publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Sotheby 81+ Box 205
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson. and Title engraved above image: Tail piece. The Bathos.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., Ms. note in pencil in Steevens's hand to right of print: See Mr. Nicholls's Book, 3d edit. p. 402., and On page 199 in volume 2. Sheet trimmed to: 31.6 x 33.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Kinnaird 85K(a) Box 225
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching and engraving, on laid paper ; plate mark 320 x 338 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
Hutin, François, approximately 1685-1758, printmaker
Published / Created:
[not after 1758]
Call Number:
Print01242
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Date derived from printmaker's date of death., Place of publication derived from printmaker's principal place of residence, although he lived in Rome after 1737., From: The Seven Works of Mercy., See Baudicour, P. Le peintre-graveur français continué, 7., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Inscription has been modified. C replaces F. #7 does not appear.
Publisher:
publisher not identified
Subject (Topic):
Burial, Corporal works of mercy, Death, Grief, Dead persons, Death & burial, Torches, and Tombs & sepulchral monuments
Title etched below image., Illustration for Milton's Paradise lost., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, p. 82.
Title etched below image., Illustration for Milton's Paradise lost., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, p. 179.
Title supplied by curator., Date derived from publisher's date of death., Place of publication derived from publisher's nationality., Trimmed within plate mark., From: La Parabole du mauvais riche et de Lazare., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
[le Blond rubbed out] excud avec Privilege du Roy
Subject (Topic):
Death, Mortality, Heaven, Deathbeds, Angels, Bedrooms, Crutches, Families, and Poverty
Title supplied by curator., Date derived from publisher's date of death., Place of publication derived from publisher's nationality., Trimmed sheet., From: La Parabole du mauvais Riche et de Lazare., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
le Blond excud avec Privilege
Subject (Topic):
Death, Mortality, Regret, Deathbeds, Priests, Bedrooms, Demons, Wealth, and Crying
Cave, François Morellon La, active approximately 1700-1766, printmaker
Published / Created:
[1739]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
Children in front of a foundling hospital engaged in various industrious activities; on the right a weeping woman kneels, holding a handkerchief to her eyes, her child having fallen into the river behind her. A man turns to look at her; he holds a folio with the words "The Royal Charter" etched at the top. In the distance, a view of the coast and ships at sea
Alternative Title:
To all to whom these presents shall come
Description:
Title, state, and date from Paulson., Added title from caption below image., Signed: By order of the said governors & guardians., Sheet trimmed on right and left edges., Ms. note in Steevens's hand in pencil above print: Power of Attorney. See Mr. Nichols's book, 3d edit. p. 253., and On page 101 in volume 2.
Wash drawing showing "The Little Gray Man" on his gibbet-wheel as a monkey seated on the chest of a corpse with the dying lovers, Leopold and Mary-Ann, below. Written on the verso, in ink, three verses from Matthew Gregory Lewis's "Tales of wonder, The little gray man" published in 1801
Description:
Title devised by cataloger., Inscribed by the artist with the date and his initials in lower left corner., In an unidentified hand on verso: "Drawn by Bertie Greatheed w[hen] twenty years old for E[arl] N[...]"., and Trimmed on left and lower edges with loss of text on verso. Remnants of old album mounts on verso.