A fat lawyer clutching a purse is sped toward the flames of hell on a skeletal horse ridden by Death who is depicted as a skeleton carrying a scythe. A naked long-haired devil holding snakes pursues them on a snorting white horse, while in the foreground, beside a chained Cerberus, jubilant demons welcome the new arrival
Description:
Title from words etched in banner at top of image., Date of publication from British Museum catalogue., Copy, after No. 6128 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Sheet trimmed within plate mark.
Publisher:
Published by E. King, Chancery Lane and Printed by N. Chater
Subject (Topic):
Cerberus (Greek mythology), Lawyers, Hell, Horses, Horseback riding, Devil, Demons, and Death
Title from item., Date supplied by curator., Place of publication derived from street address., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Patients, psychiatric.
"A hand printing-press of metal (a Stanhope Press), supported on the stout legs of a man in breeches which seem to belong to a John Bull, puts to flight mere pigmy humans: two flee to the right, one propelled by a kick from a huge buckled shoe; two others have fallen. Two levers or handles serve as arms; one has a hand which grasps a giant pen, the feather entwined with three serpents which spit flame at the departing legs and cocked hat of Wellington, who, kicked into the air, disappears behind the upper right margin of the design. Another pair of legs, with the black stockings and buckled shoes of Eldon, project from the upper left margin; beside them a single leg and a broom indicate the departing Brougham. A second lever supports a print, 'The Man Wot Drives The Sovereign', copied from British Museum satires no. 15731; a flame issues from the press, threatening to scorch or destroy the print. The press is topped by a cap of Liberty inscribed 'Free Press' and encircled with a wreath. A little demon (a printer's devil) rushes towards the press from the left, holding up a big ink-ball."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Imprint continues: ... sole publisher of P. Pry caricatu[...]., and This image was possibly published in Paul Pry, a newspaper dedicated to exposing political corruption and religious fraud. William Heath often worked with Thomas McLean and is well known for his caricatures and satirical imagery.
Publisher:
Pub. May 30th, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Free press and fair trial, Wit and humor, Pictorial, John Bull (Symbolic character), Arcimboldesque figures, Demons, Kicking, Liberty cap, and Printing presses
Satire against corruption with an image of a huge automaton representing the new London University (later University College, London) tramples over greedy clerics, doctors, lawyers and the crown. Five lines of text below image: "I saw a vision, a giant form appeard, it's eys where [sic] burning lights even of Gas, and on its learned head it bore A Crown of many towers, It's Body was an Engine yea of steam it's arms where [corn?] and the legs with which it stode like unto presses that men called printers use, from whence felt ever and anon small Books that fed the little people of the Earth, It rose and in it's hand it tool a Broom to sweep the rubish [sic] from the face of the land, the Special pleaders & thier [sic] wigs also & the Quack Doctors also and the ghosts & those tha twhear Horns & the Crowns of those kigns that set themselv's above the laws & the Delays in Chancery it utterly destroy'd, likewiase it sweept from the Clergy every Plurality, Nevertheless the Lawyers & the Parsons & divers others kick't up a great dust!!!"
Description:
Title from text above image., Shortshanks is the pseudonym of Robert Seymour., Date from online British Museum catalogue., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A big cauldron rests on the bent backs of Wellington (left), supporting himself on his sword, Sidmouth, knock-kneed and holding a clyster-pipe, and Castlereagh (right), dandified and bland. From their mouths floats a scroll inscribed: "O is not this a Dainty Dish to set before a King." They are on a much smaller scale than the cooks, who stand one on each side, stirring the brew. One (left) is fashionably dressed, and stalwart, with brown complexion and negroid hair. He holds a green bag inscribed 'Rakings of Italy' and uses a spoon. A winged demon whispers in his ear: "Never mind the dirty work my boy it won't spoil your Complexion." He says: "It wants more seasoning master Cook." The other, pale and emaciated, and wearing barrister's wig and bands, stands on a large dispatch-box in order to reach the pot; this is inscribed 'G.R Milan Commission'. He stirs with a rolled document, and answers: "Indeed Mungo it must be warmer to be relished." Behind him and clutching his shoulder stands a large Devil, who says: "This beats the black Broth of Satan." The steam from the pot forms a background for a large fantastic face or mask, George IV, saying: "The Odour of this Cookery is exquisite! How Invigorating!! How Reviving!""--British Museum online catalogue and "A satire on the Milan Commission, instructed by Leach in 1818 to go abroad to procure evidence against the Princess of Wales, its report to the Cabinet in July 1819 forming the contents of the Green Bags, see British Museum Satires No. 13735. The barrister is William Cooke, his companion is his assistant, Lt.-Col. Browne (residing in Milan): Mungo (from Bickerstaffe's comic opera 'The Padlock') was a generic term for a negro, the name also implying one who does dirty jobs, cf. British Museum Satires No. 5030. There was also a solicitor, Powell, called 'the Rat' because he had acted for Burdett in election business. See British Museum Satires No. 10708 and 'Examiner', 1820, p. 540. ..."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 24 of: George Humphrey shop album.
