Manuscript on parchment (thick, fuzzy on hair side) of a Book of Hours, followed by 3 short devotional texts in French
Description:
In Latin., Script: Written in two styles of script: large gothic bookhands, often with only 3-4 words per line, by three scribes for ff. 1r, 2r-91r, 93r-115v, respectively; Anglicana scripts for ff. 1v, 91v-92v (added prayers)., The codex, now in fragmentary condition with no miniatures extant, contains a sequence of historiated initials, some badly rubbed. Large historiated initials, 3-line, pink or blue with white designs on blue square ground framed with gold; both initial and frame edged in black; figures on gold ground, often rubbed and flaked; elongated dragons extend into margins for ascenders, as in initial D. Small historiated initials, 2-line, of similar designs and colors, but on cusped gold grounds. Other text divisions marked by 2-line initials, pink, orange, blue with simple foliage motifs in the same colors and yellow, all with designs in white and on square or cusped gold grounds that often extend far into margins. Initials on ff. 93-115 are somewhat more delicate in appearance and presumably by a different hand than those on ff. 2-91. 1-line initials in red with blue penwork designs alternate with opposing color scheme. Elaborate line-fillers, including fish and heads of long-beaked beasts, for litany (art. 5). Headings in red, ff. 2-91 only., Manuscript has been heavily trimmed with loss of marginal decoration; staining, rubbing throughout affects illumination., and Binding: 19th-20th centuries, England. Rigid vellum case with note on spine "MS. Circa 1400". Red edges. Bound by Birdsell and Son (Northampton, 1792 and later).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on trimmed parchment. Note rubrics on ff. 59v, 81r and 101v mentioning "l'eglise catholique" and "Institution catholique", and lengthy prayer against heretics, ff. 103r-106v
Description:
In French., Script: Written and illuminated by Pierre Aymes in a roman and italic script influenced by printing., Thirty-two miniatures, in brown frames, of average quality. 2-line initials, gold, blue or silver against gold, red, green or blue grounds. Bounding lines reinforced in gold and pink. Rubrics throughout. Full border on title page made up of panels framed in gold filled with grotesques, candelabra, masks against pinks grounds., and Binding: 16th-17th centuries. Sewn on three single, tawed supports laced into the boards. Gilt edges and red- and cream-beaded endbands. Covered in brown calf, gold-tooled all over with strap work and arabesques in concentric frames. Two fastenings, now wanting. Engravings of the Virgin Mary glued to front and back pastedowns. Front pastedown: Virgin and child handing rosary to St. Dominic with legend Psalterii B. Mariae Virginis aut Rosarii inuentur S. Dnic. Back pastedown: S. Maria Mater Dei with four flowers in corners.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (poor quality: many ends, some stitched pieces; trimmed) of Suffrages and Prayers. Reputed to have been made for Marguerite de Valois, duchess of Savoy (1523-74), though there is no evidence of this within the manuscript
Description:
In Latin and French., Script: Written in batarde by several persons., Forty-six miniatures of very poor quality, the majority 10- to 8-lines, rectangular and full width of folio, framed in brown ink; four others (ff. 42v, 53r, 73v, and 104v) 5- to 4-lines, square, in gold frames edged in blue. 4- to 3-lines initials, ff. 1r-7v only, silver or gold on magenta or blue irregular grounds, with gold or silver filigree. 2- and 1-lines initials in red. Line-fillers in red and brown floral patterns. Rubrics throughout., and Binding: 16th-17th centuries. Resewn on four very small vegetable fiber cords. The spine of the cover shows that the earlier supports were nearly flat and double and that there were two half-bands near head and tail. Red edges. Covered in yellow/brown calf, blind-tooled with a central panel filled with strap work inside floral borders. A rectangle of leather near the center is painted red and "Margveritte de Savoye" is tooled near the head of the lower board. The cover has been made into a case or hollow-backed binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of The Horloge de Sapience, a loose translation and adaptation into French of Henry Suso, Horologium sapientiae. With a Colophon, in French verse, stating that the translation was made by a French Franciscan master of theology at Neufchateau in 1389
Description:
