Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., 1 print : etching with engraving on laid paper ; sheet 25.8 x 14.9 cm., and Imperfect; sheet trimmed within plate mark on top edge with loss of title.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
Ferdinand VII, seated on a throne on a low platform inscribed "TIRANIA", is flanked by two advisers, the Devil on the left and a friar on the right. At the friar's feet, in the foreground, a demon burns newspapers with a firebrand. Tortures of the Inquisition are seen in the background
Description:
Title from text in image., A close copy, with same imprint but with other inscriptions translated into Spanish, of a print by George Cruikshank entitled "The curse of Spain". Cf. No. 13009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Six lines of text below image: En tanto que los bravos españoles, Derramaban su sangre por Fernando, El á Napoleon felicitaba, Por las victorias que en el suelo hispano, Sus sanguinárias huestes conseguian-- Ved las hazañas de este Monstruo infando. La Ferdinanda. Lib. 1. v. 129., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1303., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 868., and Watermark: J. Whatman 1818.
Publisher:
Washington
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Napoleon I, Emperor of the French, 1769-1821.
"The King (left), plainly dressed, sits on a chair on a dais, a pillar and curtain indicating the throne. He angrily addresses a band of Ministers (and others) who are encircled by a ribbon inscribed The Bond of Union; the end of this is held by the Pope (right). Raising a document inscribed Coronation Oath he exclaims: Is that your only Bond of Union? Is that the flimsey Thread that Ties this hetrogenous [sic] Mass. What? have ye hid your base designs beneath the Cloak of Secrecy? Think ye to Catch your Sovereign off his guard? to tempt him to forget his Solemn Oath? and by one desperate Stroke, destroy the Church & Constitution too?!! begone, and instantly give place to honest Men. Lady Conyngham peeps from behind his chair, saying, I do exceedingly Fear & Tremble. The nine Ministers, closely tied together, advance menacingly, each raising a cross in the right hand. The Pope, triumphant and sinister, also holding a cross, says: Strike My Son's Now or never!! The four nearest the picture plane are (left to right) Canning, Brougham, Burdett, and Lansdowne with Scarlett just behind him; the other four are partly hidden and poorly characterized. Lansdowne is copied from satires of 1806-7, when he was Chancellor of the Exchequer: he is dwarfish, and held up by the 'Bond', his legs dangling. Three say respectively: No bolting when you come to the Scratch; Nine to one will certainly be more--than a Match for him; Stick together. Above them flies a demon holding the firebrand of Discord, while Harmony, a winged child (right) holding a lyre, flies off discomfited."--British Museum online catalogue
Alternative Title:
Symptoms of dictating, cabaling, conspiring, overawing &c. &c.
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 32 x 46 cm.
Publisher:
Pub. May 16, 1827, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Canning, George, 1770-1827, Broughton, John Cam Hobhouse, Baron, 1786-1869, Burdett, Francis, 1770-1844, Scarlett, James, Sir, 1769-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Leo XII, Pope, 1760-1829
Subject (Topic):
Thrones, Columns, Draperies, Ribbons, Crosses, and Demons
Seeking truth through alchemy, philosophical speculation, mysticism
Description:
Title from text in image., Alternate title supplied by curator., From: Henricus Khunrath, Amphitheatrum sapientiae aeternae., Pencil notation verso: [Illegible] Dr. H Khunrath 1602., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Meissonier, Jean Louis Ernest, 1815-1891, printmaker
Published / Created:
[not after 1891]
Call Number:
Print01153
Image Count:
1
Resource Type:
still image
Description:
Title from item., Possibly by Meissonier., Date derived from attributed printmaker's date of death., Place of publication derived from publisher's street address., In margin upper left: Série pol.146., Published: Le Charivari., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Sleep; Politics, French; Demons & devils.
Publisher:
Chez Aubert, galerie véro dodat and L. de Bequet, rue Furstemberg 6.
Subject (Geographic):
France
Subject (Topic):
Nightmares, Demons, Government facilities, Medical equipment & supplies, Sleeping, Crowns, and Politics and government
Three candidates for Westminster election are shown under the portico of St. Paul's, from left, Admiral Rodney, accompanied by the figure of Neptune, sword in his right hand, announcement of victory over the Spanish fleet at Gibraltar in his left; Charles James Fox, holding in his left hand an open book inscribed "Magna Charta" and accompanied by the figure of Britannia petting a fox seated in her lap; Lord Lincoln, who lost the election, with a devil hovering above him. He is holding a scroll inscribed with the number of purchased votes and acknowledgement of bringing the news of the capture of Charleston. Below the portico the poll-clerks sit behind a long table, their books on top. Fox's supporters are gathered to the right and can be distinguished by fox's tails in their hats. A band of butchers plays in the foreground. More tails are offered for sale at the stand to the far right. A man carries a stuffed fox on a pole, placarded "4878 Reynard for ever." Next to him is a barrel of beer
Description:
Title from item. and Variant of no. 5699 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd as the Act directs Sept. 25, 1780, by P. Mitchell, North Audly Stt. Grosr. Sqr. & J. Harris, Sweething Alley, Cornhill
Subject (Geographic):
England and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Rodney, George Brydges Rodney, Baron, 1719-1792, Newcastle, Thomas Pelham-Clinton, Duke of, 1752-1795, and Neptune (Roman deity)
Subject (Topic):
Britannia (Symbolic character), Demons, Political elections, Crowds, Foxes, and Butchers
Bateman's tragedy and Godly warning to all maidens
Description:
Date of publication from ESTC., Verse, known as 'Bateman's tragedy' - "You dainty dames so finely fram'd,". - In four columns, with the first and second as well as the third and fourth columns separated by ornamental rules; the title and first woodcut are above the first two columns while the second woodcut is above the third and fourth columns., Mounted on leaf 69. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
20 demons teasing me, Vingt démons me turlupinant, and Twenty demons teasing me
Description:
Title in English and French from "Five Hundred Years of Medicine in Art"., Place of publication derived from artist's place of residence., Artist's name and date etched in plate at top center., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and "James Ensor 1895" in pencil at lower right. Title in pencil verso.
Title and date from British Museum catalogue., Sheet trimmed to plate mark., Fifteen lines of verse in center of sheet in a vignette between two images comprising this print: The sacred Lion conquers every foe, and tears in pieces all devouring beasts ..., Temporary local subject terms: British Lion -- Emblems: Unicorn and thistle for Scotland., Truman's notes about the print are shelved as: LWL Mss Group 1 File 9., Bowditch's note on mounting sheet: Truman Sale 1906., Watermark: Strasburg bend., and Mounted to 49 x 35 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Louis XV, King of France, 1710-1774, Benedict XIV, Pope, 1675-1758, and William Augustus, Prince, Duke of Cumberland, 1721-1765