William Petty, Lord Shelburne, invites two gentlemen into a room to see "A pantomimical performance now exhibiting in the cabinet at St. Ja--ss [i.e., St. James's]." On a platform in front of them, Punch with the face of the Duke of Portland performs moves controlled by Lord North and Charles Fox who, from behind a screen in the back, pull strings attached to Punch's toes. A devil points at Portland while a demonic looking cherub with horns playing a trumpet. On the ledge above the entrance is a bust of George III who looks complacently at an image nailed to the wall in which Lord North is dancing with a fox and an Harlequin
Description:
Title from item., Sheet trimmed to plate mark., and Mounted to 28 x 37 cm.
Publisher:
Pub. by Mrs. D Archery, May 20, 1783, St. James Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Politics and government, Puppet shows, Demons, and Clothing & dress
"Irradiated banners carried by four cherubic little boys, followed by a youth blowing a newsboy's horn, are watched by four men who register despair. They are clustered round a decayed post topped by a crown, and are 'Dr. Slop' (Stoddart) and 'Treasury scribes'. A demon (left) beckons them from a cloud. The banners are 'Times' (the largest), 'Examiner', 'Traveller' (an evening paper), and 'News' (like the 'Examiner', a Sunday paper). P. 17: Q, for the qualms that arose when they heard, Hard blows in the contest, they challenged were feared. ..."--British Museum online catalogue
Alternative Title:
Q, for the qualms that arose when they heard hard blows in the contest, they challenged were feared ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 11 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Stoddart, John, 1773-1856, and Rosco.
Subject (Topic):
Banners, Despair, Boys, Newspaper carriers, Bullhorns, Crowns, and Demons
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 191 in volume 2.
Publisher:
Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
Reduced copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar without "Whitfield" etched on it echoes the preacher
Description:
Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
Title from item., Date derived from publisher's active dates., Place of publication from item., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
W. Spooner 259 Regent Street
Subject (Topic):
Depression, Mental, Hallucinations and illusions, Mentally ill persons, Fireplaces, and Demons
"The interior of a latrine; a procession, headed by Talleyrand holding up a crozier, advances towards the seat; through the circular aperture looks out the head of a demon, saying, "Ca Ira! Ca Ira!" Talleyrand, as Bishop of Autun, wears mitre, lawn sleeves, long robes; he puts one knee on the seat, showing that his leg above the knee is bare, revealing him a sans-culotte; to his crozier are suspended his blazing breeches. He is followed by a French fish-wife, walking in profile to the right, and carrying a flaming torch inscribed 'Inflammatory Epis[tle]'; in her right hand is a document inscribed 'Instructions from the National Assembly to their Diplomatique'. Two fish hang from her waist. Behind and on the extreme left walk three small and ruffianly Frenchmen with tricolour caps carrying a lighted brazier, a red-hot poker, &c. On the wall (right), partly obscured by the smoke from the breeches and in danger of destruction, is a picture of 'The House of Commons'. ..."--British Museum online catalogue
Alternative Title:
Bishop of Autun's breeches and Flaming eveque purifying the house of office
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched below title: To the patriots of France & England, this representation of the burning zeal of the holy "Attachè a la Mission," and his colleague "L'Envoié des Poissardes," is most respectfully dedicated., Sheet trimmed to plate mark., Temporary local subject terms: House of Commons: incident of burning breeches found in a closet of the House, May 9, 1792 -- Pictures amplifying subject: House of Commons -- Interiors: latrine -- French peasants -- Clergy: bishops -- Trades: fish wives -- Furnishings: brazier -- Pokers -- Lighting: torches -- Croziers -- Chauvelin as a fish wife -- Talleyrand as bishop -- Expressions of speech: c̦a ira -- Prejudice against France -- Sans-cullotes., 1 print : etching ; plate mark 24.7 x 34.8 cm., on sheet 26 x 36 cm., and On laid paper, hand-colored.
Publisher:
Pub. May 14th, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Chauvelin, Bernard-François, marquis de, 1766-1832 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
"The interior of a latrine; a procession, headed by Talleyrand holding up a crozier, advances towards the seat; through the circular aperture looks out the head of a demon, saying, "Ca Ira! Ca Ira!" Talleyrand, as Bishop of Autun, wears mitre, lawn sleeves, long robes; he puts one knee on the seat, showing that his leg above the knee is bare, revealing him a sans-culotte; to his crozier are suspended his blazing breeches. He is followed by a French fish-wife, walking in profile to the right, and carrying a flaming torch inscribed 'Inflammatory Epis[tle]'; in her right hand is a document inscribed 'Instructions from the National Assembly to their Diplomatique'. Two fish hang from her waist. Behind and on the extreme left walk three small and ruffianly Frenchmen with tricolour caps carrying a lighted brazier, a red-hot poker, &c. On the wall (right), partly obscured by the smoke from the breeches and in danger of destruction, is a picture of 'The House of Commons'. ..."--British Museum online catalogue
Alternative Title:
Bishop of Autun's breeches and Flaming eveque purifying the house of office
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched below title: To the patriots of France & England, this representation of the burning zeal of the holy "Attachè a la Mission," and his colleague "L'Envoié des Poissardes," is most respectfully dedicated., Sheet trimmed to plate mark., Temporary local subject terms: House of Commons: incident of burning breeches found in a closet of the House, May 9, 1792 -- Pictures amplifying subject: House of Commons -- Interiors: latrine -- French peasants -- Clergy: bishops -- Trades: fish wives -- Furnishings: brazier -- Pokers -- Lighting: torches -- Croziers -- Chauvelin as a fish wife -- Talleyrand as bishop -- Expressions of speech: c̦a ira -- Prejudice against France -- Sans-cullotes., and Mounted to 28 x 37 cm.