In French., Script: Written in batarde script, below top line., Plain initials, 4- to 1-line, headings, paragraph marks, initial strokes, foliation and underlining, all in red., and Binding: 1800-1810, France. Diced brown calf, blind-and gold-tooled. Edges gilt. Stains from turn-ins of early binding on original front parchment pastedown. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Seuse, Heinrich, 1295-1366. and Franciscans
Subject (Topic):
Manuscripts, Devotional literature, French, Literature, Medieval, Manuscripts, Medieval, and Mysticism
Manuscript on parchment. The book is not so much a guide to the pilgrimage churches of Rome, as a set of instructions on how to obtain the same spiritual benefits without making the actual pilgrimage. The seven letters designating the seven Roman basilicas serve as references throughout the manuscript. The latest indulgence to be mentioned (f. 14r) was awarded by Pope Pius II (1458-1464). After the description of the indulgences to be obtained in the seven principal churches, the manuscript mentions the station days and indulgences for the Temporale and for the Sanctorale and the visits to make during the non-station days
Description:
In French., Script: Copied by one hand in Gothica Cursiva Formata (Bastarda)., Headings in red ink. Liquid gold paragraph marks on square alternately red and brown background. Liquid gold 1-line initials on similar background. 2-line silver trompe-l'oeil initials decorated with foliage on coloured background. Similar 2- or 3-line gold or silver initials containing a flower on indented coloured background in art. 1. In art. 1 seven three-quarter page square arch-topped miniatures above 3 lines of text., and Binding: Seventeenth century. Richly gold-tooled red morocco over cardboard; gold-tooled spine with four raised bands and title "PRI* MANUSCR." Pastedowns decorated with green and gold arabesques.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Margaret, of York, Duchess, consort of Charles the Bold, Duke of Burgundy, 1446-1503.
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, Indulgences, and Manuscripts, Medieval
Manuscript on parchment (soft, furry; trimmed) in two parts, the first of which has several distinct formats. Part I: 1) Pierre de Peckham, La lumiere as Lais, lacking all of Book I and part of Book II. Part II: 2) Edmund Rich, St., abp. of Canterbury, Speculum amicicie, also known as Speculum religiosorum or Speculum ecclesie, in a French translation. 3) Poem on the love of God and the hatred of sin. 4) Hymn based on the "Iesu dulcis memoria" (14 quatrains). 5) Appeal of Christ to sinner. 6) Collection of recipes
Description:
In French., Script: Part I: Written in gothic textura by two hands: Scribe 1) ff. 1r-71v; Scribe 2) ff. 72r-85v. Part II: Written in gothic textura by two hands: Scribe 1) ff. 86r-99v (column 1); Scribe 2) ff. 99v (column 2)-110v., Decoration, Part I: One historiated initial, f. 16v, Master expounding to a pupil, figures predominantly pink and blue on a pale purple and gold diapered ground; blue initial with white filigree and pink and green curling vine serifs on a pink ground with white ivy; ground framed by a thick gold band, edged in black. Two styles of minor decoration that correspond to work division of the two scribes: ff. 1r-71v, 2-line initials, blue or gold with red or blue penwork with flourishes; 1-line initials, blue or gold; numerous line-fillers, almost every line in different styles, blue and gold; first letter of each verse stroked in red. ff. 72r-85v, 2-line initials, blue with red penwork and flourishes. No line-fillers. First letter of each verse stroked in red. Rubrics throughout. Part II: Decorative initial, divided red and blue, 4-line, on f. 86r, with blue and red flourishes and design cascading down inner margin. 2-line initials, blue, with red penwork and flourishes. 1-line initials, red or blue. Rubrics throughout. Very crude drawings (16th century) added on f. 111r-v., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled. Bound by F. Bedford (London, active 1851-ca. 1883). Title on spine: "Lume As Lais/ Poemes francais MS. XIV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pierre, de Peckham, -1293.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript, on parchment, in a single hand, incomplete, containing the text of a prose allegorical pilgrimage of the soul. The narrator's soul is led by Dame Inspiration to the Fountain of Penitence (Fontaine de penitence); after being washed there, the soul continues her journey toward the Promised Land (Terre de promission) on the Ship of Penitence (Navire de penitence).
