A coat of arms divided into two main portions, with each half designed individually. The crest is surrounded by elaborate mantling, flowers, and leaves, with a dog at the helm, and a dragon to the lower right. Within the lower portion of the crest is the motto Cave Malo.
Subject (Name):
Cave, James
Subject (Topic):
Amorial, Armorial bookplates, Dogs, Dragon, Shield, Shields, and Surgeons
"A foppishly dressed man stands full face, holding a cane against his left shoulder. The fingers of his right hand are extended to display a large ring on the fourth finger. He wears a high-crowned hat, a voluminous swathing round his neck apparently of spotted gauze; a high collar at the back of his head reaches his hat-brim. His breeches are high in the waist and long in the leg where they are tied; low wrinkled top-boots show striped stockings. His coat is cut away to form tails. Beside him is a small dog with a ruff-like collar."--British Museum catalogue
Description:
Title etched below image., Eight lines of verse in two columns below title: 'Whoe,er, with curious eye, has rang'd Through Ovids tales, has Seen, How Jove, incens'd, to Monkies chang'd A tribe of worthless Men, The Brute with Contempt the man surveyd Nor would a name bestow, But Woman lik'd the motley breed And Calld this thing a Beau.', and Watermark (partial): initials G R below shield.
Publisher:
Pub. Mar. 29, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Dogs, and Rings
"John Bull, blind, maimed, and ragged, walks (right to left) near a chasm, the edge of which stretches across the foreground of the design. His wooden right arm terminates in a hook to which is attached a cord from the collar of a lean greyhound with the head of Pitt (as in BMSat 8794). Pitt drags him forward and slightly towards the gulf; in his mouth is a large bare bone, his collar is inscribed 'Licenc'd to Lead'. In John Bull's left hand is a staff, on his back a burden inscribed 'Loans'. He has a wooden leg, which a dog with the head of Sheridan and a collar inscribed 'Licenc'd to Bite' is biting savagely. Behind and on the extreme right is a dog with the head of Grey, and a collar inscribed 'Grey Hound'; he bites John Bull's coat. Fox, a mastiff with a fox's brush, stands behind Pitt, glaring fiercely, on his collar is 'Licenc'd to Bark'. Behind is grass and a tree (left) and in the distance the roofs and spires of London, showing St. Paul's."--British Museum online catalogue
Alternative Title:
John Bull and his dog Faithful
Description:
Title etched below image., Printmaker from British Museum catalogue., A satire on a Dog Tax, April 1796., and Mounted to 31 x 46 cm.
Publisher:
Pubd. April 20th, 1796, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Grey, Charles Grey, Earl, 1764-1845, and St. Paul's Cathedral (London, England),
Subject (Topic):
John Bull (Symbolic character), Taxation of personal property, Artificial limbs, Blindness, Debt, Dogs, and People with disabilities
"John Bull (left), wearing a star centred by a heart: 'Queens Order of Knighthood', furiously kicks Italian witnesses from a quay into the sea, where (right) a boat waits to take them to a packet-boat. His bull-dog is about to bite, and he raises a massive bludgeon, kicking a lean grenadier with an empty sleeve, to whose back is tied a large green bag (see British Museum Satires No. 13735) inscribed 'Infernal Lies from Como' [cf. No. 13857]. On this capers a demon, holding a noose above the Italian's head, and in the left hand a little gibbet from which hangs a tiny effigy of the Grenadier with his bundle. The Italian holds a stiletto and wears a high cap with dangling bell on which are skull and cross-bones. J. B. shouts: "This is Freedom's own Land, 'tis the land of the Queen, Where no hired traducers shall ever be seen, Be off each vile Eunuch--be off high and low or I'll knock you to H--ll with an Englishmans blow!!" The Italian looks back to say: "If thus you pay Italian Spies I'll bring no more Infernal Lies" Another Italian wearing braided livery is knee-deep in the sea, he looks back angrily at John, holding dagger and pistol. A terrified foreigner, ragged but fashionable, leaps towards the water, exclaiming: "Diable!! Jean Anglaise [sic]." A woman with a bunch of keys, in full flight, pours the contents of a 'Pot de Chambre' over a grotesque lawyer (Leach), who is racing down steps to the water with a green bag of 'Lies from Milan'. She says: "Dis Pot contains mine Evidence--do taste it Signor Horse Leach, you vill find very strong proof of Guilt." Leach, looking over his shoulder, says: "This Business smells strong We have kept it too long" A sturdy sailor standing in a boat at the foot of the steps fends him off with a boat-hook, saying: "Shew me a clean bill of health signed Caroline or by G d you sha'nt come on board here."."--British Museum online catalogue
Alternative Title:
Kick from Harwich to Holland
Description:
Title etched below image., Questionably attributed to William Elmes in the British Museum catalogue., Sheet trimmed within plate mark on left side., "Vivant Regina!!"--Beneath lower right corner of image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 41 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Published July 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Leach, John, 1760-1834
Subject (Topic):
John Bull (Symbolic character), Witnesses, Ethnic stereotypes, Boats, Dogs, Staffs (Sticks), Demons, Nooses, Gallows, Daggers & swords, Handguns, Keys (Hardware), Bags, Lawyers, Sailors, and British
