A satire on the debts of the Prince of Wales. A handsome young man in a riding costume (a star on his coat suggesting he is the Prince of Wales) sits in a relaxed manner at a table set with a coffee service. Opposite him are two elderly money-lenders, one of whom is wearing spectacles and is drawn with the stereotype profile and beard of a Jew sits reading a long parchment with seal. His partner looks on with a grin of satisfaction
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., and Mounted to 31 x 45 cm.
Publisher:
Pubd. Novemr. 8th, 1784, by W. Humphrey, No. 227 Strand
Leaf 25. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the debts of the Prince of Wales. A handsome young man in a riding costume (a star on his coat suggesting he is the Prince of Wales) sits in a relaxed manner at a table set with a coffee service. Opposite him are two elderly money-lenders, one of whom is wearing spectacles and is drawn with the stereotype profile and beard of a Jew sits reading a long parchment with seal. His partner looks on with a grin of satisfaction
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6717 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 148-9., and On leaf 25 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Novemr. 8th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Hayne sits, pen in hand, at a table, nervously facing a burly ruffian holding a large key who proffers a paper headed 'items'. Other debtors site by the fire or gaze from the padlocked window of the sponging-house. There are pictures of the two chief debtors' prisons, 'Bench' and 'Fleet', and a framed table of 'House Fees. Fire 0 2.6. Candles 0.2.6. Bed 0.10.6. Warming do. 0.1.0. Breakfast 0.7.6. Eggs 0.2.0. Total £1.7.0. See British Museum catalogue
Description:
Title from caption below image., Date in imprint burnished out. Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Date of publication erased from sheet.
A gentleman, shown threee-quarters length, stands in a disconsolate manner looking left and pressing a walking stick to his chin; he stands before a table on which are a plate of radishes, a piece of bread, and a beer pot on which is engraved the owner's address "Mills Fleet Markt". The suggestion is that the man is in the Fleet Prison for debt. "The Middlesex Journal", a newspaper which supported the popular side at this period, is on the table; on the wall are a portrait of John Wilkes and "The Middlesex Petition".
Alternative Title:
Out of place and unpensioned
Description:
Title etched below image. and Watermark in center of sheet: Fleur-de-lys, bend, with initials "GR".
Publisher:
Published as the act directs, Novr. 9th, 1769, by Jno. Smith, No. 35 in Cheapside & Robt. Sayer, No. 53 in Fleet Street, London
Subject (Geographic):
England and London.
Subject (Name):
Wilkes, John, 1725-1797,
Subject (Topic):
Debt, Drinking vessels, Pipes (Smoking), Prisons, Staffs (Sticks), and Wigs
Three London scenes: a man being cajoled by two prostitutes, a young man being accosted by two debt-collectors, and a physician attending a patient. In the left scene, the man stands outside a tavern with its fascia lettered "Cordials & compounds" and "Hodg[son's] best", i.e. ale brewed by George Hodgson (and subsequently Mark and Frederick Hodgson) at the Bow Brewery in London: the brewery was rebuilt and enlarged in 1821. The prostitute on the left holds his wallet concealed in her muff while the one on the right tries to steal his fobwatch. A burning gas light on the left indicates night. In the right scene, the moribund patient wearing a nightgown and nightcap sits in an armchair on casters next to the bed, while the physician (a thin elderly bald man in a black suit) looks at him intently from the next chair, and an old nurse stands nearby; medicine bottles on the mantlepiece behind
Alternative Title:
Love, law, & physic and Love, law, and physic
Description:
Title from text above and below image., Second part of title adapted from the farce by James Kenney, Love, law and physic, first performed in London in 1812., "A second state of British Museum Satires No. 14312, above the design as an additional title: SYMPTOMS OF LIFE IN LONDON--OR [cf. No. 14320]."--British Museum online catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Apothecary Shops -- Exterior.
Publisher:
Pubd. Augt. 28th, 1821, by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
London (England), England, and London.
