"View within the dining hall of the asylum in Lambeth; girls dressed in simple purple dresses with white bonnets seated at long narrow tables along sides of plain large room, with flagstones and grey walls; a few more elegantly dressed figures strolling between the tables."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 25., Plate numbered in upper right, above image: Plate 5., Temporary local Medical Library subject terms: Asylum, or House of Refuge., and 1 print : aquatint and etching, hand-colored ; plate mark 242 x 292 mm.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Lambeth (London, England), London (England), Great Britain., England, and London.
"View within the dining hall of the asylum in Lambeth; girls dressed in simple purple dresses with white bonnets seated at long narrow tables along sides of plain large room, with flagstones and grey walls; a few more elegantly dressed figures strolling between the tables."--British Museum online catalogue
Description:
Title etched below image., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 25., Plate numbered in upper right, above image: Plate 5., and Temporary local Medical Library subject terms: Asylum, or House of Refuge.
Publisher:
Pub. Feb. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
Lambeth (London, England), London (England), Great Britain., England, and London.
"The King, Queen, and three princesses are seated at a small dinner-table, on which is a soup-tureen, &c. The King holds a plate on which is an insect, turning round to address angrily a cook (right), who stands trembling beside him. Two alarmed servants stand behind the King's chair. The Queen and princesses make gestures of alarm; one princess (left) has risen from her chair in horror. On the extreme left stands a beefeater holding a jug, who lets glasses fall from a salver in his consternation. A draped window forms a background."--British Museum online catalogue
Description:
Title etched below image; source of the title "Lousiad canto 1st" as indicated., Printmaker from Grego., Date of publication from British Museum catalogue., Sheet trimmed to plate mark on right and left sides., and Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto I. London, G. Kearsley, 1787.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"A sequence of disasters: a servant (left), entering with a joint of meat, is tripped up by a dog, falls forward, bringing his dish down heavily on the head of one diner. The latter falls backwards, grabbing the table, which tilts and, together with a plate of soup, strikes his 'vis-à-vis' under the chin. The contents of a large tureen deluge the falling man. A second servant (right) runs forward with uplifted arms. Two lighted candles fall with the table."--British Museum catalogue
Description:
Title etched below image., Plate numbered '10' in upper right corner., and Sheet trimmed to and within plate mark.
"A civic feast: men sit on each side of a table whose ends are cut off by the margins of the print. Four men sit on a bench on the near side of the table: a short man (left) in regimentals, his hair or wig in a long pigtail queue, probably an officer in the city militia, drinks from a tankard. Next him a man in bag-wig and laced coat is waggishly pouring the contents of a sauce-boat into the coat-pocket of the man on his right hand, who, quite unconscious of this, is stuffing into his other pocket provisions abstracted from the table. The man on the extreme left lifts his glass in his left hand, looking across to the man at the opposite corner of the table, who stands to return his toast. On the farther side of the table are six men. A waiter serves a stout man with wine. The wall of the room forms the background: in the centre is a chimney-piece, over which is the seated three quarter length portrait of a Lord Mayor wearing his civic chain and smoking a long pipe; his elbow rests on a table and on a document "Pro Magna Charta". An open book is "Lord Littleton on Co[ke]". On each side of the chimney-piece hang hats, one with a tasselled cane."--British Museum online catalogue
Description:
Title engraved below image., Publisher dates from British Museum catalogue., See Catalogue of prints and drawings in the British Museum, no. 6135 in v. 5 for later state which changes to imprint., and Partial watermark top center of sheet.
Publisher:
Publish'd April 21st, 1784, by Wm. Wells, No. 132 (opposite Salisbury Court) Fleet Street, London
Subject (Geographic):
England and London.
Subject (Topic):
Banquets, Eating & drinking, Drinking vessels, Fireplaces, Dining rooms, Municipal officials, Pipes (Smoking), Tableware, and Waiters
"In a dining hall, the King standing at right draws his sword to knight the miller kneeling at left, a group of three men and one woman standing behind him, another figure stands behind the table at right, a dog at the other side leaning on a bench; after an untraced painting by Hayman for Vauxhall Gardens (Allen CL 215)."--British Museum online catalogue
Alternative Title:
King and Miller of Mansfield, representing the scene of knighting the miller
Description:
Title engraved below image., Later state, with printing plate trimmed at top and bottom, removing part of the original design. Title and statements of responsibility re-engraved in newly-created lower margin, with original "N. Parr sculp." printmaker's signature changed. For an earlier state published by Thomas and John Bowles in 1743, see British Museum online catalogue, registration no.: 1862,1011.609., Date of publication based on the separation of John and Carington Bowles's names in imprint statement; Carington Bowles separated his business from his father's in 1764. See British Museum online catalogue. See also Carington Bowles's entry in: Maxted, I. London book trades, 1775-1800., Plate numbered "a. 3" in upper right corner., Inlaid to 38 x 55 cm., and Mounted on page 101 in an album containing material relating to Spring Gardens, Vauxhall, with the spine title: Vauxhall miscellany.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil, and Carington Bowles in St. Pauls Church Yard, London
Subject (Name):
Vauxhall Gardens (London, England)
Subject (Topic):
Dining rooms, Kings, Daggers & swords, Millers, Knighting, and Dogs
On the right a balding man sits at a well-laid table opposite a parson. The bald man has his arm around the waist of a pretty young woman who stands to his right with her one hand on his head. The parson toastst the couple. A dog sits on the floor near the table on the left. In the background are two pictures that amplify the subject of the print: above the hearth is a picture of a horse, and on the wall to the left (beside a ornate mirror) is a portrait of a bald man in an oval frame
Description:
Title engraved below image., Four lines of verse in two columns on each side of title: If I live to grow old, for I find I go down. ... And a clearly young girl to rub my bald pate', and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 26th, 1792, by S.W. Fores, No. 3 Piccadilly
Group portrait of nine men seated around a table set with fruit and decanters; they are served by a black page. Boswell is on the left, with Johnson to his right talking to Edmund Burke; Reynolds is seated across from Johnson and listens with a trumpet to his ear. Garrick to the left of Reynolds faces the viewer, while Pasquale Paoli to his left observes Johnson conversing at the far end of the table. Charles Burney across from Paoli also follows the same conversation, as he rests his right hand on his chin. Next to Paoli, Warton leans toward Oliver Goldsmith who sits at the head of the table on the right; Warton holds his hand up towards his mouth as if to keep his words confidential. The room is richly decorated with a Japanese screen on the right, curtains, a miniature portrait, and a portrait bust on a pedestal on the left; Reynolds' pictures of Puck (Mannings 2142) and the Infant Academy (Mannings 2092) hanging on the wall and a bright chandelier hangs above the table
Description:
Title from later state in the British Museum., Also etched below is a facsimilie the nine individuals' signatures., and Tear badly repaired with tape, lower right corner. For further information, consult library staff.
Publisher:
Published July 1st 1848 by the proprietors Wm. Walker, 64 Margaret St., Cavendish Sqre., & Owen Bailey, 128 Seymour St. Euston Sqre