Publisher:
Pub. May 14th, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Chauvelin, Bernard-François, marquis de, 1766-1832 and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
City cuckolds and court horned beasts comparing each others beauty
Description:
Title etched below image., Attributed to Jefferyes Hamett O'Neale on stylistic grounds in the British Museum catalogue., Place and date of publication from the British Museum catalogue., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), p. 276., Temporary local subject terms: Female dress: petticoat hoop -- Male dress: jack-boot -- Allusion to Augusta, Princess of Wales -- Allusion to the Earl of Bute -- Cuckolds -- Frederick St. John, 2nd Viscount Bolingbroke., and Mounted to 31 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Holland, Henry Fox, Baron, 1705-1774, and Eyre, James, Sir, 1734-1799
"A (tricolour) top with the head of Napoleon spins, above the ground, savagely lashed by representatives of the Allies. His arms and his legs have already been severed from his body, now represented only by the madly spinning top. The most violently active is Blücher (left) stripped to the shirt, his coat and hat thrown on a drum on the extreme left, beside which lie his gloves and baton. Facing them is Wellington (right) equally effective, stern, but less savage. Full-face, and immediately behind the top is the Tsar, left hand on hip; his whip is inscribed 'Knout'. Between him and Wellington is Schwarzenberg (or Francis I). Bernadotte stands rather behind, between Blücher and Alexander, both hands on his hips; he holds a whip but is an amused spectator. Behind (right) the future King of Holland, crowned and wearing a star, but dressed in the breeches and jacket of the Dutchman in English caricature, sits under a tree on a cask of 'Hollands'. He watches delightedly, holding up one of Napoleon's legs inscribed 'United Netherlands'. The other leg, the thigh inscribed 'Swisslad, the boot Italy, lies near Blücher. At Wellington's feet is the right arm inscribed Spain & Portugal'; the left arm, inscribed 'Germany', is near Schwarzenberg. Napoleon's orb and (broken) sceptre lie near him, with some of the feathers from the large hat which is still on his head; his horrified and shrieking profile faces Blücher. In the background (left) is a road along which a carriage drives off, drawn by four galloping horses. It contains tiny figures: Marie Louise, crowned and looking behind her, and the little King of Rome also crowned and waving a sceptre. Two soldiers are on the box, two others sit behind. In the air behind Bernadotte a demon flies off to the left, with Joseph Bonaparte clutching his barbed tail. The latter, his crown flying off, looks back horrified, exclaiming "O! My poor Brother Nap oh oh! O!"."--British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., and On verso, light impression of offsetting from another print.
Publisher:
Pubd. April 11th, 1814, by H. Humphrey, St. James's Strt
Subject (Geographic):
Great Britain.
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825, Napoleon I, Emperor of the French, 1769-1821, Charles XIV John, King of Sweden and Norway, 1763-1844, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Schwarzenberg, Karl Philipp, Fürst zu, 1771-1820, Blücher, Gebhard Leberecht von, 1742-1819, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Joseph Bonaparte, King of Spain, 1768-1844, Joachim Murat, King of Naples, 1767-1815, and William I, King of the Netherlands, 1772-1843
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Carriages & coaches, Crowns, Demons, Emperors, Kings, Military uniforms, Tops (Toys), Victories, War allies, and Whipping
[approximately 20 April 1784] and [approximately 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 48. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A parody of The Nightmare by Henry Fuseli in which Fox lies prone on a bed with a demon on his chest. Behind them a horse with bulging eyes pokes his head through the bedcurtains. On a table in the foreground are a pair of dice and dice-box
Alternative Title:
Covent Garden nightmare
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike; design has been altered with the addition of a covering over Fox's naked legs, and the erroneous signature "Gillray" has been added in lower left. For original issue of the plate, see no. 6543 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate originally published ca. 20 April 1784; see British Museum catalogue., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 129., Temporary local subject terms: Prudery., and On leaf 48 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
Fuseli, Henry, 1741-1825., Fox, Charles James, 1749-1806, Great Britain. Parliament, 1783-1784., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Beds, Sleeping, Nightmares, Draperies, Demons, and Horses