Subject (Topic):
Prostitutes, Prostitutes' customers, Prostitution, Taverns (Inns), Gas street lamps, Debt, Debtor and creditor, Collecting of accounts, Physicians, Physician and patient, Patients, Nurses, Muffs, and Drugstores
Copy in reverse of the first state of Plate 1 of Hogarth's 'The Rake's Progress' (Paulson 132): the Jacobean interior of the house of Tom Rakewell's late father with Tom at left being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden) to the wall reveals a hiding place for coins which tumble out.--British Museum online catalogue
Alternative Title:
Rake's progress. Plate 1 and E'er in the grave the miser's corps is cold ...
Description:
Title from text engraved above image., A reissue, with a new publication line and with ornamental borders added, of the first of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on the right. A small hole below last line in the first column of the verses below the image.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Topic):
Cats, Debt, Interiors, Lawyers, Memorial rites & ceremonies, Miserliness, Mothers, Pregnant women, Rake's progress, Robberies, Servants, and Tailors
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
Jany. 1832.
Call Number:
832.01.00.02
Image Count:
1
Resource Type:
still image
Abstract:
A man hunched over a fire in an empty room as eight tradespeople -- a chandler, a baker, a butcher, a dairy woman, a tailor, and a dustman -- fight to present their unpaid bills, long scrolls of paper that they show to the bankrupt man. He responds: ‘God bless me Wot a Posse of ye - I’m very Sorry to inform ye my good Folks that I’ve just been turn’d a Bankrupt’.
Description:
Title etched below image., Publisher's advertisement on either side of title: The following laughable plates 1/- each colour'd, Tregear’s Flights of Humour 14 plates, Tenant at Will, Leaseholder, Living Cheap, Chip of the Old Block, Humourous Scraps, Matrimony, Burstyersides., Not in the Catalogue of prints and drawings in the British Museum., and Remnants of formerly mounted printed matter on verso.
Publisher:
Pub. by Tregear, Cheapside, London
Subject (Topic):
Debt, Garbage collecting, Interiors, Fireplaces, and People associated with manual labor
"Mrs. Clarke (right) sits triumphantly astride the upper end of a see-saw which is supported on an upholstered stool. The Duke of York (left), dropping his sword, falls headlong from the other end which rests on the ground. She waves her arms, pointing a derisive finger at the Duke, and sings: "Here I go up up up and there you go Down Down Downy, The game it is pretty well up, and so you must fall to the Grouny!" The Duke sings: "What a way for to serve your own Sweety, how could you vex your own Deary, If you had not thrown me quite down, you'd have had your 4 hundred a Yeary." On the ground are the Duke's cocked hat (left) and (right) a mitre, with a book, 'Ovid art of Love', and crosier (see British Museum satires no. 11227), with writing materials and papers: a bundle of 'Love Letters' (see British Museum satires no. 11228, &c.) tied like legal documents, against which is a door-plate inscribed 'for further particulars inquire within', a bundle docketed 'Account of Debts Gloucester' [Place, see British Museum satires no. 11222, &c], a paper headed 'To Col Wardle'. There is a landscape background irradiated by a setting sun."--British Museum online catalogue
Alternative Title:
Game of seesaw, or, Amusement for John Bull and Amusement for John Bull
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Wardle, Gwyllym Lloyd, 1762?-1833.
Subject (Topic):
John Bull (Symbolic character), Debt, Seesaws, Sunrises & sunsets, and Mistresses
Plate 14. Queen Charlotte's collection of Hogarth works. Leaf 14. Album of William Hogarth prints.
Image Count:
1
Abstract:
"A room in the Fleet Prison (after the painting at Sir John Soane's Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth's father); in the background an alchemist works at a forge."--British Museum online catalogue
Alternative Title:
Happy the man whose constant thought (tho' in the school of hardship taught,) can send remembrance back to fetch and A rake's progress
Description:
State 4 with added crosshatching: the wings on top of the bedstead, Sarah's dress, the ribbon on the cap of the woman slapping Sarah's hand, Rakewell's right shoe and sleeve, his old wife's shoulder, the lower part of the warder's coat, the bundle in the lower right corner, and the whole of the floor ... See Paulson for fuller description., Title, state, and imprint from Paulson., Added title from first lines of verses below image., "Plate 7"--Bottom left., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 35.1 x 40.7 cm, on sheet 46 x 59 cm., and Plate 14 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Debt, Jails, Poverty, Rake's progress, and Unmarried mothers