"Four designs, each with a title, the plate divided into four quarters. [1] 'John Bull Happy'. A cottage interior: John Bull, a stout countryman with wrinkled gaiters as in BMSat 7889, 8141, dozes serenely in an arm-chair before a blazing fire, holding a pitcher on his knee. Behind (left), his wife sits spinning; two little boys feed a bird in a wicker cage. A pretty young woman approaches the open door with a milk-pail on her head. Brass utensils are ranged on the chimney-piece, beside which is a roasting-jack with wheel and chain. A well-fed cat and dog sleep amicably by the fire. [2] 'John Bull going to the Wars'. John Bull has enlisted and marches off (left to right) beside a file of soldiers with drawn sabres, the man next him blowing a bugle. He marches with awkward energy, gazing proudly in profile to the right, not to see his wife and children (left), who cling to him, weeping. He holds a musket and is dressed as in [1], with the addition of a grenadier's cap and bandolier. Behind (left) is a corner of his cottage. [3] 'John Bull's Property in danger'. John Bull's wife, followed by her three children, approaches the stone gateway of the Treasury, its iron gate open, the three balls of a pawnbroker above it, the inscription 'Money Lent by Authority'. Beside it are two bills: 'Wanted a Number of Recruits to serve abroad' and 'List of Bankrupts John Bull'. The woman carries her spinning-wheel and a bundle of household goods; the smallest boy, holding his mother's petticoat, carries the bird-cage; the girl carries the churn and a bowl. The elder boy carries spade, rake, and pitchfork (a kettle slung to the prongs) and leads a pig. [4] 'John Bull's glorious Return'. A gaunt, one-legged, and one-eyed soldier (right), in tattered uniform, limps on crutches into a miserable hovel in which his starving family crouch over a fire lit on the hearth. The little boy clutches a bare bone; onions and a broken dish are on the floor (cf. BMSat 8145). Mother and sons are ragged and emaciated, the daughter has a certain youthful grace. They look with frightened astonishment at their almost unrecognizable father."--British Museum online catalogue
Alternative Title:
John Bull happy, John Bull going to the wars, John Bull's property in danger, and John Bull's glorious return
Description:
Title etched below images., Four designs on one plate, each with a caption title., Sheet trimmed within plate mark., and Temporary local subject terms: Interiors: cottage -- Bird cages -- Kitchen utensils: churn -- Farming tools -- Spinning-wheel -- Children -- British soldiers -- Military uniforms: Grenadier's cap -- Bandolier -- Swords: sabres -- Guns: bayoneted musket -- Musical instruments: bugle -- Emblems: pawnbroker's three balls -- Veterans -- Medical: amputees -- Crutches -- Eye patches -- Poverty.
Publisher:
Pubd. June 3d, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Topic):
John Bull (Symbolic character), Cats, Dogs, and Fireplaces
"Gilpin gallops (right to left) past the 'Bell' at Edmonton. His wife leans from the balcony over the door. With her are three children and a woman holding an infant. Two horsemen are in pursuit, one holds up Gilpin's wig. A spaniel barks. The inn appears to be drawn with some topographical correctness. A sign bestrides the road (right) with the words 'The Old Bell \ An Ordinar[y] \ Late Lan' and, below the bell, 'J. King from'. Another sign is on the front of the house."--British Museum online catalogue
Alternative Title:
John Gilpin's return from war
Description:
Title from caption below image., Verse in three columns below title begins: "Away went Gilpin, and away went Gilpin's hat and wig; He lost them sooner than at first for why? They were too big ...", Numbered "558" in lower left corner., Sheet trimmed to plate mark., No. 31 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Chasing, Dogs, Families, Horseback riding, Horses, and Taverns (Inns)
Leaf 12. Poems, explaining the seven cartons painted by Raphael Urbin.
Image Count:
1
Resource Type:
still image
Abstract:
"Gilpin gallops (right to left) past the 'Bell' at Edmonton. His wife and family watch from the balcony; an inn-servant from the door. Dogs bark and spectators are amused."--British Museum catalogue
Alternative Title:
'Stop, stop, John Gilpin! here's the house!' they all at once did cry ...
Description:
Title etched above image., Four lines of verse below image: 'Stop, stop, John Gilpin! here's the house!' they all at once did cry; the dinner waits, and we are tir'd! said Gilpin 'So am I!'., Third plate in a series of six, each with a plate number in the upper right and verses at bottom. All plates have the same publication line and date; plate 1 has the longer title "Six prints, from the renowned History of John Gilpin" as well as "Book 110" etched in upper left corner. See British Museum catalgoue., Plate numbered "3" in upper right corner., and Bound in as leaf 12 in an extra-illustrated copy of: Fowler, J. Poems, explaining the seven cartons painted by Raphael Urbin. [London?], [1707?].
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Cowper, William, 1731-1800.
Subject (Topic):
Horseback riding, Taverns (Inns), Servants, Family members, Balconies, Spectators, and Dogs
A shield with an azure field and a large garbe of wheat at center. At the crest, atop a torse, is a dog passant. Surrounding the shield are two long flowery stems; at the base of the shield, atop both the stems, is a long, striped banner.
Subject (Name):
Grosvenor, John
Subject (Topic):
Armorial, Dogs, Nature, Shield, Shields, and Surgeons
A coat of arms divided into four quadrants. The first division features three hunting horns; the second and fourth each are parsed into two vertical halves with a lion on one side, and the heads and torsos of three horses. The third divide consists of three dogs. The shield is surrounded by a large mantling; at the helm, atop a torse, is the head and neck of a fourth dog.
A shield on which, upon a gules field, are featured three dogs. At the helm, engulfed by elaborate leafing and scaling that surrounds the entire shield as well, is a knight's helmet. At the crest, atop a torse, is a fourth dog rampant.
Subject (Name):
Johnson, John
Subject (Topic):
Armorial, Dogs, Helmet, Physicians, Shield, and Shields