Description:
In Middle French., Laid in: autograph letter,signed, from the Liverpool bookseller Jaggard to Allan Heywood Bright, 1896 April 27, concerning the unknown early provenance of the manuscript. With autograph and typed notes by Allan Heywood Bright, 1898 and undated., Title from ownership inscription by Remy Megret (f80r)., Opening sentence: Les continuelles meditationes de la volubilite et soudaine mutation des creatures raisonnables., Layout: single columns of 19 lines., Script: gothic bastarda., and Decoration: 13 large full-color miniatures in architectural frames illustrating various events in the allegorical pilgrimage of the author's soul, guided by Dame Inspiration. The opening miniature is full-page and depicts the author asleep beneath a tree hung with her coat of arms. Other subjects include: the soul, accompanied by Dame Inspiration, begins her pilgrimage to the Fontaine de Penitence f.9; Inspiration explains to the soul what needs to be done in order to reach the Fontaine de Penitence f.11, the soul, carried on the back of Inspiration, flies to the Château de Contention diabolique f.17, Inspiration and the soul meet Raison f.20; the soul enters the Chemin de Crainte de Dieu f.35; souls are cleansed in the Fontaine de Penitence f.47; the soul sets off on her journey to the Terre de Promission f.50v; the company journey to the coast where they find boats awaiting them f.53; the company embark f.58; the company sets off on the Navire de Penitence f.61; the company is attacked by seven other boats f.63; the company is swept up by the Vent de Hypocrisie f.69v.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Amboise, Catherine d', 1481?-1550. and Megret, Remy.
Subject (Topic):
Allegories, Devotional literature, French, French prose literature, Illumination of books and manuscripts, French, Illumination of books and manuscripts, Medieval, Illumination of books and manuscripts, Renaissance, Manuscripts, Medieval, Repentance, Soul, Women, Conduct of life, and Women authors, French
Manuscript on parchment (thick, poor quality; trimmed) of 1) Guillaume de Deguilleville, Le Pelerinage de vie humaine. 2) Guillaume de Deguilleville, three poems in Latin. 3) Poem added in a 15th-century hand, contrasting the life of a servant and a rich man. 4) Willem van Ruysbroeck, Itinerarium. 5) Summary of Aethicus Ister, Cosmographia III.31-39, on the land of Gog and Magog. 6) Jean Chapuis, Les sept articles de la fois; often attributed, as it is here, to Jean de Meun
Description:
In Latin and French., Script: Composed of two distinct parts. Written by multiple scribes in cursive, with or without loops., Part I (ff. 1r-92v): illustrated with 79 column miniatures; two others on ff. 83v and 85r have been cut out. The miniatures are simple pen drawings, tinted pink, red, tan, purple, and blue, in pen-ruled frames, tinted in yellow; on ff. 18r and 22r with ivy leaves on hair-line stems at corners and centers. On f. 16v an unframed drawing of the carpenter's pax. 2-line initials throughout, red or blue with black or red penwork. First letter of each verse stroked in yellow. Proper names in red., Part II (ff. 93r-129r, 129v-141v) has two distinct formats. Between ff. 93r and 135r (art. 5), two 2-line initials, red, with simple brown penwork. Some capitals stroked in red or yellow. Between ff. 135v and 141r (art. 6), three crude tinted drawings, red, green and brown, in initials, either divided red and brown with red flourishes and dots, or red, with a scroll and a fish incorporated. Three drawings cut out from ff. 135v, 136v and 137r. Space left for one drawing on f. 139r and for two on f. 140v. 2-line initials in red, some with red penwork., Folio 1r-v damaged, with loss of text and parts of miniatures., and Binding: Eighteenth century. Brown, mottled calf with a gold-tooled spine and a red label. Edges spattered red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Deguileville, active 14th century. and Franciscans
Subject (Topic):
Manuscripts, Cosmography, Devotional literature, Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval, and Theology