Monr Vestris'."--British Museum online catalogue
Alternative Title:
Quadrille dancing pour la pratique
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on top edge., "No. 3"--Upper left corner., and Watermark: John Hall.
Publisher:
Pubd. May 1817 by S.W. Fores
Subject (Topic):
Dance, Chandeliers, Gaslight fixtures, and Military uniforms
"A country dance; eighteen couples in a strip design in the manner of the 'Long Minuet' (No. 7229), dance with awkward vigour; one of the most active ladies has a wooden leg. The first couple (left) face each other, the lady squinting violently. On the right a man turns eagerly from his elderly and offended partner to a young lady, whose partner also holds the hand of another lady, while an elderly man stands alone on the extreme right, holding his wig, and mopping his bald head. The elder men wear powdered hair with small pigtails, the younger ones have frizzed hair without powder, short or with small tails. Only one or two wear wigs. The women wear simple high-waisted gowns with elbow sleeves and long gloves; one wears a hat and long sleeves. All wear flat-heeled shoes, and have frizzed hair, short, or piled on the head; a few wear feathered bandeaux; one lady only has powdered hair. Some have strange hair ornaments: a fat and very decolletee lady with a lap-dog under her arm wears round her erect bush of hair a circlet from which project barbed zigzags, like lightning flashes. A youngish lady has on her head a bird with a barbed fang; an older one in spectacles wears a small windmill behind two drooping aigrettes. The neglected lady wears a tiny wheat-sheaf, her pretty rival a ship in full sail. Below the title: 'What an elegant Set-What a bustling of Rumps! What a Sweet Toe to Toe-ing of Slipers and Pumps! At the sight my Old Drumsticks are ready to Prance There is nothing I love so as seeing Folks Dance.'':--British Museum online catalogue
Description:
Title from caption etched below image on third sheet., Artist's signature from impression in the British Museum., Four lines of verse below title: What an elegant set, what a bustling of rumps! What a sweet toe to toe-ing of slipers [sic] and pumps! ..., One continuous design on five plates., Description based on imperfect impression; sheets trimmed within plate mark and artist's signature erased from lower left corner of first sheet., and BAC: British Art Center copy is the Abbey copy. Untrimmed. Artist's signature visible on lower left corner of first sheet. Hand-colored.
Publisher:
Published Aug. 15, 1811, by Robinson, 5 Margaret Street, Cavindish Square & Calnaghi, Cockspur Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Caricatures and cartoons, Social aspects, English wit and humor, Pictorial, Social life and customs, and Dance
Volume 1, opposite page [161] Page 55. New London spy, or, A twenty-four hours ramble through the
Image Count:
1
Resource Type:
still image
Abstract:
"May-Day; a busy urban street festival; milkmaids with their 'garlands' - headresses of plate, greenery and brushes; chimney sweepers, a violinist with an artificial leg, and others."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching and engraving on laid paper ; sheet 17 x 21.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., Mounted to 32 x 26 cm., and Mounted on page 57 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Publish'd as the act directs by Harrison & Co.
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, May Day, Festivals, Milkwomen, Headdresses, Chimney sweeps, Street musicians, Violins, Peg legs, Dance, and Eating & drinking
Volume 1, opposite page [161] Page 55. New London spy, or, A twenty-four hours ramble through the
Image Count:
1
Resource Type:
still image
Abstract:
"May-Day; a busy urban street festival; milkmaids with their 'garlands' - headresses of plate, greenery and brushes; chimney sweepers, a violinist with an artificial leg, and others."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Publish'd as the act directs by Harrison & Co.
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, May Day, Festivals, Milkwomen, Headdresses, Chimney sweeps, Street musicians, Violins, Peg legs, Dance, and Eating & drinking
From a sign on the back wall, a scene in the 'Grand Imperial Lodge of Odd Fellows" in which Burke, Norfolk, Sheridan, and Fox smoke and dance amongst the other club members some of whom wear swords. One man plays the fiddle. A chandelier hangs from the ceiling. In the corner is a dais under a canopy. A dog sits on his hind legs in the foreground
Description:
Title engraved below image., Sheet trimmed within plate mark., Frontispiece to: Attic miscellany, v. 1., and Mounted to 28 x 35 cm.