Publisher:
Pubd. July 1820 by Benbow, St. Clements Church Yd., Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cooke, William, 1757-1832, and Browne, Thomas Henry, active 1820
Subject (Topic):
Politicians, Cauldrons, Daggers & swords, Medical equipment & supplies, Cooks, Cookery, Cooking utensils, Demons, Devil, Documents, Boxes, and Bags
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Irish politician as Saint Patrick driving out monsters representing Irish society's evils."--British Museum online catalogue
Alternative Title:
Irish tutelar saint driving the vermin out of Ireland
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left corner of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "118" in brown ink in top center portion of design., Mounted on yellow paper backing., and No. 118.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
Patrick, Saint, 373?-463? and O'Connell, Daniel, 1775-1847
Subject (Topic):
Politicians, Miters, Demons, Monsters, Snakes, Bats, Crocodiles, and Foxes
"The Empress Catherine, at the point of death, leans back supporting herself on a chest or seat against the wall (right) of her closet. She shrinks terrified from solid clouds rolling towards her, which support many spectres. Death, a skeleton, stands behind and above her, his spear about to strike her through the brain. In the upper left corner the sack of 'Warsaw' is in progress, soldiers are killing women and children, others hurling bodies from a battlement. Near these groups of tiny figures 'Kosciusko' sits heavily shackled, a pitcher beside him. Next him stands Stanislaus II of 'Poland', wearing his (lost) crown, his wrists chained. Nearest the Empress stands Peter in a shroud and wearing a crown, holding out clasped hands towards her. A woman's arm points at him with a rod. The other figures are persons in death-agonies: a young man is suspended by the bound wrists from a gibbet. A naked man holds up a rope which is round his neck; a decapitated man holds out his head; a hand holds a sword which has transfixed the naked body of a woman; a naked child holds up a goblet. Other heads emerge from the clouds. The Empress clutches at her petticoat, revealing two cloven hoofs. Behind her head is a bust portrait of Fox, looking with horror at the ghosts among the clouds. The end of the chest on which she sits is removed, showing within it two grinning demons among flames, holding up an open box inscribed 'for Kates Spirit.'"--British Museum online catalogue
Alternative Title:
Tale for future times
Description:
Title from item., Sheet trimmed within plate mark at top and bottom., Temporary local subject terms: Allusion to regicide -- Devil: cloven hoofs -- Reference to the partitions of Poland (1772-1795) -- Reference to the massacre of Praga, 1794., and Watermark: 1794.
Publisher:
Pubd. by S.W. Fores, N. 50 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Peter III, Emperor of Russia, 1728-1762, Stanisław II August, King of Poland, 1732-1798, Kościuszko, Tadeusz, 1746-1817, and Fox, Charles James, 1749-1806
Subject (Topic):
Death, Demons, Executions, Ghosts, Hell, and Skeletons
John Bull lies on his back in bed, his mouth gaping; Pitt, a goblin creature, sits on his chest in profile to the right, holding above his upturned head a loaf inscribed '13 Pence'. Pitt has a huge head, much caricatured, with starting eyeballs; his hair stands up and the bag of his queue, inscribed 'Taxes', flies out behind him. Through a casement window (left) looks a fantastic French republican, with bulging eyeballs and fang-like teeth, glaring at John Bull; from his neck hangs the model of a guillotine. Behind his head is a waning moon. Beside him are the words: 'Republic War and Famine for Ever.' Beneath the bed is a chamber-pot inscribed 'John Bull'; beside it is a chair on which stands a candle
Alternative Title:
Nightmare
Description:
Title etched below image., A satire, on the burderns of war and dearth in 1795, alluding to Henry Fuseli's "The Nightmare"., Tentatively attributed to West in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily with initials G R below.
Publisher:
Pub. Augst. 13, 1795, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville St.
Subject (Geographic):
Great Britain. and France
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Hair powder, Taxation, History, Foreign public opinion, British, Chamber pots, and Demons
A dog with the heads of Lord North, Charles Fox, and Edmund Burke stands guard in front of a gate inscribed, "Portland" and probably representing the Treasury. The dog's "Coalition" collar is secured with an "Interest" padlock and decorated with the Prince of Wales's feathers. The inscription on its tail refers to a bag of euphorbium thrown in Fox's face by an opponent. Above the gate, Cromwell's face makes the central keystone in the arch. It is flanked by two axes and two masks with devil's horns: the smiling one is Lord Derby; the scowling one Admiral Keppel
Description:
Title from item., Cf. No. 6481 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 27 x 37 cm.
Publisher:
Pubd. as the act directs, by J. Ridgway, Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., Derby, Edward Smith Stanley, Earl of, 1752-1834., Keppel, Augustus Keppel, Viscount, 1725-1786., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Cerberus (Greek mythology), Politics and government, Gates, and Demons