Publisher:
Publish'd as the act directs by Bentley and Co.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Norfolk, Charles Howard, Duke of, 1746-1815, and Sheridan, Richard Brinsley, 1751-1816
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on costume, showing the unsuitability of modern dress to the minuet. A grotesque man bends towards his partner, taking her left hand in his right. The other guests stand or sit. He has a large moustache, a shock of hair, high shirt-collar, short-waisted coat with long tails, and loose striped trousers, tied in above the ankle. His partner has short skirt hanging from just below the breast which she holds up by the hem; towering feathers rise from a wreath of flowers on her head. A man in back view (right) wears tight pantaloons tied below the calf, others wear loose trousers. There is a hanging chandelier with candles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Questionable attribution to William Heath from description of earlier state in the British Museum catalogue., Later state; former plate number "391" has been replaced with a new plate number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pub. June 6th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12938 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "193" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 25 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 47 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on costume, showing the unsuitability of modern dress to the minuet. A grotesque man bends towards his partner, taking her left hand in his right. The other guests stand or sit. He has a large moustache, a shock of hair, high shirt-collar, short-waisted coat with long tails, and loose striped trousers, tied in above the ankle. His partner has short skirt hanging from just below the breast which she holds up by the hem; towering feathers rise from a wreath of flowers on her head. A man in back view (right) wears tight pantaloons tied below the calf, others wear loose trousers. There is a hanging chandelier with candles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Questionable attribution to William Heath from description of earlier state in the British Museum catalogue., Later state; former plate number "391" has been replaced with a new plate number, and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pub. June 6th, 1817, by T. Tegg, 111 Cheapside, London. Cf. No. 12938 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "193" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark on bottom edge.
A young gentleman and lady dance in the center of a large hall in a grand country home surrounded by other young would-be dancers. The older guests sit in chairs and look on. They dance to music provided by a harpist
Description:
Title etched below image., Added in manuscript in lower right corner below design: B.C. 1790 delt., Sheet trimmed within plate mark., One line of quoted verse below title: "There did the harp the melting music of Erin shed its mellifluent notes.", Mounted on verso of: Plan of the citadel and forts of Antwerp and Dutch works. 1832. Lithographed by J. Netherclift, 54 Leic[este]r Sq. 3rd ed. With the French batteries., and Mounted to 25 x 33 cm.
Opposite page 11. Bibliographical and literary anecdotes by William Bowyer, printer, F. S. A., and
Image Count:
1
Resource Type:
still image
Abstract:
"Medley print with a portrait of and verses by Alexander Pope. In the centre, a portrait of Pope in informal dress, presented as if lying above other prints, anti-clockwise from right: a coin of Quenn Anne; an extract from "The Rape of the Lock" with an illustration of "The Fop"; an extract from "Windsor Forest" with a view of formal gardens; decorative scroll work, lettered, "[G A] Delin. Sculp. 1731"; two columns of verse headed "An Encomium on Mr Pope and his Poems by his Grace ye late Duke of Buckingham"; country people dancing around a may-pole. Beneath lie a sheet of music, a sheet printed in gothic letter; two sheets of engraved lettering only partly visible."--British Museum online catalogue
Alternative Title:
Encomium on Mr. Pope and his poems / by his Grace [the] late Duke of Buckingham
Description:
Title from engraved text beneath portrait at center of design., Later state of a print published in 1731 by Henry Overton. Cf. No. 1880 in the Catalogue of prints and drawings in the British Museum, v. 2., "Sayer acquired the stock of Henry Overton II c.1764. This print must have been published after 1766 when Sayer's address changed to No.53 Fleet Street, but before 1774 when he went into partnership with John Bennett."--Curator's comments, British Museum online catalogue, registration no.: 2000,0930.45., Mounted to 29 x 22 cm., and Bound in opposite page 11 in an extra-illustrated copy of: Nichols, J. Bibliographical and literary anecdotes by William Bowyer ...
Publisher:
Printed for Robt. Sayer, at No. 53 in Fleet Street
Subject (Geographic):
England.
Subject (Name):
Pope, Alexander, 1688-1744,, Anne, Queen of Great Britain, 1665-1714,, and Pope, Alexander, 1688-1744.
Subject (Topic):
Authors, British, Poets, Coins, Gardens, May poles, and Dance
